

'^^. .# ♦ 



•^ & 

%.<^ 






















LIBRARY OF CONGRESS. 



Chap. , Copyright No., 

Shelf„__3-1„.,, 



UNSTED STATES OF AMERICA. 

T 



CATALOGUE 

(illustrated) 

FINE ARTS DEPARTMENT TENNESSEE 
CENTENNIAL 



ijUHia 



A talent for any art is rare, but it is given to nearly every 
one to cultivate a taste for art— only it must be cultivated 
with earnestness. The more things thou learnest — to know 
and to enjoy— the more complete and full for thee will be the 
delight of living.— Platen. 



eM 



Printed for the Fine Arts Department 
Tennessee Centennial 



PRESS OF COPYRIGHTED BY 

THE BRANDON COMPANY THEODORE: COOLEY 

NASHVILLE 



V\'- 




JJ 



Tennessee Centennial 



¥¥ 



President, John W. Thomas. 

Vice-President, Van Leer Kirkman, 

Director-General, E. C. Lewis. 

Director of Affairs, W. L. Dudt.ev. 

Commissioner-General, A. W. Wir.LS. 



-¥¥ 



Department Fine Arts^ History^ Architecture 
and Antiquities 



Cliief, Theodore Cooley. 



COMMITTEE. 

Theodore Cooley, Gates P. Thruston, 

Robert L. Morris, Herman Justi, 

AIvBERT D. Marks, Wm. R. Garrett, 

Wm. C. Smith, W. J. McMurray. 

John H11.1. Eakin, 

Secretary, Miss Juwa Hindman. 



Chairmen Sub-committees : 

Fine Arts, Robert L. Morris. 

Architecture, Wm. C. Smith. History, Wm. R. Garrett. 

Antiquities, Gates P. Thruston. 

(3) 



]] 



_LS3AA 



U 



ro 



r\- 



\n 



J L 



vO 



C\J 



] C 



: c 



r 



EAST 



II 

acT! 

rtO 



J> 



Cm g| 






o 

< 
w 



a S 



S 






g1 

S CO 



o -t:! o 
^ o I I 



Pel's::: c^o 

OOJ > TO ^1 

«i1 O OO 



Acknowledgments. 



The Art Committee desires to hereby express its appreciation of 
contributions appearing in this catalogue, and the Director of the 
Department also personally desires to thank the contributors, and to 
express his obligations to those who lent their time and energy in aid- 
ing him to get together the magnificent collection of paintings con- 
tained in the Parthenon. 

He is especially indebted to Mr. A. T. Van Laer and Wm. T. Evans, 
of New York ; Frank T. Robinson, of Boston ; E. T. Snow, of Phila- 
delphia ; R. Hall McCormickand Miss Geneva I. Willard, of Chicago; 
Leon Van Loo and his assistant, Miss Addie Aldrich, of Cincinnati; 
and Mr. Carl Gutherz, of Washington, who, in the capacity of Art 
Commissioners, rendered invaluable service ; and to Mr. Halsey C. 
Ives, Director Museum of Fine Arts ; W, M. R. French, Director Art 
Institute, of Chicago ; Chas. M. Kurtz, Art Director St. Louis Annual 
Exposition; Mr. C, F. Hazeltine, of Philadelphia and H. Leon 
Roecker, of Chicago, for helpful advice and generous aid. 

In the preparation of the catalogue, it has been the desire to make 
it not only interesting to the visitor, but a permanent reference book, 
as well as a souvenir of the occasion we celebrate, viz. : the One-Hun- 
dredth natal Anniversary of our State. 

As many illustrations have been inserted as time would permit. 
Biographical sketches of artists have been obtained from most of them 
personally, and, while the work of each deserves special mention for 
some feature of artistic merit, it has not been possible to give such 
notice. 

Special attention is called to the loan collection, in which will be 
found some of the finest examples of old and modern masters, and 
it is the wish of the Committee to make due acknowledgments to the 
owners of these valuable works who have, by their generosity, con- 
tributed pleasure to the people and profit to the student. 

The foreign collection comprises some of the best works from the 
brushes of artists inspired by unexcelled beauties of scenery, and by 
the romance history and tradition lend. For these beautiful can- 
vases the Committee is much indebted to Chas. C. Svendsen, Com- 
missioner for Holland and Belgium ; Miss Enid Yandel, Conlmissioner 
for Paris, and Mr. B. A. Wikstrom, Chairman of Jury of Selection for 
New Orleans, who being on a visit to his native country, Sweden, con- 
sented to serve as Commissioner for the Scandinavian countries. 

(5) 



JURY OF SELECTION — NEW YORK. 



!■■' /• 








'^^ I 



\3 
I' < 









i,v-^v 



^ 



-f.-'. 




J. G. BROWN, 



SWAIN GIFFORD. 



G?:0. DE FOREST BRUSH. 

FREDERICK DIELMAN. 

E. H. BLASHFIELD. 



H. SIDDONS MOWBRY. 



H. BOLTON JONES. 



JURY OF SELECTION — BOSTON. 




EDMUND C. TARBELL. 
FREDERIC P. VINTON. 



JOHN J. ENNEKING. 



THOMAS ALLEN. 
[. M. GAUGENGIGL. 



JURY OF SELECTION— PHILADEIvPHIA. 




COLLIN C. COOPER. 
CLIFFORD P. GRAYSON. 



PROF. CHAS. E. DANA. 



JURY OF SELvECTlON — CINCINNATI AND PITTSBURGH. 




JOHN RETTIG, CINCINNATI. GEO. HETZEL, PITTSBURGH. 

L. H. MEAKIN, CINCINNATI. LEON VAN LOO, CINCINNATI. C. T. WEBER, CINCINNATI. 

A. BRYAN WALL, PITTSBURGH. JOS. R. WOODWELL, PITTSBURGH. 



JURY OF SELECTION— ST. LOUIS AND LOUISVILLE. 




CHAS. F. VON SALTZA, ST. LOUIS. GEO. W. CHAMBERS, ST. LOUIS. 

PAUL CORNOYER, ST. LOUIS. 
PEYTON N. CLARKE, LOUISVILLE. CHAS. K. WEBB, LOUISVILLE. 



JURY OF SEIvECTION — CHICAGO AND NEW ORLEANS. 












[ 








^ f i' 



F. C. PEYRAUD, CHICAGO. HARRY W. METHVEN, CHICAGO. 

H. LEON ROECKER, CHICAGO. MRS. ALICE. K. TYLER, CHICAGO. 

WM. WOODWARD, NEW ORLEANS. 
B. A. WICKSTROM, N. O. P. POINCY, N. O. MISS JULIA M. MASSIE, N. O. 



JURY OF AWARD. 





^ 



THOS. ALLEN. 



F. HOPKINSON SMITH. 



HALSEY C. IVES. 



COMMISSIONERS— NEW YORK, PHILADELPHIA AND BOSTON. 



■f^^ 




pK^^Si. 



„./^|M/ 




A. T. VAN LAER, NEW YORK 
E. T. SNOW, PHILADELPHIA. 



FRANK T. ROBINSON, BOSTON. 
W. T. EVANS, NEW YORK. 



COMMISSIONERS— CINCINNATI, CHICAGO AND WASHINGTON. 




I 






LEON VAN LOO, CINCINNATI. R. HALL M'CORMICK, COM'R, CHICAGO. 

CARL GUTHREZ, WASHINGTON. MISS GENEVA WILLARD, ASS'T, CHICAGO. 



COMMISSIONERS — FRANCE, HOLLAND AND BELGIUM. 



/ 



iM 





CHARLES C. SVENDSEN. 



MISS ENID YANDELL. 



16 Ten7iessee Centennial 



The Parthenon. 



This historic biailding, the erection of which marked the climax 
of Athenian history in literature, politics and art, was happily sug- 
gested by Major B. C. Lewis, the Director General, as a fitting model 
for the building to be designed for the use of the Department of Fine 
Arts of the Tennessee Centennial and International Exposition, to be 
held in Nashville — the Athens of the South; and in accordance with 
this suggestion, a full-size model or reproduction of the Parthenon in 
its architectural dimensions and details, from the best and most 
reliable data that could be obtained, was determined upon. 

As no structure of ancient times has attracted so much attention 
among architectural and arc^ological students as the Parthenon, and 
the Fine Arts Building of the Tennessee Centennial Exposition being 
an architectural reproduction of it, a brief historical sketch aid 
description of the original building may not be without interest at 
this time. 

The Parthenon was built when Pericles was at the head of the 
Athenian government, and was completed in the year 438 B. C, or 
twenty-three hundred and thirty-four years ago. It was designed by 
Ictinus, a celebrated architect of the Periclean age, with whom waS 
associated that great and matchless sculptor, Phidias, who had charge 
of the sculpture decoration, and Callicrates, who was the superintend- 
ent of the construction. 

The site of the building was the summit of the Acropolis, which 
was known as the Citadel of the Hellenes, and which stood at an 
elevation of about two hundred and thirty-three feet above the streets 
of Athens. 

Its plan dimensions, measured at the upper part of the upper step 
of the stylobate (the platform on which the columns rest) were 228. 14 
feet in length, and 101.36 feet in width. 

It was built of Pentelic marble from the quarries of Mount Pen- 
telicus, which is said to be so very white and dazzling in effect under 
an Athenian sun, when freshly quarried, that its color was toned down 



and International Exposition. 17 



with saffron or yellow ochre to a delicate yellowish tint. It will be per- 
ceived that the building was peripteral in character, the peristyle being 
composed of forty-six columns of the Doric order, while its inner 
porches, styled respectively the Pronaos at the east end, and the Pos- 
ticum at the west end, had in addition six columns each, making fifty- 
eight columns, in all, around its cella walls. The columns varied 
in diameter, although the general average of those composing the 
peristyle was 6.37 feet at the lower diameter and 5.03 feet at the 
upper diameter. Including the capital, they were 34.37 feet in height. 
The columns of the inner order were 5.63 feet in diameter, and 33.07 
feet in height. 

A distinguishing feature of the Hellenistic structures, and espe- 
cially the Parthenon, was the leaning of the columns inward towards 
the center of the building, though, as late as 1837, it was supposed 
that these lines were perpendicular, and that the horizontal lines 
were level and straight. 

The Parthenon was measured by Stuart and Revett in 1756, and 
Lord Elgin and his workmen had their scaffolds on the building in 
the early part of the present century ; but notwithstanding this fact 
it was not discovered that the main horizontal lines were curvelinear 
until 1837, when Mr. John Pennethorne, an English architect, who 
had first visited Athens in 1832, made the discovery, though it was 
not until 1851, that many remarkable facts relative to the construction 
of the Parthenon and other Greek temples were given to the scientific 
world. In that year, Mr. Francis C. Penrose, a distinguished archi- 
tect of England, published under the auspices of the Dilettanti Society 
of London, a work, "Principles of Athenian Architecture," in which 
is set forth conclusively, from accurate measurements and levels 
taken at the building, the fact that none of the apparently vertical 
lines were really so, and that the main horizontal lines were con- 
structed in curves which rise in vertical planes to the center of each 
side. It was discovered, also, that the axes of the columns leaned 
towards the center of the building .231 feet in a height of 31.33 feet, 
and that the sides of the columns, instead of being straight, as they 
appeared to the superficial observer, were delicate curves, the incre- 



18 Teiinessee Ce7itennial 



ment of curvature being about .06 feet, and reaching its maximum 
at the height of about thirteen feet above the stylobate. This curva- 
ture can be seen by placing the eye near the sides of the columns and 
sighting upwards towards the capitals. 

It was discovered also that the spacing of the columns was irreg- 
ular, and that the metope spaces were of irregular width; that the 
faces of the architrave and frieze inclined toward the cella walls; 
and that the apparently horizontal lines of the stylobate, were curves 
rising from o to .33 feet along the sides of the building, and from o to 
.17 feet along the ends or principal fronts, though these departures 
from level and perpendicular lines were so inconspicuous that unless 
sighted for from some angle of the building, or viewed from points 
opposite the center of its respective sides, were not likely to be dis- 
covered. Mr. Penrose devotes a chapter of his work to the con- 
sideration of the reasons which seem to have influenced the Greek 
architects in their adoption of the delicate deviation from ordinary 
perpendicular and level construction, but its length, and the limits of 
this paper, preclude its reproduction here. Mr. Penrose says, how- 
ever : "It is difficult to imagine any other reason for these deviations 
than that they were intended as optical corrections, or as corrections 
of certain influences which tend to make the apparent differ from 
the real form." In reviewing the entire subject, Mr. Penrose says: 
"When we reflect upon the studied harmony of the proportions, 
the delicacy of feeling evinced in the optical corrections, and the 
exquisite taste shown in the selection of the mouldings and in the 
colored ornaments, so far as they are preserved to us ; and above all, 
the unrivaled sculpture, to which the architecture of the temple 
served as a glorious framework, it must, I think, be conceded that 
the architecture of the Greeks is, humanly speaking, perfect." 

The sculpture reliefs with which the entablature was decorated, 
and the groups of sculpture in the pediments, were by Phidias, whose 
work has never been equaled. The sculptures of the metopes between 
the Doric triglyphs and those of the pediments, represented scenes 
from the mj'thical history of Athens. Those of the metopes repre- 
sented, in the main, as far as we have been able to discover, the com- 



and III ternational Exposition . 1 9 



bats of the Ceutaurs, Those of the east pediment, the birth of 
Athene, and those of the west pediment the contest between Athene 
and Poseidon for the possession of Attica, the primeval site of the 
Erechtheum, which, latter stood on the Acropolis about 142 feet north 
from the Parthenon, and about 65 feet west from the east front of 
this famous building. But temple decoration among the Athenian 
structures was not left altogether to the artist's chisel; much was 
done with the painter's brush. The richest tints of blue, and gold 
and crimson were applied to column, entablature, gable and ceiling 
with beautiful effect under the guidance of the keenest artistic per- 
ception, and thus was added the decorative skill of the painter to 
the already sublime work of the builder and sculptor. 

Unfortunately very few of the original sculptures of the Parthenon 
are in existence, and the most of these are to be found in the British 
Museum, though in an injured condition. The central group of the 
east pediment was destroyed by the Byzantine Christians in convert- 
ing the Parthenon into a church. The sculptures of the west pedi- 
ment have been almost entirely destro3^ed, scarcely any portion of 
them being now in existence, yet the figures of the west pediment are 
better known than those of the east pediment, as very faithful sketches 
of them were made by Mr. Carrey, a French, artist, in 1674, when 
they were in a comparatively perfect state, and before the effort of the 
Venetians to expel the Turks in 1687, which resulted in an almost total 
destruction of the building by the explosion of a powder magazine. 

The sculpture figures in the frieze and pediments of the reproduc- 
tion or Fine Arts Building of the Tennessee Centennial Exposition, 
were modeled by Mr. Franz Engelsman, assisted by Mr. Fritz Albert 
and Mr. George Julian Zolney, from prints of Carrey's sketches as 
illustrated in the work of Michaelis, Der Parthenon. 

It was a happy thought that suggested a reproduction of that 
famous Hellenistic structure which marked the culminating point in 
Athenian architectural art as a fitting model for the building in which 
to make the Fine Arts Exhibit of the Tennessee Centennial and Inter- 
national Exposition. Wm. C. Smith, Architect. 

Nashville, Tenn., April 5, 1897. 



20 Tejinessee Centennial 



Art in the Nineteenth Century. 



At the beginning of the nineteenth century, in general, art studied 
traditions rather than nature, and was mainly artificial and stilted. 
Painting contained no indication of pain. The world of pictures was 
a purely ideal one, foreign to truth and reality. 

The real art of the century was initiated by Gericault and Dela- 
croix. In 1822 Delacroix exhibited his Dante and Virgil at the Salon. 
The most popular artist, David, passing by, said, " I do not know that 
touch." Certainly he did not. Here was a portrayal of real life, gen- 
uine feeling and suffering. 

The movement initiated has been known as Romanticism, To the 
Romanticists art was the intervention of personality. All art was 
made to center in the human soul. The most popular masters of this 
movement were Millet and Rousseau, and other members of the Bar- 
bazon school. Millet painted peasants, and lifted poverty and labor 
into the realm of poetry and art. Corot painted the glories of morn- 
ing and lifted landscape to an ideal suggestion of beauty which had 
never been attained before. Rousseau portrayed objects with great 
passion and power, but with such reverence and love for the things 
themselves, that he became the father of realistic landscape. 

Art can never stand still. The discoveries in physical science 
turned the attention of the artist to nature herself. A new love 
awoke for the simplest objects and aspects. Thus arose Realism. 

Romantic art centered in the human soul. Realism in nature. To 
one, art was suggestion, intimation or expression, and the world was 
a background ; to the other, art became representation or reproduc- 
tion, and the world was loved and represented for its own sake. 
Romanticism often went too far and made the world only a canvas to 
portray human passion. Realism too often centered itself in mere 
details and lost the unity, or general impression and truth, by too 
great attention to facts. Romanticism brought art from convention- 
ality to true personal expression. Realism also widened the scope of 
art and made men realize as never before the nature of things, sur- 



and International Exposition. 21 



faces, textures, and the beauty of little things. It brought also greater 
mastery of technical skill. 

A third movement has grown out of Realism. It has usually been 
known as Impressionism. But all true art presents objects on the 
canvas in such a way as to awaken an impression in the soul of the 
observer, hence many call this the plein air or out-door school. 

It took art out of doors. Bverything is painted as it is in nature, 
as it is seen there — with ' ' absolute values. ' ' The brown shadows 
once so common in landscape are seen at once to be totally untrue to 
nature. Hence we have pictures which are *' old fashioned," and pic- 
tures which have ' ' the new touch. ' ' 

Manet initiated the new movement, and first painted black black, 
and white white, and disregarded the old rules about "relative 
values." Monet followed Manet out of doors and studied the nature 
of light, and emphasized an old point in a new way, that primary 
colors give a more lasting and beautiful effect. 

At present all these are old fashioned, and we have a reign of 
what is called modernite. Bvery artist must adopt his own method, 
his own point of view, and be consistent. Art is freer than ever 
before. The artist paints in his own way, and by the best critics is 
judged by his own ideal method and intention. This lesson must be 
learned by all who wish to understand the art of their own age. 

This to some, however, means chaos, and there is much talk of 
decadence, but it must be borne in mind that decadence has always 
been caused by slavery to one method, and not by freedom, so that 
there is a class of hopeful spirits who believe that the higher qualities 
in execution, the portrayal of facts, the better understanding of light 
and color, the breaking of the shackles of tradition, and the bringing 
into art of such a great variety of points of view, is but the material 
and the prophecy of a great art that is to come in the next century ; 
that the imagination is not dead, that the creative instincts will take 
and use all this material, and will lift art to a plane higher than ever 
before. S. S. Curry. 

School of Elxpression, Boston, Mass. 



22 Tennessee Centennial 



Sketches 

Of ^arly Art and Artists, witti Brief Descriptions of Their Most Cele- 
brated "Works. 



Vasari asserts, with, every reason for truth, that a knowledge of 
drawing existed from the earliest ages. We know, from remains exist- 
ing today, that the earliest civilizations were well acquainted with the 
arts of Drawing and Painting, as applied symbolically, and as acces- 
sory to architecture. "We find frescoes, ornamented papyri, and 
mummy-cases, but no movable pictures, in the present sense of the 
word, until about the fifth century before Christ, when painting as a 
fine art quickly reached its zenith. Athens has the glory of its birth- 
place, though by a deplorable fatality, no work of the famous Greek 
painters has come down to us. The arts of architecture and sculpture, 
embodied in sterner materials, have left us masterpieces that still 
excite our delight and despair. But the fragile materials of painting 
were unable to survive the storms of time and war. But history 
asserts that this art rose to no less eminence than the others, and the 
remnants of frescoes and vases that still remain prove the assertion to 
be well founded. 

In the fall of the Roman Empire, painting shared the general 
decadence, and soon all trace of the art disappeared, save in the 
brilliant initials of the manuscripts executed in the convents. 

But Byzantine art still breathed, and after the terrible year, looo 
A. D., the Crusades awoke in the West the spirit that still lived in the 
Bast. Greek artists in mosaic were sent for by Venice and Sicily, and 
thus national art awoke once more in Italy. But its former triumphs 
had been forgotten, and slowly and toilsomely all its secrets had to be 
rediscovered. Knowledge of anatomy was well-nigh lost, as well as 
skill of design and taste in color. Foreshortening did not exist, and 
landscape painting was dead. Colors were mixed with white of ^z^, 
or fig juice, a method called distempei^. 

From these beginnings, the art of painting grew to the height of 
beauty reached in the works of the great masters. And this progress 



and International Exposition. 23 



can be best shown by sketches of the lives of those who promoted it, 
by brief descriptions of their best works. 

CIMABU;^ (B. 1240; D. 1302), Giovanni Gaul theri, a Florentine, 
has the honor of not only raising the art of painting after it had fallen 
into decay, but also of giving the first touches of nature to the stiff 
Byzantine types. Like all the early painters, his pictures were strictly 
religious subjects, and generally altar-pieces. While he may not 
deserve the honors generally given him, it is undoubted that his name 
is the first in the great list of painters, which has continued unbroken 
since his day. His genius leaned to the grand and terrible, hence he 
has been called the Michael Angelo of his time. 

St. Cecilia. — The earliest of his works mentioned by Vasari is 
preserved in the gallery of Florence. It represents the saint as a 
solemn matron, seated on her throne, holding in one hand the 
martyr's palm, in the other the Gospel for which she died. 

Madonna and Angels, printed for the monks of Vallambrosa, 
is now preserved in the Academy of Fine Arts at Florence ; this retains 
that remnant of medievalism, a gold background. 

Madonna, still to be seen in the church of Santa Maria Novella, 
in Florence, is considered his masterpiece ; but though his figures 
have gained much in grace and dignity, when compared with the 
work of earlier painters, they still are far from the perfection attained 
at a latter date. 

GIOTTO (B. 1276; D. 1336).— Giotto di Bondone, the pupil and 
protege of Cimabue, excelled his master in his skill in " holding the 
mirror up to nature. ' ' Accustomed in his childhood to give attention 
to natural forms, he was the first to group his figures into dramatic 
situations, giving their attitudes and features the expression adapted 
to the circumstances. His skill in drawing was wonderful ; and the 
Florentine Campanile, that idyl in stone, remains as a proof of his 
architectural genius. In his paintings, beyond grace and beyond 
beauty, he aimed at expression, in both action and feature. 

Dante, a portrait of the great poet in his youth, is one of the most 
famous of the artist's works. It is a fresco in the Bargello Chapel, 
Palace of the Podesta, at Florence, and was whitewashed over during; 



2J: Tennessee Cente7inial 



the triumph of the enemies of Dante. All hope of recovering it was 
lost, mitil, in 1840, it was brought to light through the enthusiastic 
perseverance of Mr. Bezzi and Mr. Kirkup, assisted by a subscription 
among the English and Americans then in Florence. 

St. F'rancis, a fresco in the church of St. Francis of Assisi, is 
represented as glorified among the heavenly host, surrounded by alle- 
gories of the vows of Poetry, Chastity, and Obedience, assmned by 
the saint. Tradition ascribes the invention of these allegories — the 
Marriage with Poverty ; Chastity seated in her rocky fortress ; Obedi- 
ence with his curb and yoke — to the imagination of the poet Dante. 

The Virtues and Vices is a series of medallions in the Arena 
Chapel a.t Padua, the virtues being represented as feminine, the vices 
as masculine. The same chapel contains fifty frescoes, illustrating the 
history of Christ and the Virgin, which have been commented on by 
Rusk in. 

FRA ANG:^]:<IC0 (B. 1387; D. 1455).— Omdo di Petro, known 
in the convent as Fra Giovanni, to the world as Fra Angelico, from the 
holiness of his life, devoted himself to his art as an act of religion, 
seeking heavenly inspiration before undertaking any work, and never 
altering his first draught, believing that it was inspired by God, and 
therefore could not be bettered by any afterthought. Addressed to 
the faith of worshipers rather than the taste of connoisseurs, they 
contain many faults of drawing, and he was excelled by many in the 
art of coloring. But none attained his fervor and skill in the poetical 
and religious glow which he threw around his saints and Madonnas. 
Power was not his characteristic, and he signally failed in portraying 
the lower passions ; but even Raphael never excelled the purity and 
beatitude of expression in the heads of his young angels and female 
saints. 

The Adoration of the Magi, one of his best works, is a 
fresco in the convent of San Marco, Florence, where he lived and 
worked. 

The Musical Angels, or the "Angels of the Tabernacle," form 
an arch above the Madonna and Child on a grand altar-piece in the 
Uffizi Gallery, Florence. They are perfect examples of his marvelous 



and International Rxpositio7i. 25 

beauty and grace, and are constantly copied. The groundwork is 
gold ; ten of the angels are represented as playing on musical instru- 
ments, and two in attitudes of praise. 

The Coronation of the Virgin, an altar-piece of surpassing 
beauty, is in the Ivouvre, Paris. It is very large, and is crowded with 
figures, all of which show the artist's peculiar excellence of expression, 
in their rapt adoration of the scene — the Saviour in the act of crown- 
ing the Virgin, 

I/BONARDO DA VINCI (B. 1452 ; D. 1510) possessed an almost 
universal genius ; the whole range of the arts and sciences was cov- 
ered by him, and his versatility kept pace with his genius. He 
thought deeply and wisely, and his heads exhibit a depth of expression 
impossible to find elsewhere. While not neglecting form or color, 
his great aim was to portray character. His aims were so prodigious 
and his imagination so fertile that he was unable to complete the 
great works be planned. 

I/ast Supper, the masterpiece of the great artist, is a painting on 
the walls of the refectory of the Convent delle Grazie, Milan. It is 
amazing in every respect, and is universally known, from the multi- 
tude of copies made of it, before it fell into its present state of ruin- 
ous decay. 

Saint Anna, an unfinished cartoon in the Royal Academy, Lon- 
don, represents the Madonna as seated in the lap of her mother, 
Saint Anna, and bending downwards the Holy Child, who is fondling 
a lamb, 

Mona I/isa, a portrait of Lucrezia Crivelli, occupied the painter 
for four years, and was then pronounced unfinished by him, although 
of such extraordinary perfection that critical admiration merges 
into wonder. It is now in the l/ouvre, Paris, 

DTJRBR (B. 1471 ; D. 1528).— Albrecht Durer, born in quaint old 
Nuremburg, was trained in his father's trade of goldsmith until his 
genius as a painter was so unmistakable, that he was wisely trans- 
ferred to a painter's studio. He was the greatest of the German 
painters, and his engravings held the first rank, at his era. His 



26 Tennessee Ce7iten7iial 

domestic life was unhappy, but aided by his art, he rose above his 
troubles. 

The Ten Thousand Martyrs is in the Belvedere Gallery, 
Vienna, and shows the massacre of the saints by Sepore, the Persian 
King. It is also noteworthy as containing portraits of the artist and 
his friend Pirkheimer. 

The Pour Apostles, two large companion pictures in the Munich 
Gallery, one representing St. John and St. Peter, the other St. Paul 
and St. Mark, are considered his greatest paintings, and are regarded 
as placing him side by side with the greatest masters known to history. 

micha:^!, ange)i,o Buonarroti (b. 1475; d. 1564), 

born at Settignano, near Florence, was a universal genius. Despising 
the petty effects of easel pictures, he confined himself almost entirely to 
fresco and distemper, though sculpture and architecture attracted 
much of his attention. Haughty and morose in his manner, he was at 
heart great and good. Viewed as an equal by Popes and emperors, he 
never stooped to flatter a patron or conciliate a rival. 

The Prophets and Sibyls, part of the frescoed dome of the 
Sistine Chapel, Rome, are among the most wonderful forms that art 
has ever called into life. All the figures are massive and sublime, are 
seated, employed in contemplating ancient manuscripts, and attended 
by Genii. 

The Sistine Chapel, in the Vatican, Rome, contains the great- 
est paintings, frescoes, from the hand of Michael the Angel. The 
paintings on the ceiling represent the Creation, and the Fall. 
Smaller pictures portray important events in the Bible. Below these 
is a series of groups representing the genealogy of Christ ; and in the 
four corners of the ceiling, different antetypes of the Redemption. 
Kugler's Hand-book has a small print which will give a general idea 
of this famous ceiling. Piroli has a larger one, and Curego has one 
still larger, and better in every respect. ' ' The Creation of Man ' ' is 
the greatest of these frescoes. ' 'Adam is lying on the summit of a 
dark mountain, God the Father, in a cloud filled with angels, hovers 
near, and stretches out bis hands as if to help him rise." 



and International Exposition. 27 

The I/ast Judgment, on the wall of the upper end of the Sis- 
tine Chapel is the greatest effort of human skill, yet is full of faults 
in taste and sentiment, of which the worst is the conception of the 
merciful Redeemer as a thick-set athlete. The artist borrowed the 
idea of the two figures of Christ and the Virgin from Orcogna's old 
fresco in the Campo Santo. But in improving the drawing, he has 
utterly lost and degraded the sentiment. But the fact remains that 
this is the grandest triumph of Art, and the whole representation fills 
the mind with awe and mysterious horror. 

TITIAN (B. 1477; D. 1576), Tiziano Vecelli, born at Cadore, to 
the north of Venice, stands ai the head of the Venetian school, and 
is incomparable as a colorist, and painter of flesh. His works extend 
over a period of eighty-four years, the first, the Visitation, being 
painted at fourteen ; the last, the Deposition, at ninety-eight years of 
age. He was the friend of princes, and without a rival in his art, 
during much of his prolonged life. He excelled not only in por- 
traiture, but in landscape and subjects from mythology. 

The Assumption, the greatest of his pictures, is in the Acad- 
emy of Fine Arts, Venice, and a painting of dazzling splendor. It is 
remarkable for the noble expression of the Virgin, as well as for the 
arrangement of drapery, and beautiful coloring. 

Dionysius and Ariadne, in the National Gallery, London, 
presents an epitome of all the beauties which characterize Titian. 
The composition is rich, picturesque and animated, representing the 
god as he flings himself from his chariot in pursuit of Ariadne, 
attended as he is by dancing bacchanals and bacchantes, and a joyous 
little satyr, trailing the head of the sacrifice. 

Saint Sebastian, one of the gems of the Vatican, Rome, repre- 
sents the saint as pierced with arrows; saints are all around him, and 
the Madonna and Child, attended by angels are above. "In the cen- 
ter of the picture are the words * Tatianus faciebat.'' " 

RAPHABI^ (B. 1483; D. 1520). — Raphael Sanzio, born in Urbino. 
holds his rank as the most wonderful painter the world has ever seen. 
His genius asserted itself in early youth, some of his authenticated 



28 Teymessee Centen^iial 



pictures having been executed between his sixteenth and twentieth 
year. Trained by Perugino, he far excelled his master in fertility of 
invention, grace of design, and beauty of coloring. His favorite sub- 
jects were taken from sacred history, and the Madonnas he painted 
are alike only in the peculiar type of beauty in the face. His car- 
toons, designed for models of tapestry for the Sistine Chapel, are 
wonderful in revealing the very thought of the artist. Seven remain, 
ranking among the greatest productions of Art ; they are now in the 
Kensington Museum, London. 

The Sistine Madonna, the glory of the Dresden Museum, was 
painted for the Convent of the St. Sixtus, and is the work of the 
master's own hand. The color is so thin and delicate that the execu- 
tion must have been wonderfully rapid — a creation rather than a 
picture. It is too widely known to need description ; and was the 
last and greatest of Raphael's many Madonnas. 

The Transfiguration, his last and greatest work, was unfin- 
ished at his death. It was hung in the room where his body lay in 
state, carried before his bier at his funeral, and is now the boast of the 
Vatican. The two-fold action in this picture indicates the miseries 
of human existence and the source of consolation. 

Stance of Raphael, a series of four rooms in the Vatican, con- 
taining the most beautiful and interesting specimens of fresco paint- 
ing in existence. Three of these rooms, the Borgo, School of Athens, 
and Heliodorus, were painted by Raphael's own hand. The fourth, 
the room of Constantine, was finished by his pupils after his death. 

C0RR:^GI0 (B. 1493; D. 1534).— Antonio Allegri, called Cor- 
regio, from his birthplace, was the most original of painters, and one of 
the greatest. He brought the art of foreshortetiiri g to perfection, and 
united with it the most delicate gradation of light .and shade, and the 
most exquisite coloring. His style was his own, almost unaffected by 
all who went before him. Most of his work was done at Parma, 
where his wonderful frescoes show the extreme effects of foreshorten- 
ing, and his perfect mastery of chiaro-scuro. 

I<a Notte, representing the adoration of shepherds at night, is 
considered his masterpiece, and is in the Dresden Gallery. Only the 



and Internaiional Exposition. 29 

unearthly splendor emanating from the head of the Infant illumines 
the rough stable, the rugged features of shepherds, and the divine 
beauty of the Virgin. 

The Marriage of St. Catharine, is a favorite subject with 
this artist. The best known representation is in the Louvre, Paris; 
but the most beautiful is in the National Museum, lyondon. 

Corregio's Frescoes, executed with but little aid from his 
assistants, are in the dome of the Cathredral at Parma, and are the 
most perfect specimens of his peculiar art. In the center of the 
dome is represented the Assumption of the Virgin — the Madonna 
ascending to heaven, the Christ descending to meet her, while all 
around is a rejoicing host of saints and angels. lyower, in a circle, 
stand the apostles gazing ; and lower still Genii, bearing candelabra 
and swinging censers. Lunettes below contain figures of the four 
Evangelists, that of St. John being first. The whole composition is 
full of glorious life. A few of the cartoons for the frescoes, prepared 
by his own hand, are in the British Museum, London. 

GUIDO RBNI.(B. 1575 ; D. 1642), born at Bologna, was of the 
school of Caracci, but was said to have three styles — one after the 
manner of Michael Angelo ; another after Caracci, considered his 
best; the third, his "silvery style," from its greys, but which soon 
degenerated into insipidity. His aim, from early life, was to raise 
the art of painting from the low state into which it had fallen under 
the naturalistic school or "poetry of the repulsive," by presenting 
models of surpassing grace and beauty. This he did by idealizing his 
human models ; hence all his personages are largely repetitions of the 
same ideal. He was famous for personal beauty, but of dissipated 
habits, and frequently so reduced by gambling as to sell his work by 
the hour to dealers who stood by him to carry off the pictures, still 
wet from his brush. 

Aurora, a celebrated frescoe in the Rospigliosi Palace, Rome, is 
considered his finest work. The goddess is strewing flowers before 
the chariot of Phoebus, attended by female figures representing the 
Hours. 



30 Te7inessee Centeiuiial 

Beatrice Cenci, one of the best known pictures in the world, 
through its numerous copies, is in the Barberini Palace, Rome. It is 
said to have been taken the night before her execution, the termina- 
tion of the tragedy of the Cenci family. 

St. Michael and tlie Dragon, sometimes termed the Catholic 
Apollo, is in the Church of the Capuchins, Rome. Titian said of this 
figure, "It was in vain to search for his resemblance here below, so I 
was forced to make an introspection into my own mind, and into the 
ideal of beauty which I have formed in my own imagination." It is 
the perfection of beauty and grace, and the coloring is very brilliant. 

RUB:^NS (B. 1577; D. 1642).— Peter Paul Eubens, born at Siegan, 
Belgium, possessed splendid talents, being considered the greatest 
painter of the Flemish school, and known as the "Prince of gentle- 
men." His consummate excellence lay in his execution and coloring, 
but it is brought as a reproach against his work, that even his noblest 
characters are but big, brawny red and w^hite Flemings. He was a 
very prolific painter, nearly four thousand prictures and sketches 
being attributed to him and his scholars. 

The Battle of the Amazons, one of his most famous mytho- 
logical pictures, is in the gallery at Munich. It is the only battle piece 
that can compare with Raphael's "Battle of Constantine. " "The 
women are driven back by the Greeks over the river Thermodon ; two 
horses are in savage combat on the bridge ; one Amazon is torn from 
his horse ; a second is dragged along by a sable steed, and falls head- 
long into the river, where others are swimming and struggling." 

The Kermess, or Peasant Festival, in the Louvre, Paris, was 
the introduction of the class called genre paintings, in which this 
school has ever been preeminent. In it nearly a hundred peasants 
are represented enjoying themselves in true village style, dancing, 
shouting, singing, talking and love-making. 

The Descent from the Cross, Rubens' masterpiece, is in the 
Cathedral at Antwerp. It is distinguished by luminous coloring and 
correct drawing, and regarded as a wonderful monnment of the daring 
genius of the painter. Its defects are held to be "the bustle of inci- 



and International Exposition. 31 

dents," and a too exact delineation of merely physical agony, making 
it a human tragedy, not a divine mystery. 

REMBRANDT (B. 1606; D. 1669).— Rembrandt Van Rhyu, born 
near lyeyden, Holland, was the most illustrious painter of the Dutch 
school. Illiterate, he spent his life among the lowest ranks of society, 
but still possesses a vigorous picturesqueness, aided by beautiful color- 
ing and wonderful use of light and shadow. The most material of 
painters, he still gives a thrill of weird terror, due in part to his choice 
of subjects. He excelled in etching as well as painting. 

The I/Csson in Anatomy, considered his best work, is in the 
National Galler}^ at the Hague. It represents a surgeon and his pupils 
dissecting a corpse. What is supposed to be the original study for 
this picture was exhibited at Louisville in 1883-84. 

Tlie Night Watch, a famous patriotic picture in the Museum at 
Amsterdam, represents a platoon of the Civic Guard, patrolling the 
streets of Amsterdam. It contains twenty-six life size figures. 

The Good Samaritan, in the Louvre Gallery, Paris, is treated 
in truly Dutch style. Every figure is a reproduction of Rembrandt's 
every day life — the inn landlady, the dirty peasants carrying the 
traveler, and even the Good Samaritan himself, who is only dis- 
tinguished by his turban, and purse open in his hand. 

CARI/O DOI<CI (B. 1616 ; D. 1686), born in Florence, was dis- 
tinguished for gentleness, grace and delicacy in his treatment, and 
also for the intellectual expression of his heads, and peculiar ivory- 
like flesh-tints. He was a prolific painter, but carried his finish to 
the brink of affectation. He is the last of the great Italian painters, 
and the art had commenced its decay, even with him. 

Saint Andrew, the best of his historical pictures, is in the 
Pitti Palace, Florence. Lost in prayer the Saint kneels before the 
cross of martyrdom, while his savage executioners stand by, wildly 
gesticulating. 

The Magfdalene, in the Corsini Palace, Rome, represents the 
penitent, lying at the mouth of the cave. 



32 Tennessee Centennial. 



Portrait of Carlo Dolci, in the collection of the Earl of Rad- 
nor, Longford Castle, England, represents the artist as holding 
another profile portrait of himself in his hand. It is finely executed. 

MTJRRII<I/0 (B. 1617 ; D. 1682).— Bartholome Estevan Murillo. 
born in Seville, Spain, was the greatest of Spanish painters. Without 
the culture given by the study of the Italian masters, he left abundant 
proof of his original genius. He is said to have covered more can- 
vas than any other painter, yet without tiresome repetition. In early 
life he painted from common life, but later almost exclusively 
religious subjects. A thorough Spaniard, his pictures are all of Anda- 
lusian type, his Virgins are Spanish maidens, his Holy Child a Span- 
ish babe. 

The Return of the Prodigfal Son, in the Vatican, Rome, 
was painted at the zenith of his career, and afterward presented to 
Pope Pius IX, by Queen Isabella, of Spain. 

St. Anthony, of Padua, in the Cathedral of Seville. It has a 
romantic history. In 1876 the figure of St. Anthony was cut from 
the canvas, while hanging in the Cathedral. It was brought to New 
York, and purchased by Mr. Schauss, who restored it to the Spanish 
Government, refusing all remuneration, but accepting the decoration 
of the Order of the Golden Fleece. 

St. ]^li5jabeth, of Hungary, one of eight pictures painted for 
La Caridad, the hospital of St. George at Seville, is now in the Acad- 
emy of San Fernando, at Madrid. It represents the beautiful queen 
as tending the sick and crippled poor in her own palace, thus turned 
into a hospital. 




No. 3. Portrait, by J. \V. Alexander. 



No. 15. His IvAst Will and Testament, by W. J. Baer. 




No. 23. Brother and Sister, by Cecilia Bfaux. 




No. 52. Shucking Corn, by Maria Brooks. 




No. 156. A Daughter of the Revolution, by De Scott Evams. 



n 





No. 95. Herding the Cows, by K. I. Couse. 






f#^ 



i 



No. 212. New Kngland Foxhounds, by C. H. Hayden. 




No. 236. Holiday Occupation, by Lucy D. Holm. 




No. 293. Our D.4.1LY Bread, by J. B. Longman. 




No. 265. Desire, by Sergeant Kendall. 




No. 26814'. Supper Time, by Anne K. Klumpke (addenda). 




-^^m^MM 



Xo. 240. Norman Bull, by Wm. H. Howe. 




No. 464. In a New" England Orchard, by E. B. To"«'NSEnd. 




^ < 





No. 325. Rock Pasture, by J. A. S. Monks. 



r 




^-^j:^-- 




No. 332. Helping Grandpa, by Henry Mosler. 




No. 389. Return of the Fishing Boats, by F. H. Richardson. 




No. 445. He Won't Hurt You, by F. L. Stoddard. 




No. 722. A Stitch in Time, by B. Irwin. 




No. 743. Christening Day of the First Born, by Christoffle Bisschop. 




No. 746. A Day of Rest, by Alois Boudry. 




No. 754. Happy Old Age, by Felix Cog en. 







w 








No. 574. In the Tennessee Mountains, by Geo. W. Chambers. 




No. 50. Chess Players, by Leon Brunin. 




No. 761. Autumn Afternoon, by Victor Gilsoul. 





No. 791. Spanish Fur\ at Antwerp, by Karel Ooms. 




No. 759. The Truants, by Kdgard Farasyn. 




No. 787. A Calm on the Scheldt, by August Musin. 





-^^^gr- 







'-■••' ■m'^"'^ 



i^^S, 




No. 803. Bride of Beyerland, by Therese Schwartze. 




No. 764. I^ANDSCAPE NEAR ThE HAGUE, BY W. HAMEL. 




No. 807. The Ox, by J. W. Sluiter. 



.BffAfii^CH f^gsMvttU 



& 

■U.^-''^ "'i^'' 




^*'„-^'' 'y;^ 



No. 839. Twilight, by A. Kdward J. Rosenberg. 




No. 840. Going a-Milking, by Jensen N. F. Schiottz. 




No. S59. Due Rest, by Jean Charles Cazin. 




No. 962. The Struggle for Work, by Johannes Gelert. 




No. 978. Mermaid, by Guseppi Moretti. 




No. 983^ The Twins, by Bessie O. Potter. 




No. 393. On the Brow of the Hill, by H. Leon Roecker. 




No. 848. Evening at the Shore, by G. T. Wallen. 




No. 575. Wash Day, by Charles C. Curran. 




No. 433. Low Tide, by E. T. Snow. 




No. 452. The Lost Trail, by J. B. Sword. 





1^,*1 



fiS<SA-6ci« «»jfet/?;<.. 



No. 68r. Le Dejeuner, by Wm. A. Bouguereau. 




No. 654. The Pet Cat, by I^. Sturm. 




No. 1002. Sam Davis, by George Julian Zolnav, 



How to Study a Picture. 



The art critic who deals nierel}' iu technical terms and phrases, has 
done little for the la5^nien in art and less for the artist. The former 
does not comprehend him, and the latter, as a rule, will not credit him 
with a knowledge of art. But if one layman will help another to 
view a picture in order that the skill of the artist and the beauties of 
his work may be appreciated, a great service will have been rendered. 

All works of art are visible thoughts. Pictures are painted language. 
The artist uses his genius to portray the beauties of nature or form, 
and his brush becomes the instrument to convey the light and shade 
of his lofty language. Having once interpreted this language, the 
layman learns to love his art. 

We do not speak of "American," "French," " German" or " Ital- 
ian" art because of the painter's nationality, but because the local 
characteristics of these countries are stamped on their art productions. 
What language is to the mind, art is to the soul. The one opens the 
way to knowledge, the other stamps its elevating influence upon the 
heart. 

In viewing a work of art, we should endeavor to lay aside all preju- 
dice as to "School." Whether it be "Impressionism" pure, or the 
' ' Old or Academic School, ' ' the artist has painted to please, and it is our 
dut}^ to meet him halfway and determine wherein he has succeeded. 
We linger long over pictures whose subjects appeal to us, but there 
may be much of art even in an unpleasing subject. It is the lover and 
student of art who gets enjoyment out of such as these, and who 
revels in the pleasure that all art gives. We get instruction in art 
everywhere, by reading all matter pertaining to art and artists, and by 
a comparison of nature itself with its reproductions on canvas. 

A picture should be approached not as something hung to cover 
space or as an example of any special artist or school, but to discover 
and enjoy its beauties. The artist has told his story in all complete- 
ness, and we should find pleasure in the art language his brush has 



80 Tennessee Centennial. 



written. Law in art is precisely like law in literatvire — styles change. 
It is absurd to consider any one style the permanent standard for all 
people and all time. But it is incumbent upon everyone to culti- 
vate an appreciation for the art of his day, as well as to study that 
which was produced by the masters of former generations. To do this, 
all prejudice must be laid aside, and a personal independence as to 
what pleases in style and subject, must be assumed and asserted. We 
do not want to build homes without art, and where this personal inde- 
pendent enjoyment of art prevails, homes will be beautified with 
canvases pleasing to the eye and elevating to the mind. Discuss art 
in all its phases if you will, but buy pictures with the end in view of 
being benefited by them. 

We may not be art critics, but we can learn to love art, and after 
this love has entered our hearts it will help us to judge and reverence 
a picture and determine its worth. 



^dinixi^nt 



¥¥ 



Ttnnt^stt (Hentanml gx^xcsilte 

Pint ^rts 



Many of the works are for sale 



Prices rT|ay be obtained of those having charge of 
tl^e Catalogue desks, or Superintendent of tl^e Gal- 
lery. The Art Department hopes- that generous 
purcl^ases may be made. 



SECTION \ 



PAINTINGS BY AMERICAN ARTISTS 



(I.IVTNG AT home; AND ABROAD) 



Tennessee Centennial 



^L-L-EN (Tbornzis) Boston 

No. 12 Commonwealth Avenue. 

Born, St. I^ouis. Pupil of Royal Academy Fine Arts at Dusseldorf, 

Germany. 
Member of JurJ^ Chicago, 1893 ; member of Jury of Awards, Chicago, 

1893. 
Awards and Honors : Silver Medal at Boston. 
Associate National Academy of Design, Society of American Artists ; 

President of the Paint and Clay Club ; President of Boston 

Society Water Color Painters. 

He is a careful, earnest and poetic painter, a close student of nature, 
and a sympathetic lover of animals. Mr. Allen was a member of the Jury 
of Awards at the World's Fair in 1893, and is one whose judgment in art 
matters is of international note. Is a member of Jury of Awards for Ten- 
nessee Centennial. 

4 Herd of Jerseys. 

5 Pon<J. 

(Near Montauk, I^ong Island.) 

6 L-2it^ Afteroooo, Swairnp-Scott, 7^a.ss. 



MSHUTZ (Tborn2i5 P.) Pbil2i<lelpbia 

"■ No. 201 South Tenth Street. 

Born, Newport, Ky., 1851. Studied in New York, Paris and Phila- 
delphia. 

Member of the Faculty of the Pennsylvania Academy of Fine Arts 
since 1881. 



7 A Drizzly. 

8 Tb^ Oil Wba^rv^s, 

9 Fisb^rrp^O. 

A Sketch. 

10 Gioorny D^y. 



a7id hiternational Exposition. 



3ACOri( Henry) 

Bor7i, Haverhill, Mass. Pupil of Cabanel atud I'Ecole des Beaux 

Arts. 
Exhibited, Salon, 1870, 1875. 1876, 1878. 

RACOri (Julia) Jzirnziiczi Fiaio^t f\^^s^. 

Prince Street. 
Bor^i, Boston, Mass. Pupil of E. C. Tarbell. 

12 Westrpioster Abl>^y« 

13 Venice. 

RAER { Wrn. J. ) fiew YorH 

No. 90 Grove Street. 

Born, Cincinnati, O. Pupil of Royal Academy, Munich. Studied 

also in England, Italy and Holland. 
Awards and Honors: Four Medals from the Royal Academy^, 

Munich ; also Medals from Boston and New York. 

14 \r) -^ Strzioge L.^ncl. 

15 His L-2ist Will ^i><J Tcstzirp^ot. 

The finish of this picture is as fine as the characterization is 
strong. The artist, one of the ablest of academicians, has given 
dramatic expression to the emotions of the old man, M^ho, conscious 
that his end is near, is providing for those to be left behind. 

jj^AIfi ( Hzirriet F. ) Keposb^i, Wis. 

Born, Kenosha, Wis. Pupil of Art Students' L,eague, New York; 
Art Institute, Chicago, and Raphael Collin, Paris. 

16 October A\oroi02» France. 

A charming bit of landscape in which the departure of summer 
is beautifully illustrated. 



Tennessee Centennial 



jgAIRD (Williarn) Pari^f Fmnce 

No. 9 Rue Duperre. 
Born, Chicago, 111. Pupil of M. Adolphe Yvon. 

17 Tbe Riv^r A\2iri7e. 

(Near Champigny.) 

18 The ViH2i5:e Brood. 

J^AMCROPT (A\r5. L-epzi T.) Boston 

No. 3 Gruudemaun Studios, Clarendon Street. 
Born, Maine. Pupil of Museum of Fine Arts of Boston and the Art 
League of New York. 

19 Buttoi) Cbrysa-otb^rnurpj. 

R/\RBER (J. J2iy) Colurobus, Ohio 

No. 87 Wesley Block. 
Born, Sandusky, Ohio. Self-taught. 
Awards and Honors : Diploma at Cotton Centennial Exposition, New 

Orleans, 1884, 1885. 
Member of American A.rt Association and New York Artists' Guild. 

20 B-side tbe W2iters 5till. 

RARNARD (Edwzirc! H.) Boston 

No. 23 Irvington Street. 

Born, Belmont, Mass., 1855. Pupil of John B. Johnson and at the 
Museum of Fine Arts, Boston ; Boulanger and Ivefebvre and 
R. Collin, Paris. 

Awards and Honors: Medal for Portraits at the Massachusetts 
Mechanics' Association ; Medal for Landscape from same Asso- 
ciation. 

21 River Weeclers (A\orping«) 

22 \^oo\\iY}% Up tbe Vzilley (/Vftcroooo.) 

Mr. Barnard is not ultra impressionistic, but he belongs to that 
school. His work shows a high order of merit and much pains- 
taking in execution. 



and International Exposition. 



Born, Philadelphia. 

Awards and Honors : Mary Smith Prize four terms, Philadelphia 

Academy of Fine Arts ; Gold Medal, Philadelphia Art Club, 1893 ; 

Dodge Prize, National Academy of Design, New York, 1893. 



23 Brother zin<a Sister. 



B 



The attractiveness of childhood is charmingly portrayed in this 
fine work of art by Cecilia Beaux, who ranks as one of the ablest 
representatives of the impressionistic school. 



ECKWITH ( Jf- Carroll ) New YorK 

No. 58 West Fifty-seventh Street. 

Borji, Hannibal, Mo., 1852. Pupil of Carolus-Duran, Kcole des Beaux 

Arts and National Academy. 
Awards and Honors: Honorable mention Paris Salon, 1887 ; Medal 

Universal ICxhibition, 1889. 
Member of National Academy, Society of American Artists and 

American Water Color Society. 



24 Tbe Cb"5ti^o A\2irtyr. 



In the explorations made by the Italian savant, Boldetti, through 
the catacombs at Rome in the early part of the last century, a tomb 
was found on the stones of which were carved the words: 

"CYRIAC^ DVI^CISSIM^ 

DEPOSIT.^ IN PACE VIXIT ANNOS 

XX IDIBVS MARTIIS." 

The sweet Cyriaca, deposited here in peace at the age of twenty, 

died on the Ides of March. Following these words were chiseled the 

palm branch — Emblem of Victory in Martyrdom — and above the 

P. X. "for Christ," while at the left and right were the anchor and 

dove with the olive branch. Cyriaca is represented in the picture 

immediately after her death in the Arena, when she is laid in the 

stone cell of the catacombs with freshly gathered palms in her 

hands, while the halo of immortality surrounds her head. 



^ELL (Ed. A.) New YorK 

No. 226 West Fifty-ninth Street. 

^o^-w. New York. Pupil of Loefiftz, Munich. 

Awards and Honors: Bronze Medal at Paris, New York, and the 
Halgarten Prize. 



25 Stu«iy Portrziit io Gra.y. 



10 Tennessee Centennial 

gENSON ( FmoH W.) ^alero, r\7^ss^ 

Born, Salem, Mass. Pupil of Boulanger and I^efebvre. 

Awards and Honors: Medal World's Columbian Exposition; Shaw 
Fund Prize, Society of American Artists, New York ; The Ells- 
worth Prize, Chicago ; the Clark Prize, National Academy, New 
York ; the Jordan Prize, Boston ; the Art Club Prize, Boston. 

Member Society of American Artists. 

Frank W. Benson's name is associated in the public's mind with the 
studies of lamplight and firelight, in which he has been very successful. 
He is not only a popular portrait painter, but has eminent qualifications for 
decorative painting. He was one of the artists chosen to decorate the Con- 
gressional I^ibrary, where he has painted three octagonal panels for the 
ceiling and four circular ones for the walls between the windows in the 
south corridor. 

26 Girl \xr^s)%\r)% Flowers. 



RERGER (Aotbony) New YorH 

No. 438 East Eighty-eighth Street: 

Born, Frankfurt, Mo., 1832. Pupil of Staedelehe Institute. Teacher 
free-hand drawing class of the General Society of Mechanics 
and Tradesmen. 

Awards and Honors : Received Silver Medal for the best landscape 
in 1857 at the American Institute, New York. 

Member Albrecht Durer Society, New York. 

2 7 Presi«i^ot Lincoln Re^^clipg the Bi ble to his 5on Ta.<i. 

In 1864, when Mr. Berger was a partner of M. B. Bradys, a well- 
known photographer of Washington, Mr. lyincoln sat for his por- 
trait. While in the studio, the President called his son Tad to his 
side, and read to him a passage from a book held in his hand. The 
artist taking advantage of the opportunity, and without the knowl- 
edge of the President, took a negative of him in this position. It 
was from this negative and from the artist's vivid recollection of 
Mr. I^incoln that the above picture was painted. It was for the first 
time exhibited in 1896 in the Carnegie Art Gallery, where it occu- 
pied a prominent position ; it is pronounced a very fine portrait. 



and International Exposition. 11 

jglSSIL-L (E. J.) Pbileidelpbi^i 

Pupil of Jerome. 

An American artist who studied in the best art schools of Europe and 
America. He is distinguished for his realistic figure and landscape 
painting. 

28 Old L.etter5. 

29 H^^<^^ 



RlXBEE (WiT). Jobn^op) Boston 

^^ No. 4 Alden Court. 

Born, Manchester, N. H., 1850. 

Member of Boston Art Club ; the Boston Society of Water Color 
Painters. 

30 Tb^ Restless Sezi. 



gL-AKE (J. E.) Cipcinnziti 

gUANEY (Dwigbt) Boston 

Born, Brookline, Mass. 

Member Boston Water Color Club and New York Water Color Club. 

32 I17 tbe Studio. 

33 The Birches. 



12 Tennessee Centennial 



B 



L-ASHFIEUD (Eciward H.) New YorK 

No. 58 West Fifty-seventh Street. 

Born, New York City, 1848. Pupil of National Academy of Design, 

Bonnat, Paris. 
Member of Society of American Artists. Member of the National 

Academy of Design. 



34 Cbristrpa-s B^Ils. 

35 /Vogel Witt) 21 Sword. 



I/Ofty and poetic in conception, vigorous in drawing, graceful 
and powerful in movement, Mr. Blashfield is deserving the recog- 
nition accorded him as an artist of genius. The " Christmas Bells," 
a splendid delineation of exhuberant joy, is representative of his 
style, as ig the "Angel with a Sword," an heroically beautiful 
figure, clad in fire and winged with flame, holding with executive 
mkjesty a sword at white heat. The terrible force and beauty of 
angelic indignation is strongly interpreted and well sustained. 



»OL-A\AR (n- <Ie Forest) New YorH 

No. 222 West Twenty-third Street. 



36 L^te Evcoi05« 



B 



Ori5/Vl-l- (EIiz2ibetb F.) Pbil^iclelpbia 

No. 1334 Chestnut Street. 

Born, Philadelphia. Pupil of Academy Fine Arts, Pennsylvania ; 

Collin, Courtois and Girard, Paris. 
A wards and Honors: First Tappan Prize, Academy Fine Arts ; 

Mary Smith Prize, Pennsylvania Academy of Fine Arts, 1888 

and 1897. 

37 Con5ol2itioo. 

38 Tbeir A\i<ad2iy A\ca.l. 



and International Exposition, 13 

gOULSOfi (E, W.) Pbil2i^elpbi2i 

No. 1707 Chestnut Street. 
Born, Philadelphia. 

39 /V Dull Dziy. 

The Artist has succeeded in depicting in an admirable manner 
a "grey," dull day — one of those daj'S when nature seems to have 
stripped the earth of all but gloom. 

40 L.^i?dsc^pe. 



gRANSOn (Lloycl) Kooxville, Tcop. 

Gay Street. 

Born, Knoxville, Tenn. Studied at the National Academy of 

Design. 
A wards and Honors: Exhibitor at the National Academy of Design 

and Medal at Atlanta. 



41 After the BzitJ). 



Mr. Branson has shown creditable skill in refinement of finish 
and perfection of flesh tints. 



gRECKEfiRIDGE ( H. H.) Pbil2i<lclpbm 

No. 1709 Chestnut Street. 

Born, I^eesburg, Va. Pupil of Pennsylvania Academy Fine Arts 
Bouguereau, Ferrier and Doucet, Paris. 

Awards and Honors : Medal at Atlanta Kaposi- ion in 1895. 

Secretary of the Faculty and Instructor in the Pennsylvania Acad- 
emy Fine Arts ; member of the Philadelphia Art Club and Phil- 
adelphia Sketch Club. 



42 Tbe L-Ziot^rij. 

43 Twiligbt. 



14 Te?inessee Centennial 



gRIDGEA\Ari (F« A.) Pziris, Frzipce 

No. 146 Boulevard Malesherber. 

Born^ Tuskegee, Ala. Pupil 6f J. I^. Gerome, of the Classicist School. 

Awards and Honors : Gold Medal, 1877 ; second class, 1878, (Paris Uni- 
versal Exposition) I^egiou of Honor ; Silver Medal, 1889 ; second 
class Medal, Munich, 1891 ; second class Medal at Berlin, 1892 ; 
first class Medal at Antwerp, 1894; 

National Academician, New York ; member of Society of American 
Artists, etc. 

"Mr. Bridgeman traveled in 1872 to Algiers and Egypt, and then be- 
came the painter of these regions, not alone of their present population, 
but of the classical past as well. His ' Burial of the Mummy' won the Gold 
Medal at Paris in 1878, and in 1881 he was able to bring together three hun- 
dred and thirty pictures of the East at an exhibition in New York. He 
delights in white draperies, dark skin tints, gleaming marble and keen 
blue atmosphere. His pictures are judiciously composed^ deftly carried 
out and exceedingly pretty in detail." — Muther. 

44 Worpcn ;^t ti)e Cejpetery. 

45 L^wn Tepois Club. 

This is a departure from the Eastern subjects usually selected 
by Bridgeman. He seems to have dipped his brush in sunshine and 
painted his figures with the fresh color and beauty ot the flowers. 
The picture is full of vigorous youth and grace and healthful-enjoy- 
ment. 

46 Silence of the Evening. 

47 A* *be Close of D2iy. 

48 Village of Tolga. 



B 



ROOKE (Ricb2ir<i ti.) Wasbingtoo 

No. 1700 Pennsylvania Avenue. 

Born, Warren ton, Va. Pupil of Pennsylvania Academy of Fine 

Arts, IvCon Bonnat, Paris, and Benjamin-Constant. 
Member of Society of Washington Artists. 

49 A Quiet Corner. 



and International Exposition. 15 



^ROOK5 (A. F.) Cbic2i$o 

No. 26 Van Buren Street. 

Born, Williamsfield, Ohio. Pupil of Edwin White and Carolus- 
Duran. 

50 Prirprose Wziy. 



RROOKS (A\2^rm) New YorK 

^^ No. 58 West Fifty-seventh Street. 

Born, Barnes, Middlesex, England. Pupil of South Kensington and 
Royal Academy Schools, I,ondon. 

Awards and Honors: Medals at Crystal Palace, Kensington, two 
gold and one silver ; six bronze and three International Exhibi- 
tion awards. Diploma, South Melbourne. 

Miss Brooks is versatile in style and harmonious in color, skillful in 
craftsmanship, expressive and full of sentiment in execution. 

51 5beHing Corp. 
52 5l)ucHing Corij. 



RROWN (C. Eroer^oi)) , Bostoi) 

No. 32 Grundemann Studios. 

Born, Bernly, Mass. Pupil of William Adams. 
Member of Boston Art Students' Association. 

53 Twili5*)t. 



16 Tennessee Centennial 



B 



ROWfi (J. G.) ficw YorH 

No. 51 West Tenth Street. 

Born, EJngland. Pupil of Robt. Scott I^ander, William B. Scott, 
England, and of Thomas Cummings, New York. 

Awards and Honors i Honorable mention. Exposition Universelle, 
Paris, 1889 ; Silver Medal (twice) Mechanics' Institute, Boston ; 
Bronze Medal, California and Atlanta. 

Member of the National Academy ; President of the American 
Water Color Society, New York ; International Jury of Awards, 
World's Columbian Exposition, Chicago, 1893 ; and honorary 
member Salamagundi. 

When twenty-two years of age, J. G. Brown came to New York city, 
where his professional life for the most part has been passed. He began 
his career in portraiture, and was especially successful with children ; but 
his greatest achievements are his compositions representing the various 
scenes and types of child-life in the city streets. He was the first in this 
country to direct public attention to the possibilities of low life in genre. 
The features that especially characterize Mr. Brown's art are simplicity 
and naturalness. His productions are distinctively American in thought 
and subject.— Encyclopedia Iconographic. 

54 Heels Over H^a.<J. 

55 Tbe Gziog. 

56 Tbe L.eist Editiop. 



B 



ROWflE (A\2^tilcla) Mew YorH 

The Strathmore, Broadway and Fifty-second Street. 

Born, Newark, N. J. Pupil of Carlton Wiggins, Julian Dupre, and 

H. S. Bisbing. 
Honorable mention, at the World's Fair, Chicago. 



57 Moootirp^. 



and International Exposition. 17 

gUDWORTH (Will. 5.) A\t. Verpon, N- Y. 

No. 615 South Eighth Avenue. 
Born, Brooklyn, N. Y. Self-taught. 

58 Clos^ of Daiy. 

59 Tbc Sbor^ Ezistcbester CreeK. 

gURBA/IK (E. A.) Cbiczigo 

No. 26 Bast VanBuren Street. 

.5or«, Harvard, 111. Pupil of Toby Rosenthal, Munich, Germany, 
and Academy of Design, Chicago, 111., Paul Nauen. 

Awards and Honors : The Yerkes first prize, 1892 ; Medal and honor- 
able mention at Atlanta, Ga., 1896. 

Member of the Cosmopolitan Art Club, Chicago, 111. 

Burbank has caught the spirit and character of the negro race as well 
as the shine of their dusky countenances. 

60 H^d Eoougb* 

A typical Southern scene, remarkably true to life. 

61 Gerrp^n Drinking Krugs. 

62 Rezicliog. 

This picture finely expresses the pride of the old mammy in her 
ability to read the Scriptures. 



3URGES5 (Ha J.) Chicago 

No. 900 Marshall Field Building. 

Born, Chicago. Pupil of Walter Shirlaw, New York, and 1,. O. 
Merson, Paris. 



63 During T^^ss ip Norrpzio^Jy. 

64 5tory of PczicocK's Fez^tber. 



18 Tennessee Centennial 



aUTL-ER (E<I. S.) CincipDeiti 

^^ No. 14 East Third Street. 

Born^ Cincinnati, Ohio. Self-taught. 
Member of the Cincinnati Art Club. 

65 October 00 the A\2ihK^tew2ib« 

An autumn scene of nice coloring, pleasant and restful to the 
imagination. 



r^/VL-DWEL-L (Eleanor B.) Pittsburgb 

^^ No. 245 Fourth Avenue. 

Born, Wheeling, W. Va. Pupil of Benjamin-Constant, Callot, Edw. 
Borde, Paul Delance. 

66 Hca.<i of B^^gan 

(Island of Capri.) 

67 SKetcb of 5e2i off Gloucester, N. O 



^AUL-OWHU-L- (J.) Boston 

68 A Beo^ ot} the Pepitgew^sset, 

^ARL- (Kate A.) Neiully, Pari^f Prance 

Born, New Orleans, La. Studied art in Paris at the Academie 

Julian ; also, under Courtois, and others. 
Awards and Honors; Received honorable mention, 1890. Made 

Chevalier of the Legion of Honor, 1896. 

69 Portra.it. 

(See loan collection.) 



and International Exposition. 19 



r^ARIS5 (H. T.) Pbiladelpbi^i 

^^ Art Club. 

Born^ Philadelphia. Pupil of Academy of Fine Arts of Pennsyl- 
vania. 

70 Oa-tb of All^gis^nc? a.t Valley Forge. 

The artist has taken for his subject one of the most dramatic 
incidents in the War of the Revolution. The portraits of Washing- 
ton and the great Generals of the army are of historic value. The 
spirited enthusiasm of the thrilling and decisive moment is patri- 
otically conceived and ably interpreted. 



QHM^n^y (J. Wells) New YorH 

^^ No. 96 Fifth Avenue. 

Born, Boston, Mass. Pupil of Kdward Frere and the Antwerp 

Academy, Belgium. 
Associate member of the National Academy of Design ; American 

Water Color Society. 

I In His Narpe. 



r^HAPnAN (Czirleton T.) /Hew YorH 

^^ No. 58 West Fifty-seventh Street. 

Born, New L,ondon, Ohio. Pupil of Art Students' lycague, New 
York ; National Academy of Design ; Academic Julian, Paris. 

Awards and Honors: Medals at World's Fair, Chicago; Silver 
Medal, Boston ; Silver Medal at Atlanta. 

Member of the Society of American Artists ; American Water Color 
Society. 



72 East River Pi^rs, N^w YorK 

A picture full of the 
along the piers of a grea1 

73 Wipter on t^e Souo«a. 



A picture full of the life and activity one would expect to see 
along the piers of a great metropolis. 



20 Tennessee Centennial 



^HA5E ( A\. n-) Aurom, IIL 

^^ No. 170 South Fourth Street, 

Born, Indianapolis, Ind. 
Member of Palette Club. 

74 A BroKen /»\eion. 

Tempting to the eye and the palate. The artist shows skill in 
still life work. 



^HURCHIl-U ( W. W.) Bo5toi} 

75 Uzirnpllgbt* 

American artists excel in fine effects of light; Churchill has 
rendered the glow of the lamp strongly and effectively. 



^LARK (Artbur T.) Boston 

Born, Boston. Pupil of Henry Sandham, Boston, 

76 Over tbe River. 

77 Clurpp of Bircbes. 



^L-ARK (Peyton HzzX) Louisville 

Born, Richmond, Va., in 1855. 

Not an artist, but Chairman of Jury of Selection for the Tennessee 
Centennial. 

Member of Polytechnic Society of Kentucky, the Filson Club, Vir- 
ginia Historical, and other similar organizations. He is ex- 
President of, and one of the honorary members of, the Com- 
mercial Club. 

Mr. Clark early displayed a taste for art, and has for many years kept 
in touch with the art centers of the world. He refers to his own art com- 
positions as amateurish, although his decorative work, the most notable 
being the designs, scenery and pageants of the Satellites of Mercury, 
secured wide attention. 



and International Exposition. 21 

^L-ARKE (Tbo5. SbieMs) fiew YorK 

No. 343 West Seventy-seventh Street. 

Born^ Pittsburgh, Pa. Pupil of Gerome and Danyon Bouveret. 
Awards and Honors: Medals at Berlin, Madrid, Chicago World's 
Fair, San Francisco and Atlanta. 

78 A Gondola. Girl. 

Good in drawing, technique and colors. 



^L-ARKE (Walter) fiew YorK 

^^ No. 37 West Eighty-fourth Street. 

Born, Brooklyn, N. Y. Pupil of George Inness. 
Member of the Water Color Club. 

79 A Vision of tbc Mi^bt. 

A strongly realistic scene from Modern I^ife. 



^L-OSSON (Wrr7. B.) Boston 

^** No. i6o Boylston Street. 

Born^ Thetford, Vermont. 

Awards and Honors : Honorable mention and Medal, Paris Salon ; 
Medal, International Exhibition, Paris ; Medal, Columbian Exhi- 
bition, Chicago ; Bronze, Silver and Gold Medals, Art Depart- 
ment, Mechanics Institute, Boston. 



80 J-l2irv^stio5 Corp. 



22 Tennessee Centennial 



r^OFFIM (W. A.) New YorH 

^^ No. 58 West Mfty-seventh Street. 

Born, Allegheny City, Pa. Pupil of I^eon Bonnat, Paris 
Awards and Honors : Second Halgarten Prize, National Academy 
of Design, New York, 1886 ; the Webb Prize for landscape. 
Society of the American Artists ; purchase of the picture, 
"The Rain," by the Metropolitan Museum; Medal at Paris 
Universal Exposition, 1889. 
Member of the Society of American Artists ; Architectural I,eagxie, 
New York, and New York Water Color Club ; Vice President of 
the Municipal Art Society, New York. 

81 Evening. 

(The Somerset Valley, Pennsylvania.) 



^OFPIfi (W. Hashell) WasbiDgtoo 

^^ No. 1502 Twenty-first Street. 

Born, Charleston, S. C. Pupil of Robert Hinckley, Master of Por- 
trait Painting, the Corcoran School of Art, Washington, D. C. 

Awards and Honors: Honorable mention for portraiture at the 
Cosmos Club Exhibition, 1896, Washington, D. C. 

Member of Society of Washington Artists. 

82 Fortrziit. 

83 Portraiit. 

r^OHEfl (Geo. W.) f4ew YorH 

^^ No. 146 West Fifty-fifth Street. 

Born, New York city. Pupil of J. L,efebvre and Benjamin-Constant; 

Von L,oeflftz. 
Awards and Honors: Medal Royal Academy, Munich. 

84 Southern L.uiiA.by. 



and Internatio7tal Exposition. 23 



Born, Nashville, Teun. Pupil of Bouguereau, F. A. Bridgman, and 
Fearari. 

85 Portrziit of Eli2i. 

(Model for Bridgman.) 



^OfifiElLL- (Edwin D.) Paris, Pmnce 

No. 33 Rue du Dragon. 

Botn, New York. Pupil of M. M. Bouguereau, Fleury, and Julian 
Dupre. 

86 Nesles la. Vallee. 



ROOFER (C. C.) Pbil2idelpbi2i 

No. 1224 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of Ducet. the Julian School, Paris. 
Awards and Honors: Bronze Medal at the Atlanta Fxposition. 
Member of the Art Club, Philadelphia. 

87 A Holl2ir>«a Hzirbor. 

A restful scene, picturesque in subject and pleasing in color. 

88 Wool C2ir«J^r. 

A familiar scene in the pioneer days of our country. 

89 OW Doorwziy. 

(Germantown, Philadelphia.) An interesting scene finely ren- 
dered. 



24 Tennessee Centennial 



^ORWOYER ( VzM\ ) St. L-ouis 

Born, St. I,ouis. Pupil of Jules I^efebvre, Benjamin-Constant and 
lyouis Blanc, Paris, and the St. I,ouis School of Fine Arts. 

Awards and Honors: First prize at the Kxhibition of the American 
Art Association in Paris 1892, and Gold Medal at the First Annual 
Kxhibition of St. I,ouis Association of Painters and Sculptors, 
1895. 

Mr. Cornoyer's style is broad and sympathetic, betraying perfect 
originality of conception, and a rare knowledge of the treatment of the 
peculiar half-lights of dawn, early evening and rainy effects. 

90 Port^ St. Ouep. 

91 Avcouc «J'/*\^iur. 

92 Avcoue ^'Orle^os. 

93 A Grziy Da.y tX C^boKizi. 

94 Doorwaiy of St. A\2irKst Venice. 

^OUSE ( E. Irving) Arlington, Ore. 

Born, Saginaw, Mich. Pupil of Bouguereau, Fleury, Fjcole des Beaux 
Arts, Paris. 

95 Herding tbe C0W5. 

96 L.^ Soupe. 

Two realistic scenes in Brittany, well drawn and fine in color, 
by one of the best artists of the day. 



^OWDERY ( Evzi D.) Boston 



No. 296 Boylston Street. 
Born, Richmond, Me. Pupil of R. Collin and G. Courtois. 



97 Reverie. 



The artist shows exceeding strength in portraiture, as well as 
good ideas of coloring. 



and International Exposition . 2 5 

RAriE (Bruce) Mew YorH 

No. 939 EJighth Avenue. 

Born, New York. Pupil of A. H. Wyatt ; studied abroad in 1878 
and 1882. 

Awards and Honors: The "Webb Prize of $300 for the best land- 
scape in the Exhibition of the Society of American Artists, 
by an American under forty years, for his picture, "Signs of 
Spring." 

Member of the Society of American Artists, American Water Color 
Society ; New York Water Color Society. 



98 Spriogtirne. 



RITCHER (CeitberioeC.) AIex2in^rm,Va, 

No. Ill North Alfred Street. 

Born^ Westmoreland County, Va. Pupil of B. F. Andrews and Wm. 

M. Chase. 
Awards and Honors: Medal at Cooper Institute; Gold Medal of 

merit at Corcoran School of Art, Washington, D. C. 
Member of Society of Washington Artists and Washington Water 

Color Club ; Washington Art Students' lyCague. 



99 F^U5t2i. 



^ROPSEY ( J2isper P.) New YorK 

^^ Hastings-on-the-Hudson. 

Born, Rossville, Staten Island, N. Y. Pupil of Nature, and studied 

two years in Italy and six years in I^ondon. 
Awards and Honors : International Exposition in London ; Medal, 

the Centennial Exposition in Philadelphia, 1876. 
Member of the National Academy of Design, New York. Honorary 

member Pennsylvania Academy of Fine Arts, and a member of 

American Water Color Societj'. 

Cropsey's painting is full of points that are new without being entirely 
foreign or strange to the European eye. It takes the ordinary observer into 
another sphere and region, while its execution will bear any amount of 
technical criticism.— London Times. 

100 Tbe A\^i5ow Auturpo Tirpe. 

(Erie Railway scenery on the Rannapo River, Rockland County.) 



26 Tennessee Centennial 



^URRAN (Cbas. C.) New YorH 

No. i6 West Sixty-first Street. 

Born, Hartford, Ky. Pupil of Cincinnati School of Design ; National 

Academy of Design ; Art Students' I,eague of New York ; Julian 

Academy, Paris. 
Awards and Honors : The third and second Halgarten and Clarke 

Prizes at the National Academy of Design. Honorable mention 

at the Paris Salon ; Medals at the World's Columbian Elxposition 

and Cotton States Exposition. 
Associate of the National Academy of Design ; American Water 

Color Societj' ; Society of American Artists ; New York Water 

Color Club. 

Curran is an alert and versatile painter of rustic and fashionable genre. 

101 The 5il^pt Nigbt. 

A poetic conception, showing a fine command of the subtle effects 
of night. 

1 02 By tbe Lake. 

A cool, refreshing scene, exquisitely colored. 



^URTIS ( Alice A\- ^ Boston 

^^ No. 264 Boylston Street. 

Born, Boston, Mass. Pupil of William M. Hunt, Frank Duveneck 
and others. Graduate of Lowell Institute, School of Drawing 
and Design. 

Member of Boston Water Color Club, B. A. S. A. 

103 The StrezirT) Royzil. 

The perspective of this picture is noticeably fine. The flags in the 
foreground are individual and distinct, and blend into a mass 
in the distance exactly as they would in nature. 

M. ly. XrlTTLETON. 

104 A /^i^iwirjter T^s^w. 

1 05 /Vrr)oo§ tb^ Hill5. 



aiid International Exposition. 27 

QANA (Cbzis. E.) Pbil2i<lelpbi2i 

No. 2013 Delancey Place. 
Born, Wilkesbarre, Pa. Studied Architecture at the Royal Academy, 

Dresden and Munich ; Union College, 1865, Civil Engineering ; 

Pennsylvania Academy of Fine Arts. 
A wai ds and Honors : The first Gold Medal for Water Color, Art Club 

of Philadelphia. 

Mr. Dana has established a reputation as a forcible and finished artist. 
His style is broad and strong 

106 Nez^r tbe Public Gairdeos. 

(Venice.) A fine bit of coloring. 

107 The H^art of Venice. 

108 In the A\osque of 5uita.r7 Ha.ssa.n7. 

(Cairo.) Of architectural interest as well as artistic merit. 

1 09 lo tbe Ratb-baus, Rotbepburg-ob-^ier. 

(Tauber, Bavaria.) 



QAVIS (Cbz^rles H.) Boston 

Born, Annesburg, Mass. Pupil of Boulanger and I^efebvre. 

Awards a?id Honors : Gold Medal at American Art Association, New 
York, in 1886 and 1887 ; prize, $2,000 ; honorable mention Paris 
Salon in 1889 ; Silver Medal at Universal Exposition in Paris in 
1889 ; Palmer Prize, Chicago, 1890, $500 ; Gold Medal at Mechanics' 
Fair, Boston, in 1890 ; Medal at World's Columbian Exposition, 
Chicago, in 1893. 

110 /VpfJ** Eigbteen Hundred. 
i 1 1 /Vba.odooed. 

The old house, the home of many generations, has gone to ruin and 
has been abandoned by all save a few birds ; yet around the 
scene nature has thrown the charm of the picturesque and the 
beautiful. 



28 Tennessee Centennial 



QAVIS-C/VSSADY ( C. 5. ) Cincinnati 

Born, Cleves, Ohio. Pupil of lyouis I^utz, George Hopkins and T. S. 

Noble, Cincinnati. 
Awards and Honors : Honorable mention at Cincinnati Art Museum, 

Chicago and Atlanta. 
Secretary and Treasurer Cincinnati Woman's Art Club. 

1 1 2 Frorn Foreign Parts. 

113 Cap-i-t-y, Governor of Zuoi. 

QAflGERPIELD (Elliott) ficw YorH 

No. 145 West Fifty-fifth Street. 
Born, Harper's Ferry, Va. 

1 1 4 Th^ Lost Sbccp. 

115 A Resting Plzice. 

116 A Sbz^^y Roai^. 

This artist is refreshing in the pleasing bits of shade which he 
paints with considerable force. 

QAWSOri (Arthur) OaK PeirK, III. 

No. 357 Grove Avenue. 

Born, Crewe, England. Pupil of David Law in etching, W. Maris 

in water color, and I. Baker in oil painting. 
Medals and Awards : Bronze Medal, Science and Art Department, 

England ; exhibitor at Royal Academy, Salon, Paris ; American 

exhibitions and Columbian Exposition, Chicago. 
Member of Royal Society of Painters and Etchers, London ; the 

Nineteenth Century Art Society ; formerly President of the 

Cosmopolitan Art Society, Chicago. 

Mr. Dawson is not only a finished artist, but enjoys the distinction of 
being one of the best informed judges of "old" masters in the country. 
( See Francia Loan Department.) 

1 1 7 A\is5 Pru^ Prin}. 

118 Tb.2^nK5s:ivinsi Evening in tbe OW^n Tinjes. 

119 Sz^lly. 



and International Exposition. 29 



QEAN (Wziitcr L.) Bostop 

Born^ I^owell, Mass. Pupil of I,efebvre, Boulanger, and Oudniot, 

of Paris and Boston. 
Awards and Honors: Medals at Boston in 1886 and 1895; painting 

purchased by Boston Art Club, 1887 ; painting purchased for 

Public Art and lyibrary buildings. 
Member of Boston Art Club, Paint and Clay Club, and Boston 

Society of Water Color Painters. 



! 20 Pezic^. 



Represented by the North Atlantic Squadron in Boston Harbor, 
with Flag Ship " Chicago" in foreground. 



JQEBEREIJHER (George) Cipcinn^iti 

No. 215 West Fourth Street. 
Born^ Arzberg, Germany. 



121 A Vision. 

122 Eloquent Silence. 



Qe CRAfiO (F. P.) Pbila^Ielpbia 

No. 1520 Chestnut Street. 

Born, France. Studied in Paris, I^ondon, and Rome. 

Member of Philadelphia Art Society and Art Club of Philadelphia. 

123 Tbe Gzir^en P2^rty. 

124 Tbe Goveron^ent Point. 

(Cape Ann.) 



30 Tennessee Centennial 

Qe HAA5 (Fred) New YorK 

No. 51 West Tenth Street. 

Born, Brooklyn, N. Y. Pupil of M. F. H. De Haas, National 
Academy. 

125 Bouo^ Out if) 21 Hurry. 

Qe LUCE {PercivaO New YorK 

No. 52 East Twenty-third Street. 

Born, New York City. Pupil of Academy of Antwerp and Bonnat, 

Paris. 
Member of American Water Color Society. 

126 T\^\v)%% frorp tl^e 5ea.. 

127 Weltering the Flowers. 

n^n^riG (E^IwArd W.) Pbilaclelpbia 

No. 816 Chestnut Street. 

Born, Ashland, Ohio. Pupil of Boulanger and Lefebvre, Tony 
Robert-Fleury and F. Bouguereau. 

123 loclie^o Hors^ RA.ce. 

QlCK50ri (A\- E.) Peiris, France 

Born, St. Louis, Mo. Pupil of Tony Robert-Fleury and Jules 

Lefebvre. 
Honorable mention at Paris Salon, 1896. 

129 A\istl^to^. 

Sadly sweet are the memories associated with the Mistletoe, at 
at which the young woman is pensively gazing. The letter on the 
table suggests the absence of the lover who was perhaps present at 
last mistletoe time. 



and International Exposition. 3 1 

n^SSAR (l-oui5 Paul) fiew Yorh 

No. 114 West Thirty-fourth Street. 

Born^ Indianapolis, Ind. Pupil of Bouguereau and Tony Robert- 
Fleury, Paris ; National Academy of Design, New York, and 
Kcole des Beaux Arts, Paris. 

Awards and Honors: Medal from Salon, 1891, picture bought by 
the French Government in 1893, Medal World's Columbian Ex- 
position. 

131 PisherriQen's Depa.rtur^. 

The purple shadows so harmoniously blended in this fine pict- 
ure are characteristic of the long twilights of Brittany, as are the 
f)athos and piety of the scene peculiar to the toilers of the sea, who 
requently go forth never to return. Mr. Dessar paints with feeling 
and fidelity to nature. He ranks as an artist of foremost ability 
and individuality M. I^. Littleton. 



niELA\AM (FredericH) New YorH 

No. 41 West Tenth Street. 

Born, Germany. Pupil of Diez and the Royal Academy, Munich. 
Member of the National Academy of Design and American Water 
Color Society. 

Mr. Dielman ranks high as a genre painter. No artist has done anything 
better in form and finish than the figure of History in one of the two 
Mosaics with which Mr. Dielman has decorated the sculptured chimney 
pieces of Sienna Marble in the Representatives reading rooms of the new 
Congressional Library at Washington. 

132 L.21W. 

1 33 History. 

Design for Mosaic for the new Congressional Library, Washington. 



32 Tennessee Centennial 



QlEfiDOril/V (Jules A.) Wasbingtop 

^^ No. 620 Seventeenth Street. 

Born, Brussels, Belgium. Pupil of M. J. Stallaert, John Portaels, 
and Royal Academy of Brussels. 

Awards and Honors : Subsidy from the Belgium Government in 
1879, upon the recommendation of the jury of awards for par- 
ticipation in triennial exhibition of said year ; the Academy 
Medal. 

Member of the Cercle I^'iEssor of Brussels and Washington Society 
of Artists, 

34 Ecstasy. 



QODGSHUfi (A^rs. A. Van Cleff) Cbic2igo 

No. 4441 Berkley Avenue. 

Born, Jersey City, N. J. Pupil of Geo. H. Smillie, National Acad- 
emy, New York, Associate member of the Cosmopolitan Art 
Club, and of the Palette Club, Chicago. 

135 L.2if7cl5c^p^. 

The title of " I^andscape " to a picture may mean much or little. 
Deftly handled, it is a subject which appeals to all. Mrs. Dodgshun 
has given us a familiar scene in a pleasing way. 



QOERlfiG (F2^ul) Cincinnati 

Born, Heipsen, Saxony, Germany. Pupil of Donadini, Dresden, 
Modern Masters, as Mr. Bier, New York ; Prof. Sturn, Dresden ; 
Papperman, Dresden, Germany. 

A wards and Honors : Dresden, Germany ; Alabama State Fair, 
1888, 1890. 

Member Art Club, Cincinnati. 

136 Cotton FicKiog in /Mississippi. 



and International Exposition. 33 



QOHNE (Pauline A.) Cbicago 

No. 9 Tree Studio, State Street. 

Born, Chicago, 111. Pupil of Art Institute, Chicago ; Pennsylvania 

Academy of Fine Arts ; Boulanger and Courtois. 
A wards and Honors : First Yerkes Prize, Chicago Society of Artists. 
Member of the Palette Club and Cosmopolitan Club of Chicago. 

137 Wba^t the StorK Broust)t. 

Miss Dohne has given us a delightful home scene in " What the 
Stork Brought." She is strong in execution, pleasing in coloring 
and composition. 



nOL-PH ( J. H.) /Hew YorH 

^^ No. 58 West Fifty-seventh Street. 

Born, Fort Ann, N. Y. Studied in Antwerp and Paris. 
Member of several associations of painters. 

Mr. Dolph has long had a reputation for painting kittens with a degree 
of realism probably unequaled by any other living artist working in the 
same direction.— New York Music and Drama. 

138 Goo«I Frien<J5. 

139 A BreaKfzist Pzirty. 

140 Churns. 

141 \x) Anxious A\ornet)t. 



nOUGHERTY {f\x^. J. W.) Pittsburgh 

No. 245 Fourth Avenue. 

Boryi, Wheeling, W. Va. Pupil of Boulanger, Le Fine of the Julian 
Academic ; I<uc Olivier Messon, Paul de lyOnce, Callot, I, 'Her- 
mitte, Puris de Claraines. 

142 Cburps. 

143 MzXYb^T) Orgzio Grio<I^r, P^rij. 

144 A Gossip, Eo§la^n<i. 

2<« 



34 Tennessee Centennial 



QUfiSi^ORE (Jobn Warcl) Cincini72itJ 

No. 525 Pike Building. 

Born, Riley, Butler County, Ohio. Pupil of Thomas Couture, Paris. 
Medal, in Boston, 1881. 

Member Nineteenth Century Art Society, Blackheath Art Club, 
Circola Artistica of Italy. 

145 L-a Duchess^ <ae Foligoz^c ^ V^rs^illes. 

(Time, I.ouis XVI.) 

This picture takes us back to the days of studied ceremony and 
stately chivalry. The Duchesse de Polignac was cue of the great 
ladies of the Court of I^ouis XVI. 

146 Aft^** tb^ A\asquec! Ball. 

(Grand Opera House, Paris.) 



jBATON (Cbeis. Warren) Bloorof icld, N. J. 

Born, Albany, N. Y. Pupil of Academy of Design and Art Stu- 
dents' League. 

Member of the American Water Color Society, New York Water 
Color Club. 

147 Tb^ OW Orcl)2^r^. 

148 Decen^ber. 

Rnn^T (L.y<Iia F.) newRocbelle,fi.Y. 

No. 398 Peekam Road. 

Born, Rochelle, N. Y. Pupil of Bouguereau, Fleury, Wm. M. Chase, 
Siddons, Mowbray, Kenyon Cox, and Robert Ried. 

Awards and Honors: Bronze Medal, Cotton States Exposition, 
Atlanta, Ga., and Medal at World's Fair, Chicago. 

Member of Art Students' I^eague and Municipal Art Society. 

149 O, ttjat W^ Two Were A\aying. 



and International Exposition. 35 

prirfEKlfiG ( Jobn J.) Boston 

^"■^ No. 174 Tremont Street. 

Born, Muster, Ohio. Pupil of Bonnat and Daubigny, Paris, and Lear, 

Munich. 
A wards and Honors : Four Gold and four Silver Medals at Interstate 

EJxpositions, and cash prizes. 
Member of Boston Art Club and Paint and Clay Club. 

Mr. Ennekin^ is an artist of pronounced ability. His art career suffered 
several interruptions, one being the civil war, in which he served ; but 
despite obstacles to which many would have succumbed, he was able to 
make, in 1878, an exhibition of one hundred canvases, which sold for $5,000. 
Since that time, he has been regularly represented at the important exposi- 
tions in the North and East and at the World's Fair, where he had three 
pictures. Mr. Enn eking is an artist of broad and liberal culture. His style 
IS individual and poetic. 

1 50 Noverpber Twilight. 

151 Duxbury Cl^ro Di%%er3. 

152 Nibbling by i\}^ Wziysicle. 

153 October Sunset. 



^RTZ ( Edw2ir4 ) P^ris, Fmoce 

No. 3 Rue Dutot. 

Born, Chicago, 111. Pupil of M. M. Del^ance and I^efebvre. 

Awards and Honors: Diploma of Honor, International Exposition, 
St. Etiene ; Gold Medal, Exposition d' Angers ; Grand Prix Inter- 
national Exposition of Rouen, France. 

Professor in d'Aquarelle, Academic, Delicluse, Paris. 



154 Sunny Spring. 

155 Apr^s-rnicli d'Hiv^r. 

Winter afternoon. 



36 Tennessee Centenriial 



|^VAfi5 ( DeScott ) fiew YorK 

^or«, Boston, Ind. Pupil of William Bouguereaii, Paris. 
Exhibited at National Academy for many years. 

56 A Dz^ugbter of tbe Revolution. 

Even the stern rules of the British prison-house have been 
relaxed for the patriotic young woman who has brought flowers and 
sunshine to the hero imprisoned in the cause of American inde- 
pendence. 



pABER (L-. E.) Fbil^idclpbizi 

No. 1708 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of Constant and Jules Lefebvre, 

Paris and Munich Academy, 
President of Philadelphia Sketch Club and Philadelphia Society 

of Artists. 

157 Tbe Cz^rpels ^re Corpipg. 



pERRlSS (J. L. G.) Pbil2^<lelpbm 

No. 1520 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of Bouguereau, S. J. Ferriss, and 
Pennsylvania Academj' of Fine Arts. 

158 Heir Receivios bis Estzite. 

159 A\2irti)2^ Wzisbington Visiting t^e Trenches ^X 

Vz^Iley For^e. 



and Inteiiiational Exposition. 37 



piSHER (A\2vry U.) Bostop 

No. 23 Irviugton §treet. 

I60 Guiliz^. 
161 Wziiting for ^^ Pz^rtpen 

A dainty little Miss who stands in her new party frock waiting 
with the expectancy of youth. 



pOSS (Hzirrict Carnpbeil) New YorK 

No, 130 ^ast Nineteenth Street. 
Pupil of Alfred Stevens. 

162 Flower A\a.Ker. 



pOWL-ER (FrzipK ) New YorK 

No. 106 West Fifty-fifth Street. 

Born, Brookl3'n, N. Y. Pupil of Carolus-Duran. 

Awards and Honors: Medal at the Paris Exhibition, 1889; Atlanta 

Exposition. 
Member of the National Academy of Design ; Society of American 

Artists and the Architectural League. 

163 Rcvery. 

It is not difficult to imagine that love is the subject of a maiden's 
thoughts when the peaches are in blossom and the spring suushiue 
is everj'where. 



pOWLER ( A\rs. r\2iry O. B.) New YorK 

No. 106 West Fifty-fifth Street. 

Born, Philadelphia, Pa. Pupil of Carolus-Duran and Jean Jacques 

Henner. 
Aivaidsand Honors: Honorable mention Philadelphia Exposition; 

honorable mention at Chicago. Prize of $500 in competition for 

decorative design. 

164 Cynthezv. 



38 Tennessee Centennial 



pOSTER (Ben.) riew YorH 

No. 8 East Twenty-thi d Street. 

Born, North Anson, Me. Pupil of Abbott H. Thayer, Merson and 

Aime Morot, Paris. 
Awards and Honors: Medal, World's Columbian Exposition ; Second 

Prize for Water Color at Cleveland, Ohio. 
Member of the New York Water Color Club. 



165 The l-2^55:2ir<I. 



pRAflKL-lN (A\2iry) Fziris, France 

No 33 Rue Bagen. 

Born, Athens, Ga. Pupil of Philadelphia Academy Fine Arts ; 
I,ouis Deschamps and Jean Geoffrey, 

166 1-21 Toilette. 



pRATZ (A\Ary E.) Pbil2v<Ielpbia 

No. 1220 Arch Street. 

Born, Philadelphia, Pa. Pupil of Robert W. Vonnoh and Cecelia 
Beaux. 

Awards and Honors : First class Topan Prize, Pennsylvania Acad- 
emy Fine Arts. 

167 Portrziit. 

Very impressionistic, and executed with a free, bold brush. 



pREER (Cora F.) Cbicago 

Tree Studio Building. 

Born, Chicago, 111. Pupil of Art Institute of Chicago ; Courtois, 
Mason and Collin, Paris ; Herterich, Munich. 

68 Sun<aziy /Vfterpoon. 



and International Exposition. 39 



p^REER (Frederic W.) Cbk^^go 

studio Building, State and Ohio Streets. 

Born, Chicago, 111. Pupil of Royal Acadeni}' of Munich. 

Awards and Honors: Medal at "World's Columbian Kxposition,. 
Chicago, 1S93. 

Associate of the National Academy of Design, member of the 
Society of American Artists, and member of the American 
Water Color Society ; the New York Etching Club. 

He has devoted most of his time to genre painting, in which he has a 
wide reputation for forcible and happy presentation. 

169 5yn7p3iti7y. 

First Yerkes Prize. 



QAL-LISOM (H. H.) Boytoo 

Born, Boston, Mass. Pupil of Adrian Bonnefay, Paris. 

170 A Grz^y D^y. 



QATTINGER (ninpie) fizisbville 

Academy Place. 

Born, Roane County, Tenn. Pupil of Geo. Dury, C. Brenner, Acad- 
emy of Fine Arts, Philadelphia; Academic Delecluse, Paris, 
France. 

Awards and Honors : Exhibit at the Salon Des Champs Elysees, 1896. 

171 A Dutch P^2i53^nt R^^^iog. 



40 Teniiessee Centennial 



QAUGEMGIGl- (Igp2itz n^^rcel) Boston 

studio Building, No. no Tremont Street. 

Born, Passau, Bavaria. Pupil of the Bavaria Royal Academy, and 
of William Diez, Munich. 

Mr. Gau^engigl is one of the most distinguished genre painters in 
America. His drawing and coloring are faultless. He was a pupil of Prof. 
Wilhelm Diez, Munich, Bavaria, and his works are hors coulours in every 
exhibition in Europe and America. ( See Jury of Selection.) 



QAY ( Edward ) A\ount Veri^op, TA. Y. 

Borti, Dublin. Pupil of I^essiug, Shirmer and Cannon, Carls Voa 

Baden, Germany. 
Awards and Honors: Metropolitan Prize of $2,000 for "Broad 

Acres" — the California Exposition Silver Medal. 
Member of the National Academy of New York. 

172 A\otber Eairtb. 



QAY (Walter) Pari^, Praoce 

Born, Hingham, Mass. Pupil of Bonnat. 

Awards and Honors: Honorable mention, Salon, Paris, 1885; 

Medal (third class), 1888; Silver Medal, Exposition Univer- 

selle, Paris, 1889; Medals, Vienna, 1891 ; Antwerp, 1894. 
Chevalier of the L,egiou of Honor, 1894 ; member of the Society of 

American Artists ; corresponding member of " The Secession," 

Munich. 

" One of the strongest painters among the French-American artists. 
His pictures are liked for their atmosphere quality, for fine color and 
correot values." 

73 S\T)%\io% School. 



and International Exposition. 41 

JIFFORD (R. Swziip) New YorK 

The Rembrandt, No. 152, near Fifty-seventh Street. 

Born, the Island of Nanshon, Mass. Pupil of Albert Van Beest, 
Holland ; also studied in France, Italy and Spain. 

Awards and Honors: Centennial International Exposition; last 
International Exposition in Paris ; 12,500 first prize competition 
in New York. 

Member of the National Academy Design, New York ; Society of 
American Artists New York ; New York Water Color Society ; 
New York Etching Club ; member of the British Society of 
Painters, I^ondon ; Director of the Cooper Institute, New York. 

" Gififbrd's pictures possess to an uncommon degree what painters call 
quality, that indescribable something that creeps into art and distin- 
guishes it from its neighbors ; that illusive something that wins at once the 
admiration of a trained and untrained eye alike, and stamps it unmistak- 
ably as a masterpiece." 



174 Kelp Gzvtbercrs. 

175 October Afternoon. 

176 Nooquitt Bircbes. 

177 An Auturnn Interior. 



QL-AriCY (AlJen) Batavia, Obio 

178 B^^cl) Woo«a5. 

A glimpse of quiet nature,. delicately and pleasingly colored. 



42 Tennessee Centennial 



QORHAA\ (Sidney) i-ouisville 

Born, Plattsburg, N. Y. Pupil of Kcole des Beaux Arts, Paris ; Ivcon 

Bonnat and Joseph Blanc. 
Medal for drawing, and is a member of American Art Association, 

Paris. 

179 Leisure A\on7ents. 

180 A L-ozit}. 



QRAVE5 (Abbott) Bostoi) 

No. iro Tremout Street. 
Born, Weymouth, Mass. Pupil of F. Cormon, Paris. 
Medals, 1887 and 1889 ; Silver Medal in 1892, also Gold Medal in 1892. 
Member Paint and Clay Clubs, B. A. S. A. Society of Water Color 
Painters. 

81 L-ozi^ of Poppies. 



QRAY (Sopbie^ D.) L-ouisville 

No. 235 Kast Jacob Street. 

Born, Baltimore, Md. Pupil of Hugh Newell, Benjamin West, and 

Charles Dangerfield. 
Awards and Honors: First for water color flowers at Maryland 

Institute ; second for head on china plaque. World's Fair, New 

Orleans. 
Member of Art League of the South, lyouisville, Ky. 

182 A Soutbero Bell^. 

183 Crirpson /^cteor Roses. 



a7id International Exposition. 43 



QRAYSOfi (Clifford P.) Pbil2i<lelpbiei 

No. 122 South Forty-second Street. 

Born, Philadelphia, Pa. Pupil of J. I,. Gerome and I,eon Bonnat, 

and of the Ecole des Beaux Arts. 
Awards and Honors : Temple Gold Medal at the Academy of Fine 

Arts, Pennsylvania ; $2,000, American Art Galleries, New York. 

Mr. Grayson has been a constant contributor to the salon and important 
American exhibitions. His "Midday Dream" received the $2,000 prize 
given in New York in 1886, and which hangs in the Cocoran Art Gallery in 
Washington. 



184 Ave A\2irie. 



QROS5 (Peter Alfred) Pziris, BrZityc^ 

No. 9 Rue Duperri, Place Pyalle. 

Born, Allentown, Lehigh County, Pa., U. S. A. Pupil of F)dmond, 
Yon & Edmond, Petitjean. 

Awards and Honors : Decorated Officer D' Academic, Commissionaire 
Section des Beaux. Arts de la Societe D' Ethnographic. Honor- 
able mention, Salon. Third Class Medal, Crj^stal Palace, Inter- 
national Exposition, London. Gold and Silver Medal, Union 
Francaise de la yeunesse. 

185 Essego^y pres Cbz^rrncs, Vor5[^s. 

186 On tb^ B2ioK5 of tbe Ooioo River, Hziute Sziop^. 

187 Vouberna.u5» Hziut^ Sa.oo^. 

Mr. Gross is an American artist who makes his home in France. 
This charming landscape, with its primitive bridge, its quaint 
figures, its picturesque homes and exquisite coloring is character- 
istic of his style. M. L,. Littleton. 



44 Teiuiessee Centennial 



QROVER (Oliver D.) Cbiczigo 

Born, Earlville, 111. Pupil of F. Duveueck, Royal Academy, Munich ; 

Boulauger and I,efebvre, Paris. 
Awards and Honors : First Yerkes Prize, Chicago, 1892. 

188 Tby Will be Done- 

Medal, World's Fair. The agonized expression and the crushed 
letter bespeak the sorrow and sacrifice of some heart's idol.' 



QUTHERZ (Ceirl) \i?^s\)\r)%iox) 

No. 1777 Madison Street. 

Born, Tchoeftland, Switzerland. Pupil of Isador Pils ; Acadeniie 
des Beaux Arts, Paris ; Gustav Boulauger and Jules L,efebvre. 

Awards and Honors : Medal for the Poetic in Painting, Centennial 
Exposition, Pliiladelphia, 1876, and third-class Medal, Paris, 1889. 

Member Society of Washington Artists. 

Mr. Gutherz's life exhibits a noble enthusiasm for the highest ideals of 
art. His style is decorative and marked by unmistakable individuality. He 
has been likened to Fra Angelica by enthusiastic admirers, and is frequently 
compared to the writer, Emerson, from the intellectualit}' of his motives 
that easily ascend into the spiritual and the mystic. The seven panels which 
form the central decoration in the ceiling of the Congressional I^ibrary are 
the work of v, r. Gutherz. 

189 T\)^ Eveoiog of th)e Sixth D^y 
100 The Behring 5ea. AiXblirZiiioT) Court. 

Key illustrated with the painting. 

191 5outhero Song. 

A very decorative and attractive piece of artistic work. 

1 92 Portra.it of Sepa-tor John T. A\orga.n, of A'^bzirpa. 



and International Exposition. 45 

^AL.B (Pbilip) 

193 Ao Ei7<Jiog of A\usic. 

JJ/VLl-OWEL-L- ( f\z.xy) Boston 

No. 264 Boylston Street. 

Born, West Medford, Mass. Pupil of Museum Fine Arts, Bostoa ; 
of the Atelier St. Julian, Paris ; and L,ouis Deschamps. 

194 At DusK. 

l-JAniL-TOn (Hsvrniiton) Pe2iKsvi!Ie, fi. Y. 

Born, 1847. Studied in France and England. 
First exhibited in 1881, National Academy, New York. 
Member of the American Water Color Society. Elected A. N. A. 
in 1886. 

195 Tt)^ Rz^inbow. 

A group of women and children in the open fields watching a 
summer rainbow. The coloring is refreshing and delicate, and the 
picture is well studied. 

I^AriKlflS (Cornelius) Ricbroon<I 

Born, Guntown, Miss. Pupil of Geo. W. Chamber, Nashville School 
of Fine Arts, and Paul Harney of St. I<ouis School of Fine Arts. 

196 Flowers. 



46 Tennessee Centennial 



|-J AriSEr* ( Frederic ) Cbiczigo 

Born, Denmark, 1865. Pupil of Carl Marr, Munich. 
Awards and Honors: One hundred doUar prize, "West End Woman'a 
Club, Chicago. (First.) 

197 Tbe Usibt of tb^ House. 

198 I-aiT7plisbt Effect— Boy's Hezid. 

Mr. Hansen excels in the naturalness of his lamplight effects. 
Out of a dark background peeps the " lyight of the House," around 
whose little face of inefifable sweetness a halo of light is artistically 
thrown. The artist has no less effectually shown his power over 
lamplight efifect in his " Boy's Head." 



|-|ARPEL.L- (Uillizio C.) Pbiladelpbia 

Born, Philadelphia, Pa. Pupil of Spring Garden Institute, Phila- 
delphia. 

Awards and Honors: Honorary mention Pennsylvania Academy 
Fine Arts. 

199 Trophies of W2iterIoo. 

200 Wil<I DucKs ai7<a Copper Kettle. 



LJARRI5 (Cbev5. P.) Pbil^i^elpbia 

No. 320 South Broad Street. 
Born, Maine. Pupil of Cabanel. 

201 Surreo^ler of /Hew ^rpster^d^rp. 

(New York in 1664.) 



and International Exposition. 47 



|-J ARRI5ON (Alexan<^er) Paris, Przvoce 

Born, Philadelphia, Pa. 

Awards and Honors: Honorable mention Paris, 1885 ; San Francisco 
Gold Medal in 1878 ; Legion of Honor, 1889 ; Gold Medal in 1889 

202 Tf}^ Se^. 

Daring and beautiful in color, such a picture as this is only pos- 
sible to an artist who has made a close and conscientious study of 
nature. 

(See Section 2, I^oan Department.) 

203 Newport. 



I^ARTRATH (Lucie) Cbicago 



3736 Ivake Avenue. 



Born, Boston, Mass. Pupil of Courtois, Paris. 
Member of the Palette Club, Boston. 



204 Un<der i\)^ Willows. 



I^ARTSOfi (W^ilter E.) Mew YorK 

Born, Iowa. 

Awards and Honors : Diploma of Honorable Mention and Bronze 
Medal, Atlanta Exposition. 

205 Woo«is 2it Sezitor? Fa.Ii3. 

(New York.) 



48 Tennessee Ce?iten}iial 



H 



ARTWICK (Herrnzio) /Hew YorK 

No. 147 :east Twenty-third Street. 

Born, New York. Pupil of Profs. Diaz and Loeff, of Munich. 
Awards and Honors: Medals, Munich, I^ondou and Madrid. Hon- 
orable mention at Paris Salon. 
Member of Societj^ of Munich Artists. 

206 L-orpbarcI Blez^cbery. 

A strongly realistic scene ; the figures are picturealque and 
graceful ; the coloring charming ; the whole composition finely 
executed. 



IJAS5EI-BU5CH (L-ouis) Pbil2i<lelpbi2i 

* No. 1026 Arch Street. 

Born, Philadelphia. Pupil of Constant and I,efebvre, Paris. 
Member of American Art Society, Paris and Philadelphia Sketch 
Club. 

20 7 t\M) of Tunis. 



|-|AUSER (John) Cipcinnziti 

208 Return of Fisbiog Fleet. 

209 After the Rz^io. 

210 A\edita.tioo. 

211 Before tbe Huot. 



and hiternational Exposition. 49 



l-JAYDEM (Cbe^rles H.) Boston 

No. 23 Ir\nngton Street. 

Born^ Plymouth, Mass. Pupil of Museum Fine Arts, Boston ; 

Boulang-er, I,efebvre aud R. Collin, Paris. 
Awards and Honors : Honorable mention at the Paris Exposition 

in 1879; the grand Jordan Prize of $^1,500, in 1895, at Boston; 

Silver Medal at Atlanta Exposition in 1895. 

212 New ^T)<^^s)^ Foxbouo^is. 

213 Pa.sturcIa.o«I, Coooecticut. 



^AYDEfi (Szim S.) Cbiczigo 

No. 3319 Michigan Avenue. 

Born, Chicago. Pupil of Chicago Art Institute ; studying at present 

in Paris. 
Member of Palette Club. 

214 portra.it of a. Youpg Worpao. 



I-JAYME5 ( Czirolipe C ) fiew YorK 

Born, New York City. Pupil of Art Students' League, New York ; 
Alfred Stevens and Courtois, Paris. 

2 1 5 Cbeynous. 



H 



AZEi-TOn ( AV^iry Brewster ) Boston 

No. 12 Harcourt Studio, 23 Irvington street. 

Born, Milton, Mass. Pupil of Edmund C. Tarhell. 
Aioards and Honors : First Halgarten Prize, National Academy, 
New York. 



216 \r) z. Stu<aio. 



The artist has excelled no less in color than in graceful pose and 
complete composition. 



50 Tennessee Ce?ite7imal 



H 



EriDERSOri(AppieW.) AHegbepy, Pzt. 

No. 135 Sheffield Street. 

Born, Pittsburgh, Pa. Pupil of School of Design, George Hetzel, 

A. B. Wall and Rhoda Holmes Nicholls. 
Member of Pittsburgh Art Society ; Principal of Pittsburgh School 

of Design. 

217 A\oupta.io L.A.ureI. 



H 



EfiRY ( E. L-. ) Ellcpville, H. Y. 

Boryi, Charleston, S. C. Pupil of Weber, Courbet and Art Schools 
at Philadelphia, Paris and lyOndon. 

Awards and Honors : Medals at New Orleans, Chicago, and honor- 
able mention at Paris in 1878 and 1889. 

Member of the National Academy of Design ; member of the Amer- 
ican Water Color Society. 

Mr. Henry is a painter of the old school in delicacy and precision of 
execution. He has turned his attention largely to genre and to painting 
historical colonial life. His pictures are warm and generous in tone, and 
reveal a world of stately beauty and hospitality. 

218 An Irpportaot Decision. 



H 



ERTER (Albert) Pari^, Fr2ii7ce 

No. 25 Avenue de Wagram. 

Born, New York. Pupil of Beckwith, Jean Paul, Ivaurens, and 

F. Cormon. 
Awards and Honors : Honorable mention at the Paris Salon, and 

the Lippincott Prize, Philadelphia. 
Member of the American Society of Artists, New York Water 

Color Club. 



219 Tbc ^\u5C. 



As a study of lamplight and portraiture, one rarely sees any- 
thing finer than this picture. The artist sits at a table strewn with 
books, the glow of the lamp in his face. His expression is refined 
and earnest, full of idealism of the graceful woman who stands 
behind and above him in shadow, at once the inspiration of his 
brush and the angel of his home. M. 1,. IvITTLETON. 



and International Exposition . 5 1 



JJETZEU (George) Pittsburgb 

No. 2IO Fourth Avenue. 

Borji, Alsace, Pupil of Dusseldorf Academy of Fine Arts. 
Awards and Honors : Medal at Philadelphia Centennial. 

" One of the most favorably known landscape painters in "Western Penn- 
sylvania. Some of Hetzel's forest interiors are equal — often superior — as 
far as truth to nature goes, to the productions of landscape painters in the 
FJast who have much further extended reputation." 

220 Woo<l5 in Pei>nsylva.ni^. 
22 I Study frorn Na.tur^. 



No. 1107 Auditorium Tower. 

Born, Galesburg, 111. Pupil of Henry F. Spread and H. F. C. Sam- 
mons, Chicago ; also, S. Hollosey and Wilhelm Duerr, Munich. 

Awards and Honors : Medals and Diplomas from World's Exposi- 
tion, New Orleans, 1885 ; North, Central, and South American 
Exposition, 1886 ; Pennsylvania Museum, 1888 ; and World's 
Columbian Exposition, Chicago, 1893. 

Member of Palette Club and I,ake View Art Club. 

222 Portrziit of A\iss /^orsc, 

223 Portrziit of rpy Sister. 

224 portrait of rpy Fzitl^ero 

(A case of miniatures.) 



H 



IL-DERBRAriD (H. L.) Fittsburgb 

No. 105 Sixth Street. 

Born, East Jefferson Street, Allegheny, Pa. Pupil of Benjamin- 
Constant, J. P. Laurens, Merson, and W. Low. 



225 Fa-rnily A\ea.!. 

226 Interested io tbe /4ews. 



52 Tennessee Centennial 



l-^INCKL-EY (Robert) Wzisbipgtoo 

No. 1310 Massachusetts Aveuue. 

Born, Boston, Mass. Pupil of Coralus-Duran, Bonnat, and Ecole 

des Beaux Arts. 
Master of Oil Paintings, Corcoran Art School, Washington. 

227 ^i7<Jrea. Delsa.rto a.nd L-ucreziz^, t)i5 Wife. 

( "But do not let us quarrel anj' more."— Robert Browning.) 

228 In Doubt. 



iLJOBB5 (Geo. Tbornp^op) y\)\\z,^^\^\)\7s. 

No. 520 Walnut Street. 

Born, Philadelphia. Pupil of Academy of Fine Arts, Philadelphia, 
under Thos. Eakins ; also W. Bouguereau and T. Robert-Fleurj', 
Paris. 

229 Tb<e OM Air A\ill Bridge. 

(.San Remo, Italy.) 



|-|OFFA\Ar4 (Ciarzi) CipcippAti 

No. 1034 Dayton Street. 

Born, Murfreesboro, N. C. Pupil of Cincinnati Art Academy. 
Awards and Honors : Three home scholarships, $100 each. 
Member Cincinnati Woman's Art Clu-b. 

230 picking poppies. 

A gorgeous bit of coloring, but lack of easv repose in the figure 
of the little girl. 

231 Tirr^e of Ai^poleop. 

Miss Hoffman's " Time of Napoleon " is her stronger work, and 
gives additional insight into her color effects. 



a7id hiternational Exposition. 53 



J-|OL-A\Ari (FmoK) r*ew YorK 

No. 330 West Fifty-seventh Street. 
Born, Attleboro, Ma.ss. Pupil of Cabanel and Carolus-Durau. 

232 Portrziit of a. Ua^y. 

(Artist's mother.) 

233 Gr2^o<I Cz^nz^lj Venice. 

234 Venice !\oxv)\v)% Effect. 

235 Veoic^ Evening. 

As will be observed from the portrait of the artist's mother, he 
wields a ready brush at portraiture, but his strongest work is dis- 
played in outdoor ejffects. 



[-JOL-A\E (Lucy D.) Pbilevclelpbm 

Born, Salem County, N. J. Pupil of Pennsylvania Academy of 
Fine Arts. Studied with Thomas Aikens and William Sartain, 
and at Colorossi Academj^, Paris. 

Awards and Honors : Represented in the Temple Collection, Penn- 
sylvania Academy of Fine Arts. 



236 Holidziy Occupa-tioi). 



The little flower makers seem so intent in accomplishing- their 
work that all thought of a "holiday" is dispelled. The group is 
artistic in coloring and well composed. 



237 Sweet Reverie. 



^OR5EFAl-L (Erpil) CipcippAti 

No. 126 East Fourth Street. 

Born, Clinton, Iowa. Pupil of J. M. Stich and the Art Academv of 
Cincinnati, and Fehr, of Munich. 

238 High an«a Dry. 

239 L.a^n<l5C2ipe. 



54 Tennessee Centennial 



[-JOWE (Wrr). H.) Brooxville, n. Y. 

Born, Ravenna, Ohio. Pupil of Otto DeTharen and Vurello Froy^ 
Awards and Honors: Honorable mention in New Orleans, 1885; 
Gold Medal, Paris Salon, 1886 ; Silver Medal, E^xposition, Paris, 
1886 ; Grand Gold Medal, I^ondon, 1890 ; Temple Gold Medal,, 
Philadelphia, 1890 ; Gold Medal, Boston, 1890 ; H. C, Paris Salon, 
1890 ; Medal at Chicago Exposition in 1892 ; Gold Medal, N. W. 
Exposition, San Francisco, 1894; Gold Medal, Atlanta, 1895; 
Officier Academic, Paris, 1896 ; A. A. A., 1894. 

240 Norrp^o Bull. 

( My Day at Home.) 

241 /^oor>ris^. 

( Isle of Sexel, Holland.) 

Howe is a versatile artist, as the two examples named will show. 
He is a strong, forceful painter, always true to nature. The poetry 
of the fields is feelingly interpreted by him in his cattle pieces, 
which bear the closest relations to nature. 



H 



UGER (K. t\.) riew YorK 

Vandyke Studios, No. 939 Eighth Avenue. 

Born, Charleston, S. C. 

Awards and Honors ; First diploma and first honorable mention at 

New Orleans Centennial. 
Member New York Water Color Club and Art I^eague of New^ York» 



242 W^sb Da.y in tb^ Teooessc^ /^ouptaips. 

243 Hi^ Hours. 

244 Factory Girij. 



and Internaiio7ial Exposition. 55 

JJUnP'HRmYS (Al.) P2iris, Przioc^e 

No. 203 Boulevard Raspail. 

Born, Cincinnati, Ohio. Pupil of Tony Robert-Fleury, Gerome. 
Member Philadelphia Sketch Club. 

245 Frosty A^ornio^. 

246 iSocturoe. 

247 L-c Veuve. 



mSLEY (Albert) iHew YorH 

No. 51 West Tenth Street. 
Born, Orange, N. J. 

248 Ezirly spring. 

249 Sprii>§tin7e. 

( Rockland County, N. Y.) 



ISHAn (SarnucI) m^ YorK 

No. 58 West Fifty-seventh Street. 
Born, New York City. Pupil of Boulanger and I^efebvre. 

250 The Interlude. 

Portrait of a young- singer holding her music during the " inter- 
lude." The artist has given his subject a strong face, depicting 
especially well the throat characteristic of the songstress. 



Tennessee Centennial 



jVES (Heilsey C) 5t. L-oui^ 

Born, Montour Falls, N. Y. Pupil of Alexander Piatowski. 

Director of the St. I^ouis Museum of Fine Arts ; was Chief of the 
Department of Fine Arts, World's Columbian Exposition, 1893 ; 
Knight of the Order of Dannebrog of Denmaik, and of the 
Order of Gustavus Vasa of Sweden. Mr. Ives' monument in 
the art world will be the exhibit at the World's Fair, which, 
through his indomitable energy and splendid executive ability, 
was the most magnificent collection of art ever exhibited at an 
Kxposition. Chairman of the Jury of Awards, Tennessee Cen- 
tennial. 



jVE5 (Percy CJ Detroit 

No. 24 Montcalm Street. 

Born, Detroit, Mich. Pupil of Jerome, I.efebvre, Tony Robert-Fleury 

and Kcole des Beaux Arts, Paris. 
Member Society of Western Arti.sts, Detroit Art Association, and 

Detroit Museum of Art 



251 Portrziit of Itty<?. 



'^ No. 98 Arch Street. 

Born, Allegheny, Pa. Pupil of School of Design, Pitt.sburgh. 

252 5tu^y in 5tin Ufe. 



J 



Efi/HIMGS (Louise EJ flzisbville 

No. 131 2 McGavock Street, 

Born, Nashville, Tenn. Pupil of Raphael Collin, William Callot, 
and Delyance, Paris ; Nashville School of Fine Arts, 1887, 1890. 

Awards and Honors: First Medal in Concours de Peinture, 1893, 
Academic, Delecluse, Paris. 

Member of Nashville Art Association. 

253 A Bit of Hillsi^ae. 



ajid International Exposition. 57 



lOHnSOfi ( DziVid ) New YorK 

*^ No. 69 West One Hundred and Thirty-first Street. 

Born, New York. 

Awards and Honors : Medal Centennial Exhibition, Medal Boston 

Centennial. 
Member of National Academj^ of Design and Artists' Fund Society'. 

254 BucK A\ouota.ip, L-^Ke Geor^^. 



lOHnSTOfi (R. L-eGrziod) Wzisbipgtoi? 

^^ No. 184 Corcoran Street. 

Born, Alexandria, Va. Worked and studied in France and Spain 
for three years. 

255 Before tb^ Storrp. 



lOiriER (Hzvrvery) L-ouisville 

Born, Charlestown, Ind. Self-taught. 

He has devoted his time mostly to portrait work, but has produced a 
good many landscapes, principally of local scenery, in which he has been 
successful. 

256 South ForK CrecK. 

257 Auturnn Afternoon. 



10riE5 (Anpzi We2iver) Cbiczigo 

Born, Nashville, Tenn. Pupil of William Chase, Kenyon Cox, 
John Vanderpoel and William Lazar, Paris. 

258 Eeister Lilies. 

259 A Picture BooK. 



58 Tennessee Ce7ite7inial 



OfimS (H. Boltor?) New YorH 

Born, Baltimore, Md. 

Awards and Honors: Medal, Paris Exposition, 1889; Medal at 
* Columbian Exposition, 1S93. 

H. Bolton Jones occupies an enviable position among the landscape 
artists of the day. He is a truthful and conscientious representative of 
open-air painting. 



260 Autur?}!?. 

26 8 H^2.r Sbeffiei^. 



J 



ORDAAi (David Wii^oi?) Pbil2i<ielpbia 

No. 510 Woodland Terrace. 

Born, Harrisburg, Pa. Pupil of Profs. Schresselle and Thomas 

Eakins, of Pennsylvania Academy of Fine Arts. 
Member of Art Club of Philadelphia ; Philadelphia Sketch Club. 



262 /\uturr}n Goi«i, 



JOSEPHS (L-erouel B. C.) New YorH 

•^^ No. 210 East Sixteenth Street. 

Born, Buflfalo, N. Y. 

263 Iq tl>^ Gieo. 



K 



a7id l7iternatio7ial Exposition. 59 



EMDAL-U (Sergczipt) fiew YorK 

No. 45 West Twenty-secoud Street. 

Born, Spuy1?en Duyvil, N. Y. Pupil of Art Students' League, I^uc 
Olivier Merson, Ecole Julian, E^cole des Beaux Arts. 

Awards and Honors : Honorable mention at Salon, 1891. Medal, 
Columbian Exposition ; Lippincott Prize, Philadelphia, 1893. 



264 5t. Iv^s, Pricz pour Nous. 

(St. Ives, Pray for Us.) 



A touching scene of faith and devotion. The young mother has 
appealed for aid to heaven, but the little girl is conscious of no 
higher power than the dear mother in whose presence she is happy. 



"265 Desire. 



j^lMGSBURY (Edw. R.) L-zioscIowpe, Pzi, 



266 5cei>^ 017 tb^ A\ystic River. 

(In Connecticut.) 



l^LUnPKE (AppBi E.) Cipcinnziti 

■*^ No. 421 Elm Street. 

Born, San Francisco, Cal. Pupil of Tony Robert-Fleury, Lefebvre 

and Bouguereau. 
Awards and Honors : Honorable mention, Salon, 1885; Gold Medal, 

Philadelphia, 1889 ; Third Medal, Exposition Universelle, Paris, 

1889. 
Member of Boston Art Students' Association. 

267 Portrz^it of A\y 5ister Dorothy. 

268 Fa.rn7er'5 Da.ugbter. 

A wholesome scene from nature, well drawn and beautifully colored. 



60 Tennessee Ccnteiuiial 

J^riOWLTOri (Helen A\.) Boston 

^" No. 23 Irvington Street. 

Born, lyittletou, Mass. Pupil of Wm. M. Hunt and F. Deveneck. 

269 Afternoon L.i§bt 017 the 5c2^. 



I^OEHUER (Robert) A\inneeipoIi5 

^" No. 719 Hennepin Avenue. 

Born, Hamburg, Germany ; came to America at the age pf three 
years. Pupil of Loeffty and Defregger, of Munich, and National 
Academy and Art Students' League, New York. 

A wards and Honors : Silver and Bronze Medals at Mvinich Academy; 
Cross of St. Michael, Bavaria; honorable mention, Universelle 
Exposition at Paris, 1889. 

Pre.sident of Minneapolis Art I,eague ; member of Munich Artists' 
Association and Munich Etchers' Society ; Director of the Min- 
neapolis School of Fine Arts. 

2 70 Violet. 



l^OOPA\Afi ( Au$U5t2i5 B.) P2iri5f France 

Born, Charlotte, N. C. Pupil of Penns3'lvania Academy Fine Arts, 
William Bouguereau, Benjamin-Constant, Tony Robert-Fleury, 
Paris. 

27 I Sortie cic Ba^terny. 

272 L.21 HoH2vn<i2^is^. 

273 H^rrporjie du Soir. 

Koopman's pictures are strongly drawn, striking, and very 
picturesque. 



and Inter7iational Exposition. 61 

J^OTZ (Dzipiel) PzirK Riclgc, fi. J. 

^^r«, South Betid, Ind. Self-taught. 

274 Auturno t\orr)\T)%. 



J^REAVENTZ (Joseph) L-ouisville 

Born, Wiesbaden, Germany, 1840. Pupil of Charles Fetch. 

275 Oo Silver CreeK. 

276 Th^ E«d5^ of \\)^ Wood. 

LAnf^lBRT (John, Jr.) 

277 Hea.cl. 

278 A\idcl2^y. 

279 Uoe Rousse. 



LAUBER (Joseph) New YorK 

No. 1570 Madison Avenue. 

Born, Meschede, Germau3-. Pupil of AValter Shirlaw and Wm. 

M. Chase. 
Awards and Honors : Honorable mention, Columbian Exposition, 

Chicago ; Medal, Midwinter Fair, California ; Gold and Bronze 

Medal, Atlanta. 
Member of the National Sotiety Mural Painters and Architectural 

League, New York. 

280 Tb^ F2^iry Tzvlc. 



62 Tennessee Centennial 



LEAVITT (Agnes) Bostor> 

No. 159 Tremont Street. 

Born, Boston. Pupil of J. J. Knneking' and Henry Sandham, of 

Boston, and H. F. Spread, of Chicago. 
Member of Boston Art Students' League, 

28 1 A\t. A\oriz^b. 

(Fairlee, Vermont.) 



LEISSER (A\. B.) Pittsburgb 

Born, Pittsburgh, Pa. Pupil of Professors Dietz, Wagner and Piloty, 

Royal Academy, Munich, and Professors Boulanger and L,e- 

febvre, Paris. 
Member Pittsburgh Art Societj'; Artists' Association of Pittsburgh; 

Etching Club of Munich ; Instructor of Life Class School of 

Design, Pittsburgh. 

282 Santa. T^aria. della Saluta. 

(Venice.) 

283 Santa L.ucia Napoli. 

284 /Aoonii^bt on the Obio. 

285 portrait. 



LEVY (Ernile: 



286 Tbe Lovers, 



"All the world loves a lover," a fact understood by artists who 
find in the old, old story an unfailing inspiration for their brush. 



and International Exposition. 63 



J^INSOri (Corwio Kurff ) fiew YorK 

No. 939 Eighth Avenue. 

Born, Brooklyn, N. Y. Pupil of J. I<. Jerome, Jules I^efebvre. and 

Paul DeL,ance. 
Member of Buffalo Society of Artists. 

287 T!)<? White Higbwziy. 



LITTL-E (A. PJ St. Louis 

288 Goo<a Fruii« 

I OEB (L-oui^) Pari5? France 

Born, Cleveland, Ohio. Pupil of Gerome. 
Awards and Honors : Honorable Mention Salon. 

Mr. I,oeb is one of the ablest of modern portrait painters. 

289 A Won72ii7. 

290 Portrait of f\r. O. H. Root. 

LOGriE (Jobl>) 

29 I Fruit. 



LOf<GA\AM (Pzipoie A\.) Nasbville 

Born, Basle, Switzerland. Pupil of Gussow. 

292 Tb^ Pbilosopber. 



64 Te7inessee Centennial 



I Or(GA\Afi (Jobn B.) fieisbviUe 

^^ Art School. 

Born, Toronto, Canada. Pupil of Gerome, Jean Paul I^aurens, 
Boulanger and I^efebvre. Studied at the Royal Art Academy, 
Munich, and at the Ecole des Beaux Arts ; also the Julian School, 
Paris. 

Awards and Honors : Exhibited in Salon, 1890. 

293 Our Dziily Brez^cl. 



I ORD (Czirolipe A.) CiociopZiti 

Bofu, Cincinnati, Ohio. Pupil of Cincinnati Art Academy ; Art 

Students' I^eague of New Yoi-k ; Academy Julian, Paris. 
Awards and Honors : Medal, World's Fair, Chicago. 

294 Hun§:ry ^r)^ CoW. 



[_^UCM (A\2^ri<? Huxford) Auburn, Ti. Y, 

Born, Skaneateles, N. Y. Pupil of J. S. H. Keever, Holland. 
Member New York Water Color Club. 

295 Apples. 



I YAVAN (Joscpb) New YorK 

^■*' No. 7 West Forty-third Street, 

Born, Ravenna, Ohio. 

296 On tb^ French BrozicI River. 

(In North Carolina.) 

297 On tbe Upper 52^eo^c. 

298 A\t. A\cIotyre. 



International Exposition. 65 



M ACA^ONNIES (A\2iry F.) Pziris, Fmnce 

Born, New Haven, Conn. Pupil of St. Louis School Fine Arts, and 

Julian Academy, Paris. 
Awards and Honors : Medals at the Columbian Exposition, CM- 

cago, 1893. 

299 Tbe Breezy. 

Mrs. Macmonnies, the wife of the great sculptor, has won a 
high place in the world of art. She is an artist of exceptional 
merit, as may be seen in this picture, an ideally graceful inter- 
pretation of a softly-blowing summer breeze. 



M ACOA\BER (A\. L.) Wziverly, A\as5. 

V p. O. Box 115. 

Born, Fall River, Mass. Pupil of Museum Fine Arts, Boston. 
Awards and Honors : Bronze Medal, Mechanics' Fair, 1895 ; Bronze 
Medal, Atlanta Exposition, 1895. 

300 A\2^^onna.« 

Tlje Madonna of this artist is as strong in feeling as that por- 
trayed by any artist who has recently essayed to paint the Mater 
Dei. 



n 



Afir* (Erpily Percy) Bostop 

Grundemann Studios, Clarenden Street. 

Pupil of Ross Turner and Arthur W. Dow. 
Member of Boston Art Students' Association. 



30 I CbrysAotherpurr) Pa.oe!. 

3=:-. 



66 Tennessee Centennial 



MAnn (PzirHcr) Wevsbipgtoo 

^ Panorama Avenue. 

Born, Rochester, N. Y. Pupil of Cabauel at the Kcole des Beaux 

Arts, Paris. 
Member of the Society of Washington Artists, and the Washington 

Art Club. 

302 October. 



^ARATTA (H. G.) Cbiczigo 

^ Care of W. Scott Thurber, No. 210 Wabash Avenue. 

Born, Chicago. 

Member of Cosmopolitan Art Club. 

303 A Grziy Dziy. 

304 Winter f\ormr>% a^t New Orleans. 



AA ASSIE (J. A\.) fiew Orleztn^ 

% No. 924 General Taylor Street. 

Born, in Mississippi. 

Member of Artist Association of New Orleans. 

Miss Massie is a painter of landscapes, and is equally proficient in 
still-life. 

305 Court Yar^. 

306 Cbrys^ntberpurps. 



n 



and hiternational Exposition . 67 



AURY (Corpelizi F.) 5t. Loui^ 

No. 1815 Pennsylvania Avenue. 

Born, New Orleans. Pupil of St. I^ouis School of Fine Arts, Benja- 
min-Constant, Jean Paul Laurens, R. Collin, and Jules Lefebvre, 
Paris. 

Member of St. Louis Association of Painters and Sculptors, St. Louis 
Artists' Guild, and Associate Member of Society of Western 
Artists. 



30 7 First 5teps. 



n 



AYNARD (Guy Perri^) P^ri^f France 

No. 2 Rue Ag-mont, Thieville. 



Born, Chicago, 111. 

308 Portrziit of zi Little Girl. 



AV 



EAKIN (L. H.) Cii7cion2iti 

Art Academy. 



Member of Society of Western Artists. 

309 lo Rhypla^O^t Hollz^rj^. 



n 



cCOA\B (R. Lee) Fziri^f Frzipce 

No. 18 Rue de la Grande Chauniere. 

Born, Memphis, Tenn. Pupil of Ecole des Beaux Arts, etc. 
Awards and Honors : Paris Salon. 



3 I O Evenioq. 

3 11 A Britta.oy Fisbins: Villa.ge> 

3 I 2 Au Borcl <au L.oin^. 



68 Tennessee Centennial 



n 



cIL-HEriTiEY (C. A\.) Scbrub 02iK, fi.Y. 

Boi'n, Philadelphia, Pa. 

Awards and Honors: The W. L. Kvans Prize, American Water 

Color Society ; First Hallgarten Prize, N. A., 1893 ; Medals at 

Chicago in 1893. 
Member of the American Water Color Society : New York Water 

Color Club ; Associate of the National Academy of Design. 

An American artist who received his training in the French school. 
His finest efibrts are in the line of landscape and figure painting. 

313 Or> i\}^ Upi2io^5. 
3 I 4 DucH Sbootii>5. 



AV 



cL-AUGHL-irt (EroroAH.) Bostop 

Born, Watertown, Mass. Pupil of School of Drawing and Paint- 
ing, Boston Museum Fine Arts ; Robert W. Vonnoh, Boston ; 
and Messrs. Krug. Fleury, Bouguereau, and Deschamps, Paris, 
France. 



3 I 5 Two L-ittle Sisters. 
3 I 6 Pcooic5. 



AV 



EfHZl-ER (Bertb2^ S.) Cbiczigo 

Athenaeum Building, Van Buren Street. 

Born, Chicago, 111. Pupil of Art Institute, Chicago; I^uc-Olivier 
Merson, Raphael Collin, and Aman Jean. 



3 I 7 Aoo^tt^. 



n 



a7id Internatio7ial Exposition. 69 



ETHVEfi (H2irry WzillZice) Cbic2i§o 

No. 65 University Place. 

Born, Philadelphia, Pa. Pupil of F. Spread, George D. Forest 

Brush, Siddons Mowbray. 
Member of the Society of Western Artists ; Corresponding Secretary 

Cosmopolitan Club. 
Awards and Honors : Prize of the Archie Club, of Chicago. 

There is about the work of Mr. Methven a breadth and simplicity of 
treatment ; a something that speaks of nature and of the artist's earnest 
desire to interpret her truthfullj'. 



3 \ 8 Tbe Silent Ni^bt T^oooligbt. 

3 I 9 Evening. 

320 iN[2iture'5 L-a^ceworK. 



r\ 



EURER (C. A-) Termer? FzirK, Ohio 

Hamilton Countj'. 

Born, Hoeb, Germany. Pupil of Ducet, Bouguereau, and Follet. 
Member of the Cincinnati Art Club, 



321 t\y Pzissport. 

(See I,oan Collection.) 



n 



IDDLETOfi (Stzipley) fiew YorK 

No. 58 West Fiftj^-seventh Street. 

Born, Brooklyn, N. Y. Pupil of Jacquesson de la Chevreuse, Dagnan- 
Bougeret, Harpignies, and Benjamin-Constant, Paris. 



322 Fisbern^a^n's Daughter. 

323 OicI Briclg^ at A\i^«aiebury. 

(In Schoharie County, N. Y.) 



70 Te7inessee Centennial 



f\ 



VlAJ> U. H2irrisoi7) New YorH 

No. i8 East Twenty-third Street. 

Born, Buffalo, N. Y., 1842. Pupil of Art Students' League, New York. 
Member of the Kit Kat, New York ; New York Water Color Club, 
and Brooklyn Art Club. 



324 Tt)^ Optive. 

The coloring of this picture is rich and pleasing, the pose graceful, the 
expression in face and attitude finelj^ rendered. 



n 



OfiK5 U. A. 5.) Boston 

No. 296 Bojdston Street. 

Born, Cold Spring, on the Hudson, N. Y'. Pupil of Syrus W. Cass 

and George Inness. 
Member of the Salamagundi, New York ; Boston Art Club, and the 

New York Etching Club. 



325 RocH Pa^stur^. 

(In Maine.) 

326 Cozist of A\a.ii7e. 



AV 



Monks gives fine effect to his coast scenes, and is especially 
adapted to barren pastures, where sheep browzing lend lii'e and 
sentiment to the scene. 



ONTAGUE (Fziony S.) Czirpbri^ge 

No. 29 Everett Street. 

Born, Fairhaven, Mass. Pupil of Edmund C. Tarbell and Dwight 

W. Tryon. 
Awards and Honors : $50 Prize, Museum Fine Arts, Boston, Mass. 
Member of Boston Art Students' Association. 



327 /Vrriv2ils 2^fter tb^ Stornj. 

328 Sz^It Wbz^rf. 

(Gloucester.) 



n 



and International Exposition. 71 



ORAN (P.) PbiiAdeipbia 

No. 1322 Jefferson Street. 

Born, Bolton, I,ancashire, England. 

Member of Philadelphia Society of Ktchers ; the Sketch Club ; 
Philadelphia Society of Artists, and Art Club. 



329 Ao August Afterpoop. 

330 Th^ Pa.5turela.n<J. 

331 On Grassy B3inK5. 



n 



OSLER (Heory) flew YorK 

Carnegie Studio, Fifty-sixth Street and Seventh Avenue. 

Born, New York. Pupil of A. E). Hebert. 

Awards and Honors : Medal, Royal Academy, Munich, 1874. Salou 
honorable mention, 1879; " I^e Retour," purchased by the 
French Government for the Musee de I^uxembourg, 1879 ; Gold 
Medal, International Exhibition, Nice, France, 1894 ; Prize 
Fund Exhibition, New York, prize $2,500, 1885 ; Salon Gold 
Medal, 1888 ; Exposition Universelle, Paris, Silver Medal, 1889 ; 
Hors Concours, 1890; Chevalier de la I^egoin d'Honneur, 1892; 
Officer d' Academic, 1892 ; Archduke Carl I^udwig, of Austria, 
Gold Medal, 1893 ; Elected Associate of National Academy of 
Design, 1895 ; Grand Gold Medal and Diploma of Honor, 
Atlanta Exposition, Georgia, 1895 ; Thomas B. Clarke Prize, 
National Academy of Design, 1896. Pictures purchased by and 
incorporated in the following Museums : Luxembourg, Paris ; 
Sydney, Australia; Grenoble, France; Louisville, (Ky.) Poly- 
technic Institute ; Pennsylvania Academy of Fine Arts ; Cincin- 
nati, (Ohio) Museum ; Springfield, (Mass.) Museum. 



332 Helping Gra.o<Jpa.. 



72 Tennessee Centennial 



n 



n 



OWBRAY (H. Siddops) Mew YorK 

No. 58 West Fifty-seventh Street. 

Born, Alexandria, EJgypt. Pupil of Bonnat, Paris. 

Aivards and Honors : Thomas B. Clark Prize, for his picture, "The 

Evening Breeze," in the National Academy Exhibition, 1888. 

Elected A. N. A. in 1888 ; Atlanta, Boston, Chicago Medals. 
Member Jury of Selection Tennessee Centennial. 



URF»HY(J. Fraocis) Mew YorK 

No. 222 West Twenty-third Street. 
Born, Oswego, N. Y. 

Awards and Honors : Second Halgarten Prize, National Academy 

of Design, 1885 ; Webb Prize, Society of American Artists, 1887 ; 

Medal American Art Association, 1887 ; W. T. Evans Prize, 1894; 

Medal Columbian Exposition, Chicago, 1894. 

Member of National Academy of Design and American Water Color 

^ Society. 

James Francis Murphy, like the majority of American artists of the 
modern school, shows himself to be a thorough master of technique. 

333 Un^Ier Gr^y SKies. 



WAEGl-E (Cb^is. Fre<IericK) fiew YorK 

■* Carnegie Hall, Fifty-sixth Street and Seventh Avenue. 

Born, Knoxville, Tenn. Pupil of W. A. Walker, Wm. Sartain, and 

Wm. M. Chase. 
Awards and Honors: For Columbian Medal, New York city, to 

commemorate the four hundredth anniversary of the discovery 

of America by Christopher Columbus. 
Member of Salmagundi Club and Artists' Fund Society. 

Mr. Naegle's pictures have the magic of individuality. He makes a 
skillful and decorative use of natural wood — oak, walnut, gum, and mahog- 
any—on which he paints directly instead of on canvas, polishing the wood 
to form lustrous and novel backgrounds. 

334 Portra.it5 (op rnzihogziny) of Evelyn» t\r%, Mzie^l^/ 
a.O«J f\r, Alfred Persa.ll. 



and Interjiational Exposition. 73 



WEEDHAn (Cb2is. /Vustip) fiew YorK 

"^ No. 145 Kast Twenty-third Street. 

^oyw, Buffalo, N. Y. Pupil of the Art Students' I^eague, New York. 
Awards and Honors: Medal and honorable mention at the Inter- 
national and Cotton Exposition at Atlanta, 1895. 

335 A\ott Ha.veo Ca.o2ii. 

( New York city. ) (I,oaned. ) 

336 1 17 2^ Pa^rK. 

337 G2in7^. 

(Still-life.) 



n 



ICHOL- (J. C.) Mew YorH 

No. 51 West Tenth Street. 

Born, New York, N. Y. Pupil of M. F. H. de Haas and Kruseman 
Van Patten. 

Awards and Honors : Exposition Universelle, Paris; World's Inter- 
national Exposition, New Orleans ; New York Prize Fund, 
Atlanta ; Boston Charitable Mechanics, etc. 

Member of the National Academy of Design, New York ; the Amer- 
ican Water Color Society, and the New York Etching Club. 

338 Sunlight 017 tbe Sea.. 

339 /^ftcrpoon. 



WlCHOl-5 (H. Hobert) Wasbingtoo 



No. 1423 Florida Avenue. 



Born, Washington, D. C. Self-tan ght. 
Member of Society of American Artists. 



340 V/io«Jy We2itt)er. 



74 Tennessee Centennial 

Born, Bristol, Tenn. Pupil of Miss Kdith lyynn, G. F. College, Glen- 
dale, Ohio ; Hildegarde von Portuer, Vienna, Austria. 

340X An Austria.n Pea.52^ot— As:^ 72. 



H 



OBL-E (Tbos. S.) Ciocippeiti 

No. 2312 Kemper Lane. 

Born, I,exinglon, Ky. Pupil of Thomas Couture, France. ' 
Awards and Honors : Gold, Silver and Bronze Medals. 



34 1 Portrziit. 



This is a portrait of Miss Grace Noble, the attractive daughter 
of the artist. 



342 Rest. 



The interior of a log cabin, such as was built by our pioneer 
ancestors. A white-capped, sweet-faced woman is asleep near her 
spinning-wheel. 



343 Ao^i'cbist. 



n 



ORTOfi (Wrn. H.) l-oi>cloo 

No. 21 Camden Road. 

Pupil of George Inness and J. A. Volon. 

Awards and Honors: Gold Medal at Boston; Honorable mention, 
Paris Salon, 1895. 



344 A\oooli5bt. 



and International Exposition. 75 



WOURSE (Elizzibetb) Peiris, Prziocc 

Boy 71, Cincinnati, Ohio. Pupil of Carolus-Duran, of Paris. 
Awards and Honors : Gold Medal at the World's Fair, 1893. Elected 
Associate Member of Beaux Art at Paris, 1895. 

The work of Miss Nourse is full of virilitj^, strong in color and cheerful 
in character. She draws well and paints with a free brush. In her gen- 
eral treatment of subjects, we see a woman's refinement. In the stories 
told she shows a high order of intelligence and a deep sense of the emo- 
tional. 

345 La- L.econ <Ic Lecture- 

(The Reading I,esson.) 

346 /^erc ^t Fiilctc Holla^o«ia.i5es. 

(Dutch Mother and Child.) 



347 /^otber 2iocI Baby. 

348 First Coirjrpunicaots. 

(See I,oan Section.) 



N 



OWOTTNY (A. V.) Cincionati 

• Art Museum. 

Born, Ohio. Pupil of Munchen and Pasio. 

Member of the Cincinnati Art Club. Honorary member of the 
"Western Artists' Association. 



349 Waiting. 



QCHTA\Ari (L-eon^ircl) /*\ianus, Coon. 

Born, Zonnemaire, Holland. Self-taught. 

Awards and Honors : I,andscape Prize at Brooklyn Art Club Exhi- 
bition, 1891 ; Medal, World's Columbian Exposition, 1893 ; Gold 
Medal for best picture at the Philadelphia Art Club Exhibition 
of 1894. 

Member of Society of American Artists ; American Water Color 
Society, New York ; Water Color Club and Brooklyn Art Club. 



350 H2irvc5tii75 by A\oonii§bt. 



76 Te7i7i€ssee Centennial 



QHRTEL. ( Jobaooc5 A.) Bel-Air, A\^. 

Born, Furth, Bavaria, Germany. Pupil of Imenzziug-Muller, 
Nuremberg, engraver, composer, and painter. Studied from 
his fourteenth year, first at Nuremberg, then at Munich. Came 
to this country A. D. 1848. 

Member of the Society of Washington Artists, and has been for 
many years associate of the National Academy, New York. 

Contrary to the modern dictum of art, for " art's sake," Mr. Oertel holds 
of the highest importance the nobility of subject. As a painter of religious 
sentiment and biblical history, he ranks among the first artists of che day. 

His "Rock of Ages" has received the verdict of popular approval 
throughout the Christian land, and has, perhaps, been reproduced oftener 
than any other American painting. 

35 I Tt)^ Dispensa^tion of Prorr}is^ a.n«i tb^ L.a.w. 

This is first of a series of four pictures virhich Mr. Oertel regards 
as his life-work, and which he has had in contemplation for forty- 
five years. This picture describes two dispensations— the Mosaic 
and the Patriarchal— the law as given by Moses and the promise of 
the Redeemer as believed and taught by the patriarchs. 



352 Szicrifice. 

353 Royzilties of tb^ Desert. 



QRDWAY ( Frapci? Tbroup) iMew YorK 

No. 152 West Fifty-seventh Street. 
Pupil of Art Students' League and Alfred Stevens, Pans. 

354 Thought. 



p^GE (Mollis Bowrnzip) Wztverly, /*\2iS^, 

^ Box 148. 

Born, Boston, Mass. Pupil of George Jacobides, Munich. 



355 /V A\2iiDe Woo^dsrpzin, 



and International Exposition. 11 



pARRISH (Clam Weaver) New YorH 

^ No. 78 West Fifty-fourth Street. 

Born, Selma, Ala. Pupil, of Wm. M. Chase, H. Siddons Mowbray, 

and Kenyon Cox, also J. F<lden Wier. 
Member of New York Water Color Club and Woman's Art Club. 

356 A TA^^o^Iolio Plziyero 

357 Day Drcarps. 

358 Portrziit of A\rs. 5. 

359 Legend^ of the 5aiots. 

DESIGNS FOR vSTAINFD-GI<ASS WINDOW. 

360 Tl)^ Hyrnn. 

361 Tb^ A\ary5 at tt)^ Torpb. 

362 Tb^ Virgio ai7<i CbiW. 

363 T\}^ Annunciation. 



perinORK (Anne) Pbila^elpbia 

No. 1220 Arch Street. 
Born, Oxford, Pa. Pupil of Theo. Hovenden and Robt. W. Vonnoh. 

364 Portra.it. 



78 Tennessee Centemiial 



pERETTl (/V-) New OrleziO^ 

No. 17 Orleans Alley. 

Born, Alessandria, Italy. Pupil of Casnedie Bertini, Milanno; 

Morelli of Napoli ; Isola e Barabino, Geneva ; Cisarie Massarans, 

Rome. 
Awards and Honors : First Silver Medal at the Academical Study in 

Milan, and special reward in Rome, Italy. 
Member of French Association of Artists in Rome, Chicago, and 

New Orleans. 

365 P2^p2^ Bcppe. 

366 /^z^rtbzt. 



pERRY ( L-ilzi Czibot ) • Bo^too 

312 Marlborough Street. 
Born, Boston. Studied in Boston and Paris. 

366/^ Cbildrco DZitycir)^. 
366^ Fortrzvit. 



pBYRAUD (FmoK C.) Cbic2vgo 

No. 251 Center Avenue. 

Born, Bulle, Switzerland. Pupil of Art Institute, Chicago ; Fcole 

des Beaux Arts, Paris. 
Awards and Honors: Western Society of Artists Cosmopolitan 

Club, Chicago. 

Mr. Peyraud's style is marked by seriousness, subtlety and strength, 
without severity. He is especially fond of the hours that lie between sun- 
set and night, though he interprets with equal feeling and fidelity scenes 
that glow with light and color. 



367 Dying Dziy. 

368 Tbc Birtb of Sprio?:. 



and Inter7iational Expositioyi . 7 9 



No. 12 West Street. 



PIHRCE (Cb2iS» PJ Boston 

Born, New Hampshire. 

369 li? tbe Orcba^rd. 



pL.UA\B (Hepry G.) New YorK 

* No. 334 East One Hundred and Sixteenth Street. 

Bor7i, Sherburne, N. Y. Pupil of Gerome ; :E)cole des Beaux Arts, 

Paris. 
A wards ayid Honors : Has received honorable mention at Paris, 1889. 
Member of Artists Tunel Society and Salmagundi, Paris. 

370 Full Wei^bt. 



poinCY (p.) riew Orleans 

No. 618 Commercial Place. 

Born, New Orleans, 1833. Pupil of Beaux Art Academy, Paris. 
Member of Artists' Association in New Orleans. 

One of the earliest portrait and landscape painters in New Orleans. 
371 U2iT}<SC2ip^. 



pOORE (H. R.) Omoge, M. J. 

^ No. 45 Ridge Street. 

Born, Newark, N. J. Pupil of National Academy ; Pennsylvania 

Academy; Bouguereau and lyumenais. 
Awards and Honors : $2,000 Prize of the American Art Association; 

the second Hallgarten Prize, National Academy. 
Member of the National Academy of Design. 

372 Wbit<?Bull. 



80 Te7inessee Centennial 



pOST (W. nerritt) Wew YorK 

No. 55 West Thirty-third Street. 

Born^ Brooklyn, N Y. Piipil of Art Students' I^eague. 
Secretary of the New York Water Color Club. 

373 lo the Ezirly Spring. 



pOWEL-L- (L.uciei> W.) Wzisbipgtoo 

Corcoran Building. 

Pupil of Fitz, I^ondon; School of Art, Rome, Venice and Paris. 
Member of Society of Washington Artists; Washington Water Color 
Club. 

374 Tbe OM A\2irKct. 

(Padua.) 



pREL-L-WlTZ (Hditb nitcbelD New Yorh 

^ No. 45 West Sixty-eighth Street. 

Born^ South Orange, N. J. Pupil of Art Students' I^eague under 
George De Forest Brush, Kenyon Cox and others. Spent winter, 
1889, in Paris studying at Academie Julian with Bouguereau, 
Robert-Fleury and Gustave Courtois. 

Azvards and Honors : The second Halgarten Prize and the Dodge 
Prize, National Academy of Design; Silver Medal, Atlanta Expo- 
sition, 1895. -^ 

375 Tbe BooK a^o«J tt)e Ro5^. 

Mrs. Prellwitz gives us a bit of sunlight in her ' ' The Book and 
the Rose," which shows her out-door effects to advantage. Her 
work is pleasing, as well as strong and correct in detail. 

376 Cbilcl io White. 



and Inter^iational Expositio7i . 8 1 



Xo. 1707 Chestnut Street. 
Born, Philadelphia, Pa. 



377 Portra.it of Heory ^s^buroer. 

378 A Ga.rnii7 of C2^0C2iroea.u. 

379 Oo tb^ ScbuylKillr Ez^riy AVorijins. 



O ACH (L-oui?) A\unicbf Gerrpziny 

.5or«, Chicago, 111. Pupil of PUoty and Kaulbach. 

Member of the Kuntzler Gennossensschaft, of Munich ; also mem- 
ber of Munchener Kunst Verein. 

Awards and Hotiors : He distinguished himself at Munich Academy 
by winning First Prize Medal four times, once under exam- 
ination of Kaulbach and three times under that of Pilot}-. The 
picture exhibited at this exhibition is one of great merit. 

380 Christ 2in<d Hi? Disciples Brea.Hii7S: Brezv<a a.t 
Erpa^us. 



P^EAUGH (P.) OziK Cliff, Texa5 

Born, Jacksonville, Fla. Pupil of St. Louis Art .School and Julian 
Academy, Paris. 

38 I Breezy t\orr)\T)%, 
382 lo tt)^ Woo^a L-ot. 

The small pictures of cattle by Reaugh are individual and 
original. They are strong in action, true to nature, and remark- 
ably well painted. 



82 Temiessee Centennial 

OETTIG (Jobo) Cir>cii>n2iti 

No. 20 College Building. 

Born, Cincinnati. Pupil of St. Joseph's College and the Old School 
of Design ; graduate's diploma from the MacMicken University ; 
first President of the Cincinnati Art Club. 

Member of Cincinnati Art Club. 

Mr. Rettig's talent has always tended toward the decorative in art. 
Has devoted ranch attention to scenic painting, in which he stands high, 
being the author, designor, and painter of the greatest historical spectacu- 
lars ever produced, namely : "The Fall of Babylon," "Rome Under Nero," 
" Conquest of Mexico," and " Moses ; or, the Bondage in Elgypt." 

383 By i\)^ Sea.. 

E7ETTIG (yn^i-tio) Cii7cino2iti 

^ No. no Findlay Street. 

Born, Cincinnati, Ohio. Pupil of Frank Duveneck. 

384 Crus2i<i^ 5tu<Iy Hea.«i. 



P>EYf401-D5 (Elizavbetb) Bostop 

Harcourt Building, No. 23 Irvington Street 
Born, Boston, Mass. Pupil of Edmond C. Tarbell. 

385 A Bit of Caoa^oicut Islan<a. 

A cool, refreshing bit of nature, painted with artistic dash and 
a fine appreciation for delicacy and beauty of color. 



P^ICHARD (F. <Ie B.) Pbil2i<Ielpbi2i 

Born, Wilmington. Studied in America and Europe, 

386 On tb^ 5alt /^arsbes. 

387 Tb^ Tbrc^ Frieo<i5. 



and International Exposition. 83 



P^ICHARDSOfi (F. H.) P^ri^, Pmnce 

Bovn, Boston, Mass. Pupil of Boulanger and I,efebvre, Paris. 
Member of Boston Art Club. 

Richardson is a master of feeling, with which he endows his subjects. 

388 BretoQ Wi^ow at Pra^yer. 

389 Return of Fisbiog Boat5. 

(Ktaples.) 



P^OBBlfiS (Ricb^^rcl Srnitb) Cbiczvgo 

Born, Solon, Ohio. Pupil of I^efebvre, Constant and I^. Doucet, 
Academic Julian, Paris. 

390 Potato Harvest in Norn>ai><ay. 

391 /V -January T^aw, 

392 Winter AVorning. 



ROBINSON (FmnH T) Roxbury, A\2vs5. 

^ No. 35 Whiting Street. 

Born, Salem, Mass. Graduate of Harvard. Three years Art Direc- 
tor of Manufacturers Institute, one year Director of Massachu- 
setts C. M. Association ; Art Commissioner Tennessee Centen- 
nial. 

Member of the Paint and Clay Club, Boston ; Secretary of the 
National Stewart Art Association ; Director of Jordan Art 
Gallery. 

TMr. Robinson is the well known author of many valuable works, 
among them being the Art Catalogue, History of the Fifth Regiment, the 
Art Year book, American Arts Magazine, L,iving New B)ngland Artists, etc. 



84 Te7inessee Centennial 



O OeCKER (H. L-eoo) Cbicago 

No. 487 Forty-second Place. 

Born^ Burlington, Iowa. Pupil of Academy of Design, Chicago, 

Royal Academy of Munich, 1887, 1889. 
Awards and Honors : Yerkes Prize for lyandscape, 1894. Honorable 

mention in Munich, 1889 ; Arche Club Prize, 1897. 
Member of Cosmopolitan Art Club, of Chicago ; Society of Western 
• Artists. 

Mr. Roecker is a noted figure and landscape painter, broad and simple 
in his technique, and full of feeling in expression. He is an impressionist 
who catches the spirit and movement as well as the vibrations of color and 
light in nature. 

393 Op tbe Brow of tb<? Hill. 

A study of color in Washington Park, Chicago. The fore- 
ground shows a sun shadow, the rest of the picture is swimming in 
light. The outlines of foliage are vague, and the figures indistinct 
from excessive light. This is a representative landscape of the 
impressionistic school. 

394 Study frorn rpy Studio Wiqdow. 

395 L-a-Ke ip Wa.sl7io§[ton Pa.rK. 



DOSEL-AND (H2irry) BrooKlyp 

^ No. 191 Clinton Street. 

Born, Brooklyn, N. Y. 

Awards and Honors : Gold Medal in 1887 at Brooklyn Art Club. 
Member of the Brooklyn Art Club and Salmagundi. 

.396 Tru^ 52^yii7§, Two Heads ar^ Better tl^ao Ope. 



DUPERT (A. J.) Cbicago 

^ No. 289 Thirty-fifth Street. 

Born, Ft. Plain, N. Y. Pupil of Professors Gabriel, Max, Bart, and 

Sietz ; Royal Academy of Fine Arts, Munich. 
Member of the Cosmopolitan Art Club, Chicago. 

397 Wheat Stacks. 

(In North Dakota.) 



a7id Internatio7ial Exposition. 85 



CAfiDERSOri (Cb2irle5 W.) Boston 

No. 20 Beacon Street. 

Born, Brandon, Vermont. Pupil of Boulanger, Oudinot, and Van 

Borselan. 
Awards and Honors: Second Prize at Paris, by Boulanger-I^ife 

School ; honorable mention, New York, 1885. 
Member of Art Club, Boston, and American Art Society. 

398 On tb^ Neponset— La^tc Auturr>o. 

399 Golden Sunrise. 

(Del Monte, California.) 



CJANDHAn ^Hcpry) Boston 

Born, Montreal, Canada. Pupil of C. R. Jacoby and John A. Fraser. 
Awards and Honors: Medals at I^ondon, England, and Boston; 
Vice President of Boston Art Club. 

Mr. Sandham is well known as an illustrator and a painter. He is an 
artist of much resource in the way of invention, imagination, and dramatic 
feeling, and it is undoubtedly these qualities which have led to his success 
in the field of illustration. 

400 Founding of A\a.ryland. 
40 1 Tb^ Surnn}er Wind. 

The distance is very fine, the color refreshing, and the smoke 
from the tripod well painted, in this pleasing picture by one of 
Boston's ablest artists. 



402 Ready for tt)e Weldings 



The details of the blacksmith's shop, and the fire light from 
the forge, are noticeably well painted. 



;CHREYER (C. W.) Pbiladelpbizi 

No. 925 Walnut Street. 

Born, Philadelphia, Pa. Pupil of Thomas Aiken, Philadelphia; 
John Paul Laurens and G. St. Pierre, Paris. 



403 StUl-Ufe. 



Tenjiessee Ce?iten?tial 



CJCOTT (E. A\.) Mew YorK 

Born, New York. Pupil of Art Students' I,eague and Art School, 

of Paris. 
Awards and Honors : Silver Medal at Atlanta Ejxposition, 1896. 
Member of Water Color Club, New York. 



404 Sturdy 117 Yellow. 



iEAR5 (Helen W.) Phila^elpbizi 

No. 1020 Arch Street. 

Born, New York, N. Y. Pupil of Pennsylvania Academy of Fine 
Arts. 



405 Consider tbe Lilies. 



;EEB0L.D (A\. A\.) New Orleans 

No. 912 Canal Street. 

Born, New Orleans, La. Pupil of A. Molinary. 
Member of Artists' Association of New Orleans. 



406 Dziisies. 

407 Violets. 



C|EL-DEr( ( Dixie) Cincioo^iti 

408 Gasligt)t Sketch. 

409 5oucla.oes^ Wornz^O. 
4 I O A Girl I Koow. 

Selden shows strength in his drawing, and portrays facial 
expression in an excellent way. 



and International Exposition. 87 



CEL-L-STEDT (U. G.) Buffzilo 

Born, Sundsvall. 

Member of Buffalo Fine Art Academy aud National Academy of 
Design. 

4 11 A Portra.it ^tucly. 



CEfiAT (Prosper L-.) V\)\\z,^<^\^\)vt, 

^^ The Art Club. 

Born, Germantown, Pa. Pupil of Kcole des Beaux Arts, Paris and 
Antwerp ; also of South Kensington, lyondou ; K. Iv. Hampton, 
I^ondon. 

Awards and Honors : First-class Medal and honorable mention at 
Columbian FJxposition in 1893 ; at the Atlanta Cotton Exposition 
in 1895; at the Brussels Exposition in 18S0 ; at the Naples 
National Exhibition, 1889 : at the Venice National Exhibition, 

1893- 
Member Art Club, Philadelphia ; the Philadelphia Society of Art- 
ists ; Artists' Fund Society, of New York. 

Prosper L. Senat as a marine painter sees nature in her moments of 
special loveliness, and renders her with the wholesome poetrj' of veracity 
and color. 



412 The Roa.<l frorp t^e H2irbor. 

(Tavomina, Sicily.) 

413 In Oi<J St. Augustine. 

414 In tbe Sb2^<Jow of tt>e Pizizza.. 

(Capri.) 

415 After a. Sbower. 

(The Road to the Harbor, in Sicily.) 



Tennessee Centennial 



JEWELL- (A. Brewster) ^iew YorK 

No. 68 West Forty-fifth Street. 

Born, Essex County, N. Y. Pupil of Tony Robert-Fleury and 

I,efebvre. 
Awards and Honors : Norman W. Dodge Prize, National Academy 

of Design ; and honorable mention, Salon ; and Medal, World's 

Fair. 

Mrs. Sewell was represented by six pictures at the World's Fair. I,ike 
the painters of the English school, she understands the art of pleasing. 
Everything that is harsh or unlovely is eliminated from her graceful com- 
positions. 



416 Fi^ Gzitb^r^rs. 



EWELL- (Robert V.) New YorK 

No. 68 West Forty-fifth Street. 

Born, New York. Pupil of I,efebvre and Boulanger, Paris. 
Awards and Honors :- 'Pirst Halgarten Prize, National Academy,^ 

New York ; the Cleveland Popular Vote Prize. 
Member of National Societv Mural Painters. 



4 1 7 Tb^ Viptz^g^ Revel. 

First Prize, Bo,ston, 1895. 

4 88 Tbe G2ir<a^n of Persepbooe. 

Pale, without name or number, 
In fruitless fields of care, 

They bow themselves and slumber 
All night till light is born, 

And like a soul belated. 

In heaven and hell unmated. 

By cloud and mist abated. 
Comes out of darkness, dawn. 

— Swinburne, 



and International Exposition. 89 



C;EWHUL- (a. B. 2sX)^ R. v.) rCew YorK 
4 I 9 Tl)^ Dziugbters of Hesperis. 

They were daughters of Hesperis in Greek mythology, made 
goddesses of ^the golden apple, which Gaea (earth) caused to grow 
as a marriage gift for Hera. They dwelt in the extreme West, and 
were daughters of Atlas and Hesperis, named ^gle, Arathesia, 
Erytheia, and Hesperia. This painting is the joint work of the 
Sewells (R. V. and A. B.). Received prize by popular vote at Cleve- 
land, 1895. 



C;haRP (J. H.) Ciijcinpati 

"^ No. 118 Kast Fourth Street. 

Born, Bridgeport, Ohio. Pupil of Carl Marr and National Academy 
of Munich ;• Charles Verlot, of Antwerp ; Benjamin-Constant 
and J. P. Laurens, Paris. 

Member of the Society of Western Artists, and a teacher in the 
Cincinnati Art Academy. 

420 Tb^ Albz^rpbra. by AVoopligl^t. 
42 \ A\oooligbt 2it 5uoset. 

(In Brie, France.) 

422 Rz^ioy "O^y. 

( Fountain Square, Cincinnati.) 



5HARRARD (AIic<? B.) L-ouisville 

No. 1013 Martin Avenue. 

Born, L,ouisville, Ky. Pupil of Harvey Joyner and the Cincinnati 

Art Academy. 
Member of the Art I^eague of the South. 

423 Portrziit of Czipt. 5. R. "y^yMv^r^. 

424 A 5tu«ay frorp Nziture. 



90 Tennessee Centennial 



gififilCK^Or* (n^^ry H.) Pbilaidelpbie^ 

^^ No. 1523 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of Pennsj^vania Academy Fine Arts, 
Paris. 

425 A Nortl7 Ca^rolipzi /^ountziioeer. 

True to nature. The artist has admirably depicted the hardy coun- 
tenance of the mountaineer. 



CA\I1-LIE (Geo. H.) flew YorK 

^^ No. 51 Kast Fifty-ninth Street. 

Born, New York. Pupil of James M. Hart. 

Academican of the National Academy of Design, and American 
Water Color Society. 

Mr. Smillie has been a member of National Academy of Design since 
1882, and no contributor has given more pleasure than he. 

426 Auturno /Vfterpoon ip Conoecticut. 



gniTH toe Cost) New YorH 

^^ No. 146 West Fifty-fifth Street. 

Bovfi, Shaneateles, N. Y. Pupil of Art Students' I,eague, New York;. 
Boulanger and I,efebvre, Paris. 

In portraying Indian life, no artist stands higher than Mr. Smith. 

427 Sioux Outpost S\%t)Z\\v)% with zi A\irror. 

428 Beot 00 A\i5cbief. 



5JA\ITH (F. HopHipsoo) 

Member of Jury of Award. 



Mr. F. Hopkinson Smith is not only an artist who has attained the first 
rank among American water color painters, but he is an illustrator or 
books, an author of distinction, widely known as the creator of "CoL 
Carter, of Cartersville," and is a forcible and brilliant lecturer. 



a7id International Expositio7i. 91 



gniTH (Hepry P.) Mew YorK 

^■^ No. II East Fourteenth Street. 

Born, Waterford, Conn. 

429 Tbuo<ierstorrp ip A\i<J-Ocea.o» 

A very fine marine. The power of the ocean is in strong con- 
trast with the frailty of the ship ; the on-rush of the storm is 
strongly rendered in the meeting of the dark mist and the white 
clouds, and in the grand swell of the gray, green waves. 



5;a\ITH ( Ha a.) Pittsburgb 

"^ No. 20 Bertha Street. 

Born, Pittsburgh, Pa. Pupil of Academie Julian, Paris. 

430 Tb^ Wa-tcr Boy. 



CJA\ITH (J. Frzi^ci^) Cbiczigo 

Art Academy, No. 300 "Wabash Avenue. 

Born, Waukesha, Wis. Pupil of Gustave Boulanger, Jules I^efebvre 
and Benjamin-Constant. 

43 1 Portrziit of a. Young Worpa-o. 



Cr<El-L- (Florence Przipce^) fiew Yorl^ 

No. 116 West Forty-first Street. 

Born, London. Pupil of Art Students' I,eague, New York. 
Member of the New York Water Color Club. 

432 A Rorpan Girl. 



92 lennessee Centesimal 



Born, Philadelphia, Pa. Pupil of James Hamilton and Prof, 
Shcusselle. 

Mr. P^. T. Snow, of Philadelphia, has won a high reputation as an art- 
ist. His pictures have been eagerly sought by prominent exhibitions of 
the East, and may be found in many of the best private collections in the 
country. To the efforts of Mr. Snow the Tennessee Centennial is largely 
indebted for the splendid and characteristic exhibition of pictures from 
Philadelphia. 

433 L.OW Ti^^. 

434 ^urprper Dziy. 



Born^ Chiavari, Italy. Pupil of Amos Cassioli, Plorence, Italy; 
Royal Academy of Fine Arts. 

Arvards and Honors : Diploma from the Royal Academy, Florence, 
Italy ; Master of Art, Degree for Ornamental and Applied Art 
in i8go; Master of Art, Degree for figure and life, 1890; hon- 
orable mention, Paris ; Silver Medal ; Bronze Medal ; Silver 
Medal at the Exposition at Florence, Italy ; Silver Medal at 
Atlanta Exposition ; Silver Medal, Antique and Ecclesiastical 
Collection International Exposition, Atlanta, 1895. 

Member of the Jury of Fine Arts, World's Columbian Exposition. 

435 Cloi5ter of St. J^z^rK 

(Florence, Italy.) 



gPEMCER (A\2iry) Ciociooatf 

^^ No. 340 West Fifth Street. 

Born, Springfield, Ohio. Pupil of E. T. Webber. 

436 Gra.i>«in7otl)er's L-ov^ L-<rtter5. 

437 Stu«ay Hezi^. 



a7id Intevjiational Exposition. 93 

QJTECHER (Wrp. F.) Dorcbester, A\2iS^. 

^^ No. 17 Austin Street. 

Born, Boston, Mass, Pupil of Wm. A. Bouguereau, Tony Robert- 
Fleury, G. Ferrier, and J. Blanc. Studied at the Academic 
Julian and Carlo Rossi. 

Member of Boston Art Club and Boston Society of Water Color 
Painters. 

438 Ox-£yed Dziisies. 



iTERL-I/iG (Rutb) 5t. l-oui5 

No. 22 Westmoreland Place. 

Pupil of Abbott H. Thayer, New York, and G. Boldini, Paris ; also 
Van der Weele, The Hague, Holland. 

Member of St. I,ouis Association of Painters and Sculptors ; Cosmo- 
politan Art Club, Chicago. 



439 DczicI pigeons. 

440 Resting. 

441 Tb^ 5weeper. 



CTEVEfiSON (H. 5.) Pittsburgb 

^^ No. 413 Wood Street. 

Born, Newcastle, Pa. Pupil of Bouguereau and Fleury. 

442 Tb^ CZiptive. 

443 /Vo Erpswortb Bywz^y. 



94 Ten7iessee Ce^itennial 



CTODDARD (FrcdcncH L-J St. L-oui? 

No. 1626 I,ocust street. 

Born^ Coatiwak, Canada. Pupil of Benjamin-Constant, Bouguereau 

and Laurens. 
Member of Society of Western Artists, St. I^ouis Guild and Society 

of Painters and Sculptors. 

444 Tt)^ Tourziine Bowlers. 

445 He Won't Hurt Vou. 

A very charming- scene in the country near Paris. A robust 
peasant girl has caught a young bull with one hand, while she 
waves the other in smiling derision at the fright of the girls from 
the city. 

446 Reverie. 



CTREETER (W. Deiy) fiew YorK 

^^ No. 326 West Fourteenth Street. 

Born, St. I/Ouis, Mo. Pupil of Benjamin-Constant and Jean Paul 
I,aurens. 

447 A Portrziit Study. 

CVENDSEM (Cb2is. C.) Cindnnziti 

^^ . No. 20 East Court Street. 

Born, Cincinnati, Ohio. 

Member of Art Club, Cincinnati ; Commissioner of Tennessee Cen- 
tennial for Belgium and Holland. 

As an artist, Mr. Svendsen has been largely occupied with religious, 
historical pictures. He is also a painter of pastoral nature, the poetry of 
the fields and the humble lives spent on them furnishing themes for many 
of his best pictures. 

448 G2itberii75 Potzitoes. 

(Oberbeaureu, Bavaria.) 

449 A\ort§:a.5ecI. 



and International Exposition. 95 

CVE/HDSE/H(Sveo<I) Chicago 

^^ No. 925 Central Park Avenue. 

Boryt, Christiana, Norwa}'. 

Awards and Honors : The Young Fortnightly Club Prize, 1895. 

450 Suburbzin Street in Wiotcr. 
45 I Winter Sunset. 



CWORD (Jeirpe^ B.) PbHeidelpbiei 

^^ No. 1520 Chestnut Street. 

Bor?i, Philadelphia, Pa. Pupil of Academy of Fine Arts. 

Awards and Honors : Received awards at the International Elxpo- 

sition at New Orleans. 
President of Philadelphia Society Artists ; President Artists' Fund 

Society, and member of the Art Club, Philadelphia. 

452 Tbc Lost Trziil. 

453 Reverie. 

454 Coast of Rhode Isi2^n«J. 

455 Rzvbbi Joseph KrZiusHoff, D. D. 

(The Kenneseth Israel Temple, Philadelphia. Portrait.) 



OYL-VESTER (F. Ozihe?) St. L-oui^ 

No. 792 Kuclid Avenue. 
Born, Brocton, Mas*. Pupil of Massachusetts Normal Art School. 

456 The Hay Stack. 

A delightful little farm scene, in which the artist has displayed 
an easy grace that shows him capable of more powerful work. 



96 Tennessee Centennial 



•yAR 



B£L.L« Edrpuod C.) Bostop 

No. 12 St. Botolph Street. 

Born, West Groton, Mass. Pupil of Boulanger and I^efebvre. 

Awards and Honors : Halgarten, Clarke and Shaw Fund Prizes, New- 
York ; Medal, "World's Columbian Exposition, 1893 ; two Med- 
als, Boston ; Walter lyippincott Prize, Philadelphia ; Gold Medal, 
Philadelphia Art Club. 

A vigorous painter, whose work is always conscientious and full of 
individuality. His labors in the art field have shed renown upon American 
art. 

457 Ros^rpairy. 



AYL-OR (Elizabetb V.) Boston 

No. 13 Harcourt Building, 23 Irvington Street. 

Born, New Jersey. Pupil of School of Drawing and Painting Mu- 
seum of Fine Arts, having studied with Mr. Joseph DeCamp and 
Edmund C. Tarbell. 



458 t\^^rVn^.. 

459 AV^bitaibl^. 



^HOA\SON (H..G.) Wiltop, Coop. 

Fairfield County. 

Bo7n, New York. Pupil of Academy of Design, Art Students' 
lycague, and Wm. Chase. 

460 Aroupd tt)e Si«ie Porch* 



arid hiternaiioyial Exposition. 97 



THUA\ (Patty) L-ouisville 

No, 1309 First Street. 

Born^ I^ouisville, Ky. Pupil of Henry Van Ingen and of the Metro- 
politan Art School of New York. 

Awards and Honors: Honorable mention; Diploma for illustra- 
tions on color and black and white of Magazines at the Colum- 
bian Exposition. 

461 Roses. 

462 Full Blown Roses. 



^OAVF^KIfiS (F. H.) Boston 

No. 398 Northampton Street. 

Born^ Hector, N. Y. Pupil of Art Students' IvCagiie and Royal 
Academy of Munich. 

Awards and Honors : Two first-class Medals from Munich Acad- 
emy for technique painting ; Gold Medal from Boston Chari- 
table Mechanics' Association. 

Member of the Boston Art Club. 

463 The OutlooK. 



^OWfiSEND (Pmoces B.) Boston 

No. 82 Beacon Street. 

Born, Boston. Pupil of Boston Art Museum School and Julian 
Dupre, Paris. 

Awards and Honors : Received Silver Medal, Massachusetts Char- 
itable Mechanics' Exhibition ; and Gold Medal, Atlanta Expo- 
sition, 1895. 

Member of the Water Color Club, Boston. 

464 In a. New Engla.0*! Orcha^rd. 

465 Youth zipd /Vq^. 

Mr. Townsend has given us a delightful farm scene in his "New 
England Orchard." He also shows a strong stroke in his animal painting. 

4* 



98 Tennessee Cente^uiial 



'J'ROTTER (fiewbol^l H.) Cbeyney, P3i. 

Born, Philadelphia, Pa. 

Member of Artists' Fund Society, Philadelphia Society of Artists^ 
and Pennsylvania Academy of Fine Arts. 

466 A Surprise. 



^yRUESDEL-L- (Gziylord S.) Pevri^, Fra^nce 

No. 9 Rue Duperre. 

Born, Milwaukee, Wis. Pupil of Philadelphia Academic, Cormon 

and Morot. 
A wards and Honors : Medaille, Exposition Universelle, 1889, Paris ; 

Medaille Second Class, Salon, 1892 ; H. C, Paris Salon. 

467 Sbeep. 

468 There is tb^ Sl)epber<i. 

Truesdell quite equals any of the American artists in his sheep 
pictures, which he always includes in landscapes of a beautiful 
atmospheric effect. 



"RYOri ( D. W.) flew YorH 

No. 226 West Fifty-ninth Street. 

Born, Hartford, Conn. Pupil of C. Daubdigny, Jocquesson de la 
Chevreuse, and A. Guillemet. 

A7vards and Honors: Bronze Medal, Massachusetts Industrial 
Exposition ; two Gold Medals, A. M. Art Association ; Halgarten 
Prize, N. A. D.; Ellsworth Prize, Chicago Art Institute ; Palmer 
Prize Chicago Interstate Exposition ; Munich International 
Exposition Gold Medal, first-lass; Chicago Columbian Exposi- 
tion, thirteen medals ; Cleveland Art Association, first prize. 

Member of National Academy of Design, Society American Artists,^ 
and American Water Color Society. 

WiUiam Trj'on is an American landscape painter whose pictures are 
greatly sought for their delicacy of coloring and refinement of feeling. A 
pupil of Daubdigny, he is, like that artist, a painter of country life — the 
idyllic rusticity of apple trees in bloom, of waving cornfields, of shining 
valleys and streams rippUng gently to the sea. He is especially fine la 
silvery-gray atmosphere. 



469 Decern bcr, a. Sa^lt A\arsh. 



and hi ternational Exposition . 9 9 

'J'URfiEY (Olive) * Pittsburgh 

No. 322 Amber Street. 
Born, Pittsburgh, Pa. 

4 70 Th^ Pzirting Clou<is. • 



IIHL. (S. Jferorpe) Wasbipgtop 

^^ ■ No. 614 Seventeenth Street, N. W, 

Born, Millersburg, Ohio, Pupil of Augusta Kmile, Carolus-Duran, 

R. de Charvaunes. 
Member of Salmagundi Art Club. 

471 Puritan A\a.i«a^n. 



MSHER (L.eil2i) Carpbridge, t\diSS, 

No. 9 Kirkland Place. 

Born, Ouslaska, "Wis. Pupil of Geo. T. Brewster and D. Gaudens. 
Awards and Honors : Atlanta Exposition, Bronze Medal. 

472 A\il<ar^^. 



^An BRIGGL-E (A.) Ciocipoziti 

Pupil of Frank Duveneck and Jeau Paul Laurens. 
Member Cincinnati Art Club. 



473 /Vft^r the Pluoge, 



100 Tennessee Centennial 



^^AMDERPOEU (J170. HJ Cbiczigo 

Art Institute. 

Bcn-n, near Haarlem, Netherlands. Pupil of Boulanger and I^e- 

febvre. 
Member of New York Water Color Club and Chicago Society of 

Artists. 

474 I17 tJ)^ Spring House, 



\^AM 



LAER (A. T.) New YorK 

No, 58 Fifty-seventh Street. 

Born, Auburn, N. Y. Pupil of National Academy of Design. 
Member of the Artists' Fund Society and Salmagundi Club. 

As an artist he has been a constant exhibitor at all of the important 
exhibitions of the country. He is also an able writer on art subjects, 
notably American art, and is a polished and interesting speaker. Mr. Van 
lyaer is one of the Art Commissioners for New York of the Tennessee 
Centennial and International Exposition. 

475 Gr2iy Da.y. 

476 Evening. 



yp/Kn 5A1-TZA (Cb2i5. P.) St. L-oui5 

Museum Fine Arts. 

Born, Sweden, 1858. Pupil of Royal Academy of Fine Arts in 
Stockholm, Brussels Academy, Pootaels Van Severdouck, Satal- 
leart, and Robert and Leon Bonnat, Paris. 

Instructor in the School and Museum of Fine Arts of St. I,ouis. 

Member of the Association of Swedish Artists, of the St. Louis Asso- 
ciation of Painters and Sculptors, and of the St. I/Ouis Artists* 
Guild. 

Nature and Scandinavian art have been the predominating influence 
of Mr. Van Saltza's art life. He is one of the very best portrait painters in 
the United States. He paints with a broad, bold brush, has a brilliant and 
forcible style, thoroughly polished, as becomes the work of an artist who 
has made a profound study of technique. 

477 Portmit of W. S. Cbz^pUn. 

(Chancellor of Washington University.) 



a7id Internatio7ial Exposition. 101 

\plfiTOfi (PredericK P.) Bostop 

No. 247 Newbury Street. 

Born^ Bangor, Maine. Pupil of William M. Hunt, Boston ; Bonnat, 
Paris ; Duveneck, Dietz and Wagner, Munich ; and later of 
Jean Paul I,aurens, Paris. 

Member of the National Academy and of the Society of American 
Artists, New York ; Honorable mention, Exposition Univer- 
selle, Paris, 1889 ; Gold Medal, Chicago ; Gold Medal, Atlanta. 

Mr. Vinton is one of Boston's ablest portrait painters. • He entered the 
Atelier of Leon Bonnat in 1875, since which time he has given himself to 
art. He first exhibited in the Salon in Paris in 1878, and in the American 
section of the Exposition of that year. 

Mr. Vinton stands in the front rank of American painters. No artist 
stands for a higher excellence in art, and but few whose influence in the 
art world has been more widely felt. 

478 Portr2iit of a. L-zidy, 



'^J^ADE (Czirolipe D,) Cbiceigo 

No. 728 Athenaeuju Building. 
Born^ Chicago, 111. Pupil of Courtois. 

479 A Cloisonne J^acr. 



^AD5WORTH (AdelBiide E.) Bostop 

Bom, Boston, Mass. Pupil of William Hunt, Frank Duveneck, 
Theodore Wendell, J. T. Twachtman and Chas. H. Woodbury. 

480 52^1t /^a.r5be5 ip Auturpn. 

481 Oo the Riv^r BzioK. 



102 Tennessee Centennial 



^ADSWORTH (PrAoK B.) OziK PzirK III. 

No. 302 lyinden Avenue. 

Born, Chicag-o. Pupil of ^V^l. M. Chase, New York, and Art Insti- 
tute, Chicago. 

482 street Pa.wtucKet, Rhocle Isl?io<d. 

482K Street, A\adri«a. 

48214^ L-a-o^sca-p^, Provi«aepce. 



^AGfiER (Jacob) Boston 

Harcourt Building, Irvington Street. 

i?(9rn, Bavaria, Germanj. Self-taught. Studied drawing at Ivowell 

Institute and Art Museum. 
Awards and Honors : Ideal head boug-ht by Boston Art Club. 
Memberof Boston Art Club. 

483 The Return frorp WorK. 

The fishermen in their boats are making speed for home in the 
tremulous opaline glow of restful sky and water. 

484 Awaiting tb^ Return. 

485 Interesting BooK* , 



'^^AIT (Lizzie Fj Boston 

No. 18 Harcourt Studios, Irvington Street. 

Born, Boston. Pupil ofTarbelland Benson. 
Member of Boston Art Students' Association. 

486 eiizab^tb. 

487 portrait. 



a7id International Exposition . 1 03 



Grand and Franklin Avenues. 

Born, St. I^ouis. Pupil of Benjamin-Constant, Jean Pavil Laurens, 

Paris, France. 
Exhibited at Salon de Champe Elysees, Paris. 

488 A\a-5<d2^1ene. 



* \^is\\ (A. Bryzip) Allegbepy City, Pa. 

No. 104 Arch Street. 

^or«, Pennsylvania. Pupil of his father. 

Member of Carnegie Board of Trustees of Art, and Art Society of 
Pittsburgh. 

Mr. Wall is fond of painting sheep, and displays much fidelity and 
^^tality in his work. 

489 Sheep zit Pzvstur^. 



^AL-TOfi (Willizirn) fiew YorK 

No. 360 West Twenty-second Street. 

^tw'M, Philadelphia, Pa. Pupil of Carol us-Duran. 

Member of American Fine Art Society and Architectural I^eague of 
New York. 

490 Ga.llirr7a.ufry. 

49 I Tb^ Saccubus. 

492 Stu«iy for Frieze for Riclipg School. 



104 Tenyiessee Centemiial 



W/VRD (E. A\.) fi, A. new YorK 

No. 51 West Tenth Street. 

Born, Urbana, Ohio. Pupil of National Academy of Design, New 
York; Kcole des Beaux Arts, and Cabanel, Paris. In Paris 
1872, 1879. 

Klected member of the National Academy, 1883 ; member of the 
American Art Union. 

Ward has studied conscientiously, and the character of his work, in 
almost any light in which it may be viewed, will stand the test of com- 
parison with the pictures of the leadings artists represented in the exhibi- 
tion.— -^r/yoMr^a/, May 1885. (On National Academy Exhibition.) 

493 Cburoins;. 



No. 1020 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of I^efebvre and Benjamin-Constant, 

and Paul De Lance. 
Awards and Honors: Norman W. Dodge Prize, $300, New York 

National Academy of Design, 1896. 

494 Pierrot. 

495 A Dornioica.n Fria.r. 

496 A\ioette. 

497 Portra.it. 



^EfiDT (Willizirn) Cbicago 

Born, Germany. Self-taught. 

Awards and Hoyiors : The Yerkes Second Prize in 1893; the Young 

Fortnightly Club Prize, 1897. 
Member of the Chicago Society of Artists and of the Cosmopolitan 

Club. 

498 Tt)e Proz^o River. 



a7id International Exposition. 



105 



499 Portrziit of t\rs. West, 



Chicago 



500 Environs of WzvsJjin^ton, D. C. 



Va^biogtoo 



501 Twilight. 

(Maryland.) 



^HITTEA\ORE (Wrp. J.) fiew YorK 

No. 253 "West Forty-second Street. 

Borti, New York. Pupil of William Hart, Caroll Beckwith, Jules 

I,efebvre and Benjamin-Constant. 
Awards and Honors: Silver Medal at the Paris Exposition, 1889; 

Bronze Medal at Atlanta, 1895. 
Member of the American Water Color Society and New York Water 

Color Club. 

502 The Purita.n« 

503 Suo^aziy Pzithwz^y. 



^HITA\ORE (Vm, R.) 

504 Tbe Tea. Hour. 

505 A Corpish Cottzij^. 



106 Tennessee Centennial 



^IKSTROn (B. A.) /i^w Orleap5 

No. 6i8 Commercial Place. 

Born, Sweden. Pupil of Prof. Perseus and Academy of Stockholm. 
Member of Artists' Association of New Orleans. 

Mr. Wikstrom, as Commissioner of the Tennessee Centennial, was 
instrumental in securing- the pictures from the Scandinavian artists. He 
makes his home in New Orleans, returning every year to Sweden, w^here, 
in his private yatch, he spends much time on the North and Baltic Seas. 
His marine paintings have won him a recognized position in the world of 
art. 

506 t\\^ Ocezin. 

A grand subject handled with masterly skill. 

507 Corppa-oioos. 



WlUHS (Irving R.) fiew YorK 

No. io6 West Fifty-fifth Street. 

Born, Utica, N. Y. Pupil of I^efebvre, Wm. M. Chase and Carolus- 

Duran. 
Awards and Honors: Honorable mention at the Paris Exposition ; 

Medal at the Columbian Exposition ; The Clark and Halgarten 

Prizes at National Academy of Design ; the Wm. T. Evans Prize 

of the American Water Color Society. 
Member of Society of American Artists ; Associate of the National 

Academy of Design ; of the American Water Color Society ; of 

the Water Color Club and Pastel Club. 

A painter by inheritance from his father, who was also his first teacher. 
He is a truthful and individual painter of the figure, and especially of the 
unconventional grace and beauty of children. 

508 Portra.it5. 

509 Portraiit of a. \jbAy 117 Re«i. 

510 Suosl7ip*<? ap«J Plovers. 



and Interiiational Exposition . 107 

WlUES (L-. t\.) fiew YorK 

No. io6 West Fifty-fifth Street. 
Born^ Perry, N. Y. Pupil of William Hart and J. F. Cropse3'. 

5 1 1 A\i<i Winter 5now Storrp. 

512 pike's PeziK. 

(Colorado.) 



Art Institute. 
Assistant Commissioner for Tennessee Centennial. 

Born and educated in Massachusetts, she has for a number of years 
been identified with art interests. She was for ten years with William C. 
Stevens in his Art Gallery in Chicago. She was connected with the Art 
Department of the World's Fair, since which time she has been associated 
with the Chicago Art Institute. Personally a gracious and interesting 
woman, Miss Willard holds a recognized position as a connoisseur in all 
matters pertaining to art. She has a wide acquaintance and is exceedingly 
popular with artists. 



^1L<L-1AA\S (Fred. B.) Glep Ridge, H. Y. 

Born, Brooklyn, X. Y. Pupil of National Academj^ of Design, New 

York, etc. 
Member of the New York Water Color Club. 

513 A Pa^storzil. 



'^IL-l-IAAVS (PredericK D.) Bc5toD 

No. 23 Irvington Street. 
Born, Boston. 

Awards aiid Honors : Medal in France in 1877, and Medal in the 
United States in 1881. 

514 Sca5i<J^ Pa.5tur»^5^. 



108 " Tennessee Ceiitennial 



No. 123 Park Avenue. 
Born, Chicago, 111. Pupil of Art Institute of Chicago, 



515 Tb^ Gr2vn<in7otb^r. 

516 Old JLetter^. 



WOL-F (A\-V^-) ficwYorK 

No. 165 West Fifty-eighth St. 
Born, Washington, D. C. Pupil of Art Students' I^eague. 

517 Orcbids. 



WOODBURY (Cb^is. H.) Boston 

No. 192 Boylstone Street. 

Pupil of Acadernie Julian, Paris. 

Awards and Honors: Gold Medal at Atlanta; Medals at the Me- 
chanics' Fair at Boston ; Prize at the Boston Art Club. 

518 t\\^ Ocezir). 

A grand subject nobly treated. The artist has caught the heavy 
swell of a gigantic wave as it rises, monster-like, out of the dark 
blue ocean, breaking into billows of pearly foam, and daringly, 
almost coquettishly, casting the sparkling waters back into the 
grim monotony of the surrounding sea. 

5 1 9 Hedgerows. 



and Inter natio7ial Exposition. 109 



^OODBURY (A\2^rci2i Oz.\s) Boston 

Pupil of Lazane, Paris. 

Awards and Honors : Medal at Atlanta, Mechanics' Fair at Boston, 
Prize at the Boston Art Club. 

5 20 A\otber ar}d Da^ught^r- 
521 The SrpoKer. 



^OODW/VRD (Elliswortb) New Orlezips 

Born, Massachusetts. Pupil of Carl Marr and Samuel Richards, 
Munich. 

522 Witl)io tbe Portifica.tions. 

523 The T2iub<?r VziIIey. 



^OODWARD (Willmrn) New Orleans 

Carrollton Avenue and Fourth Street. 

Born, Massachusetts. Pupil of the Rhode Island School of Design 
the Julian Academy. 

Instructor in the Tulane University of New Orleans. Established the 
course of Architecture in the new college of Technology. President of the 
New Orleans Art lycague ; President of the Art Pottery Club ; Kx-Presi- 
dent of the I^^ouisiana Teachers' Association ; Chairman of the Art Com- 
mittee of the Artists Association at New Orleans ; JToint Chairman of the 
Louisiana Committee for the collection of Art exhibits at New Orleans for 
Chicago. 

524 Portrziit of Prof. t\, Or<iW2iy. 

525 Portrziit of H017. W. O. Rogers. 

526 A Southern Baiyou. 



110 Tennessee Ce?itennial 



^OODWEUL- (Joseph R.) Pittsburgh 

Borti, Pittsburgh, Pa. 

Mr. Woodwell enjoj^s the rather unusal distinction of having for the 
past twenty-five years pursued, with unflagging zeal and industry, the 
study of art and at the same time of having established himself as a busi- 
ness man of success. He was selected to hold a position on the National 
Jury of the AVorld's Fair. 

527 A\a.§ooli2v Harbor. 

528 lo tb^ Woocl5. 

529 Corpiog Down thje River. 



^UERFEL- (Edrnund H.) St. L-ouis 

No. 3418 Lucas Avenue. 

Born, St. I,ouis. Pupil of St. I^ouis School of Fine Arts, Bouguereau. 
Gabriel Ferrier and Kdmund Amanjeon, Paris. 

Instructor in Painting, St. Louis Museum Fine Arts. 

Member of Artists' Guild and of Association of Painters and Sculp- 
tors, St. Louis. 

530 Portra.it of rpy A\otl7er. 

531 Stu<Jio Interior. 

(The Rejected Picture.) 



YEWEL-L- (Geo. H.) flew YorK 

No. 51 West Tenth Street. 

Bom, Havre de Grace, Maryland. Pupil of Couture, Paris. 
Member of the National Academy of Design ; Metropolitan Museum 
of Art ; Secretary of the Artists' Fund Society. 

Paints with great fidelity and accuracy. — MRS. Tytler, Modern. 
Painters. 

532 A Street in Cairo. 

(Egypt.) 



and Inter7iational Exposition . Ill 



Y^^i^G (Cbzis. A\orris) Pbilziclelpbie^ 

Born, Gettysburg, Pa. Pupil of Academy Fine Arts, Philadelphia. 
Awards and Honors : Honorable mention and Toppan Prize, Penn- 
sylvania Academy Fine Arts. 

533 Tbe Oi^ Pasture. 

The barrenness of "The Old Pasture" lies in its naturalness, 
and not from anything the artist failed to put upon his canvas. He 
has succeeded in obtaining the hazy, autumn atmosphere to an 
admirable degree. 



SECTION 2 



I_CD.A.I^ 



PAINTINGS, F0RE;IGN AND AMERICAN, 
INCI^UDING OI,D MASTERS 



NEW YORK LOAN. 



DENT BY WILLIAM T. EVANS, NEW YORK. 

Art Commissioner Tennessee Centennial for New York. 
Born, New Jerse3\ Founder and President of the Merchants' Cen- 
tral Club ; member of the Colonial and Salmagundi Club ; Second 
Vice President of the ]Municipal Art Society, and a member of 
the Executive Council of the Sculpture Society ; director of the 
lyOtus Club ; Chairman of its Art Committee. Patronage of art 
is a diversion that exercises the heart in an ennobling s^anpathy 
and calls into action the most royal prerogatives of the mind. 
Such has been, for the past fifteen years or more, the pleasure 
of Mr. W. T. Evans, whose collection of exclusively Avierican 
paintings has a world-wide reputation, many of the pictures 
having taken medals at international expositions. A number 
of the masterpieces of this collection are loaned bj- the courtesy 
of their owner to our Centennial. 



^HURCH (p. S, 



534 Up^ 2io<a tbe L-iop. 

This is considered as fine as anything Mr. Church has painted. 



P^A/IGER (H- W. 



535 /Vn Ea^5t River I^Jyl. 

(115) 



116 Tefinessee Centeniiial 



pUATT (Cb2irles A 



.) 



536 Cloucls. 



This picture took the Webb Prize at the Society American 
Artists two 5'ears ago. 



JfifiESS (George) 



DECEASED. 



537 V^eziclow L-zio^ in -^une. 

It is the consensus of opinion that Inness ranks with Turner, 
Rousseau, Corot, Daubdigny and Dupre as a landscape painter of 
unsurpassed excellence. His pictures have the color radiance, the 
passionate energy, the depth and spontaneity of nature in her pri- 
meval beauty and power. 



lOrniES (Freipccs C.) 

538 Tb«? Utile Visitor. 

gROWri (J. G.) 

539 Tb^ JLoogsborernAo's Noop. 

This masterpiece of Mr. Brown received honorable mention at 
the Paris Salon. 



QEWEY (Cb^irles Melville) 

540 An Auturon Pzijtorzil. 



and Internatio7ial Exposition . 117 



j^ATOfi (C. H2irry) 

541 A Morrna.o<iy L-a.n<isca.pe. 

^OEULER (Uewi^) 

542 A Doubtful Invcstrp^ryt, 

^RANE (Bruce) 

543 Evening: After Raiio. 

QIFPORD (R. Sw2iir>) 

544 5a.lt WorK5 a^t Da-rrpoutb. 



LENT BY CHAS. M. KURTZ. 



/^RTZ (D. A. C 



Artz, like Isreals, is " interested in human character, in the landscapes 
of Holland, and in the lives of the Dutch peasantry " ; noted for fine color- 
ing, atmospheric effects, and superior draughtsmanship. 

544>^ On tf)^ Dun^s. 

(Holland.) 



118 Tennessee Centen^iiaL 



QRlA\EL-UriD (J.) 

545 Fist}^rn7^i>'s Hut. 

(Norway.) 

Y^J^OM (EcIrr>oo<I) 

546 L.^n<lsc^pe. 

(St. Aiild, France.) 

547 Arp^rica.. 

standing on the car of State, drawn by lions, Liberty and Jus- 
tice—typical of America. Surrounding the car are the States of the 
Union, typified by beautiful young wonieu. To the left immigrants 
are arriving, and'the God of War is quenching his torch in a stream 
of water. To the right a group of Indians are terrified at the light 
of civilization which shines in their faces; negroes are exulting 
over their release from slavery ; and in the foreground may be seen 
the arts of peace, typified by young children. In the heavens 
the angels are proclaiming liberty, equality and justice. Washing- 
ton is seen in shadow, and further back St. Michael is overcoming 
the powers of evil. 



I-JASBROUCK (D, F-) 
548 5prip5tirn^. 

( Ulster County, N. Y.) 



LENT BY RHODA HOLMES NICHOLS. 
^ICHOL-5 (Burr H.) 

Born, Lockport, Niagara County, N. Y. Pupil of Carolus-Duran. 

549 StrziW Stz^cKs. 



PHILADELPHIA LOAN, 



LENT BY VTM. M. BUNN. 
gEDA (P.) 
550 Diplorpa-cy. 

QUGEriDE5CH (A.) 

551 Portra.it of Ex-Gov. Wrp. l^, Buno* 



LENT BY WM. J. CAMPBELL. 



SUL-L-Y (Thoro^s) 



Born, Horncastle, England. Brought by his parents to America 
in 1792. 

One of the earliest and most distinguished of American portrait and 
figure painters. Best known by his celebrated work in the Boston Museum 
of Art : " Washington Crossing the Delaware. " 

552 CbiI<J 1-eft by tb^ Seasbore« 

(119) 



120 Tennessee Centennial 



n 



LENT BY JOHN H. CONVERSE. 



OREAU (/\<IriC0) Trench. 

Born, Troyes. Pupil of Pils. 
Medal in 1876. 



553 A /A.2^5qu^ra.«ae. 



\pAUTIER (Bei7j-) 



Swiss. 



Born, Marges, in 1830. Pupil of Rudolph Jorden, at Dusseldorf 
Member of the Academies of Berlin, Munich, Antwerp and Amster- 
dam. 
Azvards and Honors : Medals at Berlin and Paris. 



554 Tbe Diligence Stzitioo* 



pAGERL-IN (F. J.) Swede. 

Born, Sweden. 
Medal at Paris. 
Member of Royal Academy of Sweden. 



555 Sui7<i2iy Aft^«'Oooo« 



Born, Poland, in 185 1. 

556 Ru55i2i0 Sl^igb Ri^^» 



a7id International Exposition . 121 



LENT BY COWAINE & SLIGO. 



L^ 



H (Willizirn) 

Bcnn, IvOndon. 



He was known as a painter in water colors of Knglish rustic figures and 
of scenes on the French coast. Member of the famous " lyangham Club." 
In 1845 he was elected an associate of the Royal Institute of Painters in 
Water Color, and became a full member in 1848. 

55 6X Prziy^r. 

(Water color.) 



LENT BY CHARLES F. HASELTINE. 

OEREZ (y^. Alonzo) Rorpe 

557 The Ha.rern's Uor^. 

M ABS (E, RJ Tbc Hzigue 

^ Pupil of Verboeckhoveu . Medal received at Amsterdam. 

558 Tbe Tug of Wa.r. 

•yURNER (Cbe^s. Yzirclley) fiew YorK 

Born, Baltimore, in 1850. Pupil of National Academy and Art Stu- 
dents' League, New York ; Laurens, Munkacsy and Bonnat, 
Paris. 

Awards and Honors : First exhibited at the National Academy in 
1882 ; elected an associate to the National Academy in 1884 ; 
honorable mention, 1889, Exposition Universelle ; Medal at 
Columbian Exposition, Chicago, in 1893. 

559 Tbe Pri<Je of t^e Fairrn. 



122 Tennessee Centennial 

I^AZEL-TiriE (Willmn) 5.) Rorpe 

Born, Philadelphia. Pupil of A. Achenbach and Weber, Acad- 
emician of the National Academy of Design. 

560 Storrr> zA C^pri. 



QU CHARDIfi (FJ Pziris 

561 A\oooli5[t)t. 

(Venice.) 



P^OSEMTHAL- (/\lb<?rt) 

studied in Paris and Munich, 

562 Exp^ctziocy. 



A\ 



AL-ECKl (W.) A\unicb 

Born, Germany. Pupil of Achenbach. 

Awards and Honors : Medals, Munich, I,eipsig and Strasbourg. 



DKC:eASED. 



563 AlS^riZii? Cz^rpp. 

(Twilight.) 



QE /4ITTIS iJoscpb), 

Born, Barletta, Italy, 1846. Pupil of Meissonier and Gerome. 

Awards and Honors : In the Salon, 1872, he gained great distinction 
by his " Road from Naples to Brindisi." Medal, first-class, in 
1878, Exposition Universelle ; Cross of the Legion of Honor, 
1878, and Hors Concours. 

564 At tl7C Cafe Ci)arnp5 Elyscc5. 



and International Exposition . 123 



JQCK (Bcrger<?) 

Born, Paris. Student of Rico. 

565 Tbe Custon? Hou5^. 

(Venice.) 



^ORCOS (A\2itteo Vittorio) P^vris 



Born, Leboume. Pupil of Morelli. 

566 SKetchin? Irony Na.ture. 



LAZERGE5 ( Jezip B. P.) Pziris 

j9orn, Paris 1845. Pupil 
Medal 1884 ; honorable n 

567 L-e2ivin5 the Desert. 



Born, Paris 1845. Pupil of his father. 

Medal 1884 ; honorable mention 1887, Societaire. 



>AM HIE (P.) 



Pupil of Isabey. 

Awards and Honors : Medals at Copenhagen, Leipsig, Strasburg- 
and Amsterdam. 



568 On the Coa.5t Nezir Scbeveninq^o- 



t\ 



ATHOfi (Eroile L-.) Pziri^ 



569 Ei Rio /VIb2ii<a2i. 

(Spain.) 



124 Tenyiessee Centennial 

LAr«CKOW (L.) A\unicJ> 

Pupil of Knaus, Weber and Carl Millner. 

570 ^ Wii>tcr Da.y Mezir Dzirrpstz^^t. 



LENT BT JOHN HEDGES. 
glSSELL- (EdgZir Juliei?) 

Pupil of Gerome, Boulanger, I,efebvre ; student of Boston School. 

57 ( Suo^^y iAoroing. 



*^OROT Jf. B, C.) 

Born, Paris. Pupil of V. Berkin. 

Awards and Honors : Received Medals 1838, 1848, 1855, 1867. (E). V".)^ 
I,egiou of Honor, 1846; Officer of the I^egion of Honor, 1867; 
Diploma to the memory of deceased artists, Exposition Uni- 
versal, 1878. 

Corot ranks with Millet and Rousseau of the Fountainebleau School, 
though he is not like them, a realist, at once, a poet and a musician. His 
landscapes, peopled from the Greek idealic poets, are like dream pictures 
from w^hich all material grossness has been eliminated. Muther speaks of 
him "as a master of immortal masterpieces, the greatest poet and the.- 
teuderest soul of the nineteenth century." 



572 Clz^ssica-l L-Ziijdsca-p^. 



a?id International Exposition . 125 

^HAA\B1^F^S (Geo. W.) 

Born, St. L,ouis. Pupil of Gerome, Jules Dupre and I,efebvre, Paris, 
Awards and Honors: First prize at Chicago Exhibition, 1889 

exhibited at Academy of Design, 1889 ; Buffalo N. Y., 1890, 

Philadelphia Academy, 1891. 

Mr. Chambers is best known through his picture, " In the Tennessee 
Mountains," for which he received Yerkes Prize at Chicago. His work is 
broad and free in technique and full of strength as to values and color. 

573 Tb^ BlzicK Butterfly. 

574 lr> tb^ Tennessee ^ounta-ips. 

^URRAri (Cb2irlc5 C.) 

575 Wzish Day. 



I-JOGUET (Cb2irle5) 

Born, Berlin, 1813. Pupil of Berkin and Deleroche, Paris. 
Medals, Paris, 1848. 
Member of Berlin Academy. 

Charles H. Hogfuet was not only a good artist, but one of the military 
leaders of France. He was a Colonel of the French army, and was killed 
at the head of his regiment in the last battle of the siege of Paris. 

576 Oo tbe Fishing B^-nKs. 



|-|ARfH[ETT (Willmro t\.) 



Born, Cork, Irelan*. Pupil of Pennsylvania Acaderaj- of Fine Arts 
and National Academy of Design, New York. 



577 Stu«aeot's Dcq. 



12 G Tennessee Centennial 



n 



URIL-L-O (Bzirtolorne E.) 

(Attributed.) 
Born, Seville, Spain, 1618 ; died iu 1682 ; age, 64. Pupil of his 
uncle, John Del Castillo, and Velasquez. 



Murillo was employed by priests "and bishops and by the King of 
Spain to paint pictures for the monasteries and Cathedrals, which have 
been from that day to this the wonders of the world. As a master of 
Chiar-Oscuro, he stands in the first rank beside Correggio and Rembrandt. 
His works are largely of a religious and scriptural character, chaste and 
elevated in thought, eloquent of faith and poweful in intellectuality. He 
painted the Immaculate Conception thirty-five times, expressing iu these 
marvelous pictures, as far as it lies in the compass of a painter's art, the 
high and perfect purity of her who was " all beautiful and spotless." 

578 He2i«J of St. JoY)T} i\)^ Bzipti^t 017 a. Silver Cbz^r^er, 



f^OTHERA\EL- 



(P. F.) 



Born, in Pennsylvania in 1817. 
Noted for his historical painting. Among his best known works are 
"DeSoto Discovering the Mississippi River," and "The Battle of Gettys- 
burg." 

579 A Portrziit. 



OOUSSE/VU (Pbilippe 



Born, Paris, 1816 ; died, 1887. 

Awards and Honors : Third Class Medals, 1845 ; Second Class, 1848 ; 
First Class, K- W., 1879— H. C. 

"It is as if an old master had revived in Philip Rousseau." His style 
shows characteristics of the Dutch and Flemish classic masters, a broad 
execution and fine harmony of clear and powerful tones. He first painted 
landscape, and subsequently animal and still-life, which are ranked with 
the best paintings of the century. 

580 Op Gu2ir<a. 



and International Exposition . 127 



gIA\Ofi5 (H-), DECEASED. 
Born, Germanj'. 

581 O17 the Delziweire. 



gULLY (TborpasJ 

Born, I^incolnshire, England. 

582 Portra.it of Willizinr} A\2ison, of Bojton. 



QRORAK (P-) 

583 Portra.it in Red. 
I^ORE (L-ouis Gu5t2ive) 

Born, Strasburg, in 1833. 

Awards and Honors : Received honorable mention at Sculpture 

Exposition Universelle, 1878 ; officer of the Legion of Honor, 

1879. 

"Altogether the reverse of Harmon was the volcanic Gustave Dore, 
whose prolific genius for dash and daring copiousness of invention, rapid- 
ity of movement and facility in grouping multitudes of figures, has never 
been approached in the history of art. But Dore, from lack of early train- 
ing, and the impatience of his pencil, had many faults of style, and he was 
an artist in black and white rather than in color. It is for this reason that 
his colossal paintings, impressive as they are in composition, have failed to 
make that impression on the art world one might have expected from so 
massive a genius." 

584 Sunset in Scotlao<j. 



128 Tennessee Ceyitenyiial 

JSJEUSTATER (L-.) 

Pupil of J. G. Mej'er, Von Bremen. 

585 JHa.u§f>ty Dolly. 



^ROYOfi (Copstziptine) 

Bor7i, Seviers, 1810 ; died in Paris, 1865. 

Awards and Honors : Medals at Paris in 1838, 1840, 1846, 1848, 1855, 
Member Amsterdam Academy. Diploma to memory of deceased 
artist, Exposition Universelle, 1878. 

Troyon is the celebrated French painter of animal life and landscape. 
He was a student of Rembrandt, but he possesses the creative power and 
individual technique of an original and masterful genius. His manner 
large and broad, his coloring rich and splendid, his treatment virile and 
easy, it has been said that he exhibits a directness and force of intuition 
withovit a parallel in the history of art. 

586 Weltering Cz^ttl^. 



LENT BY DR. I. TV, HEYTSINGER. 



piAZ (iHJ 



Diaz was above all else a colorist ; his feeling for color was almost 
voluptuous, and landscape was the department in which he could best find 
expression for this talent. As transcripts of nature, his numerous paint- 
ings have not the importance of the works of several of his contemporaries, 
but they are full of interest as suggesting the superb chromatic effects of 
external nature, subtle and harmonious as music. He especially loved 
nature in her livelier moods, wearing her most brilliant attire. 

587 l-2in«iscaipe. 



I d In ternational Exposition . 129 



|^EY51fiGER (Ezirpcst W.) 

588 Evenios: 5c^ne. 

(Lake Pohatcong, New Jersej\) 

589 A Villa-sie L-ap^ ip L.ebigb County, 

(Pennsylvania.) 



LENT BY JOSEPH HOOVER & SON. 
LOnCPRE (Pziui de) 



Born, France. 

590 Aroerica.0 Bea.uty Roses. 

(Water color.) 

591 Whit^ ^r)4 Purple L.il^cs. 

(Water color.) 



^EBER (Czirl) 
592 Pzistora.! Sc^o^. 

(Water color.) 



J/^/ilGHT (D. Riclgew2iy) 

Born, Philadelphia. Pupil of Meissonier. 

Mr. Knight has been called the "American Bastien Le Page" for his 
devotion to outdoor studies, and his pictures of peasant life, for which he 
became widely popular. Good character, cheerful color, and interesting 
choice of subject, form their chief charm. 

593 L-ittle T^zicb^r. 



130 Tennessee Centennial 

g AL-A ( T.) 

594 Gra.i7«J C^oal of Vepic^. 

^OPE (George) 

595 Still-Ufc. 



^OJETTI (Virgilio) 

Born at Rome, 1849. 

A distinguished painter of the nude, Tojetti is, in some respects, the 
most capable of the Hispanio Italian School. His skill as a painter of the 
figure is particularly manifested in pictures of children. 

596 AwziKeniog of L-ove. 

597 Yzir^ of Cupids. 



LENT BT E. J. MOORE. 



gCHREYER (C- W.) 
598 Fruit. 



and Inter7iatio7ial Exposition. 131 

LENT BY ADOLPH NEWMAN. 
jP^GRATI (V.) 

599 Goo<I ^u^age. 

(Water color.) 

jP^BWnAM (Geo, A.) 

600 StiII-L.ife. 



LENT B7 DR. GILBERT L. PARKER. 



OOR (<Ie K^irel) 

Pupil of Gerard. 

60f Portra.it. 



^RIl-(P2iUl) 

Born, Antwerp, 1554. 

602 Landscape. 

603 L.an<J5cape. 



132 Tenyiessee Ce?itennial 

Born, Harlem, 1608. Pupil of Franz Hals. 

604 Tbe Ca^r^a Plziyer. 

605 Still-Ufe. 

Born, Amsterdam. 
The greatest flower painter of Holland in his day. 

606 Flowers. 

pYT (John) 

Born, Antwerp, in 1625. 

607 Still-L.ifc. 

608 Tl^e Pa-rrot. 



f^^IBERA (Josepb) 

Pupil of Caravaggio. 

609 Sziipt J^erorp^. 



P^OSA (S2ilV2itore) 

Born, Naples. Pupil of Spagnoletto. 

An illustrious representative of the Neapolitan School, he achieved 
renown both in landscapes and battle pieces. 

6 10 Hca.«J of Sarpson. 



and International Exposition. 133 



^AN BREE (T.) 
6 1 1 /^zirKct Sc^n^ by T^oopligbt, 



^ORREGGIO (Antooiei D.) 

Born in 1494 and died in 1534. Pupil of Francesed Bianchi. 

Correggio was one of the greatest of Italian painters, noted for the 
warmth and luminosity of his coloring, for his remarkable powers of ideal- 
ization and his rare ability to give sensuous form and expression to a men- 
tal state. He has been called a musician among painters. His scope of 
subjects was broad. He is best known by his religious pictures. His 
Madonnas are vibrant with light and exultation, and are exceedingly beau- 
tiful. His ' ' Reading Magdalene," which has been so frec[uently engraved, 
and his "Night," in which the stable at Bethlehem and its holy occupants 
are bathed m effulgent light from the Christ Child, are among the art 
treasures of the Dresden Gallery. 

612 Sbowins: Josepb'5 Coa.t to w?a.cob, His Fa.tl)^r. 



L^l-Y (Sir Peter) 



Lely was knighted by Charles II, and it was for that king that he 
painted, his famous series of Court Beauties. His portrait of Cromwell is 
the only one that is considered of historic value. 

613 Portra.it of A\a.<Ian7 Le Brup. 



gERGHEfi (riicbolzis) 
614 Crossing tl)e BrooK. 



134 Tennessee Ceiitennial 



f^EA\BRAr<DT (V2ii> Ryp) 

Born, I,eyden, 1606. 

6 I 5 Saiot Pa.ul. 



6 I 6 Fruit. 



IiBNT BY PENNSYLVANIA ACADEMY OF 
FINE ARTS. 



|-JHRA\Ari5 (Cbe^s.) 



Awards and Honors : Belgium Gold Medal, Brussels Salon, 1869; 
Chevalier of the Order of Leopold, 1875 ; Chevalier of the Order 
of Frances Joseph, of Austria. 



6 I 7 Tt)^ A\2isqu^ BziII* 



Presented to the Pennsylvania Academy of Fine Arts by Joseph 
K. Temple, 1882. 



6 18 Ip tb^ Wa^sbbous^. 
619 A L-a. Bua.p«ierc^. 



and Inter natio7ial Exposition . 135 



LENT BY MRS. E. E. SNOW 



Borjz, 1 714. 

620 CI^3slc:al L.ai7cIscA.pe. 



q^EfilERS (DeiVid) 

Born, Brussels, 1610. 

62 f Gypsies D^.i7cii7$. 



^ARfiETT (Wro. A\.) 

Mr. Harnett was brought to America when a year old, by his parents, 
and was educated in Philadelphia. He opened studios in New York City 
and in Philadelphia, where he painted the pictures that have made him 
famous. He was a minute observer, remarkable for truthfulness of form 
and color. 

622 Beicbelor's Corpfort, 



LENT BY E. O. SNOW. 



gfiOW (E, T2iylor) 

623 Cboic^ Fruit. 



136 Ten7iessee Centennial 



LENT BY EDWARD TAYLOR SNOW. 



P^APHAEU (Sapzio 



(Attributed.) 

Born at Urbino, March 28, 1483, on Good Friday ; died at Rome on 

Good Friday April 6, 1520. A pupil of the religious school of 

Umbria. 

Raphael is best known by his numerous series of Holy Families, in 
which he blends with marvelous power the beauty and grace of the human 
with the love and majesty of the divine. Besides his religious pictures he 
included in his scope subjects from mythology and history. His " Sistine 
Madonna," in the Royal Gallery of Dresden, is the most noted painting in 
the world of art. His " Battle of Constantine " opened the way to secular 
historical paintings. Though not considered by many to be equal to 
Michael Angelo and I,eonarda DaVinci in creative genius, he ranks with 
them as a dominating personality in the art of the sixteenth century. 

624 Hezid of St. Peter. 



LENT BY LAURA E. SNOW. 
pROUT (5zirr)uel) 

Born, Plymouth, 1783 ; died in 1852. Self-instructed. 
Member of the Water Color Society in I^ondon. 

A water color painter noted for his originality, vigor and breadth of 
treatment. He excelled in painting the picturesque. His pictures of 
ruined towers, of ancient cathedrals, and of picturesque architecture in 
general on the continent, are unrivalled in quality. 

625 A\2irKet 5cei?^. 

(Water color.) 



LENT BY SAMUEL WANAMAKER. 



glSSEL-L- (Edgz^r Julmr?) 



626 Portra.it of l\r%, Elizzibetl) Desbon Wa-parpziK^r. 

(Hon. John Wanamaker's mother.) 



and International Expos itio7i. 137 

gECHTEU (D. BJ 

627 Portra.it of Hop. J^o^O Wa-oarpa-K^r. 



LENT BY IDA WAUGH. 



^AUGH (P. J.) 



-5or«, Bordentown, N. J. Pupil of Jules I^efebvre, Paris, and 

Bouguereau. 
Member of Philadelphia Art Club. 



628 Carbis Bay, En^lap^i, 



LOANED BY 
ALXJMNI OF VANDERBILT UNIVERSITY. 

SCUI,PTURE. 

629 Bust of Lai7<ioo Cabell Garland, 

(Chancellor of Vanderbilt University.) 



PITTSBURGH LOAN, 



LENT BY EDWIN W^. SMITH. 
^^J'/Vl-DO (Geo. Burrette) 

Born, Danielsori; Conn. Pupil of Jean Paul I^aurens. 

630 Portra.it of Worpao in Gr^eo. 



LENT BY JOSEPH R. WOODWELL. 
I^AIUnAfi (A\rs. J. R. Woodwell) 

631 ^rr}erica.n Beauties. 

632 Portrait of A\r5. H. 



^HARTFlAfi (Tbeobeild) 

Born, Besancon. Pupil of Cabanel. 
Exhibited at Salon, Paris, 1877. 

633 Portrait of J. R. WoocIwelU 

(138) 



CINCINNATI LOAN. 



LENT BY MRS. LAURA ALDRICH. 



pORTUfiY (A\ziri2ino) 



Born, Reuss, near Barcelona, 1838 ; died 1874. Studied at the Acad- 
emy of Barcelona. 
Chevalier of the Order of Charles III. 

" What Chopin is to music it appears to us that Fortuuy is to art, and 
both of them have more of the Gypsy wildness and strangeness of Spain 
in their works than of the sweet, classical composure of Italy, or the sharp, 
graceful esprit of 'France.'"— Aft Journal. 

634 5p^pi5f7 Wornan. 



LENT BY MRS. O. AVERY. 

\pHRBOECKHOVEfi (Eugepe Josef 



Born, Warneton, in West Flanders, 1799 ; died in Brussels 1881. 

Son and Pupil of the Sculptor Barthelemy Verboeckhoveu. 
Chevalier of I^egion of Honor ; member of Orders of I^eopold of 

Belgium and Michael of Bavaria and Christ of Portugal, and 

decorated with the Iron Cross 

This artist devoted himself to the painting of animals, and his works 
are so well known in America that they need no description or praise. 



635 Sb^^P* 

636 God.ts. 



(139) 



140 



Tennessee Centen7iial 



LENT BY WILLIAM CALDWELL. 
^EBBER (C. T.) Cincippati 

637 A Winter Trzigc^ay. 



HARP (J. H.) 



CipcippZiti 

No. ii8 East Fourth Street. 



Born, Bridgeport, Ohio. Pupil of Carl Marr, Benjamin-Constant 
and Jean Paul lyaurens. 



638 Ro2i<J to Rotbenberg. 



CPEfiCER (A\2iry) 
639 Autun^o. 



Cipcippziti 



LIMD5AY (T. C.) 

Born, Cincinnati, Ohio, 1842. 

640 Sbeep FoM in ^yi^ter. 



CipcippZiti 



^ARL- (Kzite A.) 

641 Fzitzilist. 



CipcippAti 



and International Exposition. 



141 



QRAKH (Wro. HJ 
642 Sa.p<dy HooH. 



CipciopZiti 



gUUL-lVAfi (E. I.) 
643 Ho Pla.ce L.iH^ Horpi?, 



LENT BY CINCINNATI MUSEUM ASSOCIATION. 



ICKMEUL- (Wrr). L-.) 



Paris, Frzipce 



^o^/z, Boston, Mass. Pupil of J. I^. Gerome. 

A wards and Honors : Honorable mention, Salon, Paris, i88o. Silver 
' Medal, Boston, i88i ; Gold Medal, Boston, 1884 ; Medal, World's 
Columbian Exposition, Chicago, 1893 ; Gold Medal, Salon. 
Paris, 1895. 

Member of the Royal Society of British Artists and Society of Amer- 
ican Artists ; Associate of the National Academy, New York. 
Has paintings in the Metropolitan Museum of New York; 
Pennsylvania Academy of Fine Arts, Philadelphia ; Carnegie 
Art Gallery, Pittsburgh ; and Walker Art Gallery, I^iverpool 
England. 



644 En Provence. 



QUVEflECK (FrzioK) 

Born, Covington, Ky. 

President Society of Western Artists. 

645 H^a«a of a. Boyc 



646 



Portrait. 

(William Adams.) 



142 Ten7iessee Cente7inial 



LENT BY ALEX. McDONALD. 



pARfiY (H. p.) 



studied in Munich. 

Member International Jury of Award, World's Columbian Exposi- 
tion, 1893. 

For drawing, composition, color and correct detail in painting a pic- 
ture, but few artists equal Farny. 

647 Depa^riure of tbe Wz^r Pzirty, 

Photographic accuracy and historic interest lend their value to 
this well painted scene of Indians in their war trappings, and 
mounted on little ponies, issuing from a canon in Colorado. 



V 



LENT BY JOHN RETTIG. 
AN L-OO (L-eoi?) Cipciopati 

Chamber of Commerce. 
Born, Belgium. 

Member of the Board of Trustees of the Cincinnati Museum and 
Art Academj' ; President of the Cincinnati Art Club. 

Mr. Leon Van Loo is a well known portrait painter of Cincinnati, and 
holds a recognized position as a connoisseur in all matters pertaining 
to art. Art Commissioner for Cincinnati of the Tennessee Centennial 
Exposition. 

648 Burgarpeister of Zootev,r».i. 



LENT BY JOHN G. SCHMIDLAPP. 

gERTZlK (A.) 
649 Portra.it. 



and Internatio7ial Expositioyi. 143 



LENT BY F. TOUCHFABER. 
I^/VRMHTTE (WilliZiro) 

(See Philadelphia loan collection.) 

650 Tb^ Ol<i Violin. 

"Perfect finish, matchless color, and absolute correctness of 
detail are commanding features of the most remarkable picture 
that has ever been shown in an exposition gallery. It may seem a 
strain upon the truth, but it is a fact that an oflScer had to be placed 
on duty behind the rail to keep inquisitive and skeptical spectators 
from attempting the removal of the newspaper scrap -with their 
finger nails." 



LENT BY UNITED STATES CIRCUIT COURT OF 
APPEALS. ( Sixth Circuit.) 

'W'EBBER (Cb2^5. T.) CiT)cii7n2iti 

Born, I^ansing, N. Y. Studied mainly under the advice of John 
Frankenstein. 

Mr. Webber belongs to the Old School of painters, who believe in a fin- 
ished style and polished technique. He has been all his life a close student 
of nature. His picture, the ' ' Longshoreman of the Tesche, ' ' was well hung 
in the Salon, France, 1881 ; probably the first picture so placed from 
America. 

651 Portra.it of Howell E. J^acHsop. (dkckased.) 

(Associate Justice United States Supreme Court.) 



LENT BY JOSEPH L. WAYNE. 



OL- (DZiVicI) 

Born, Antwerp, 1822. 
Belgian genre painter. 



652 The Go55ip5. 



144 Tennessee Centennial. 

^OROENfiE (Henri) 

Born, Valenciennes. Pupil of Abel de Pujol aud Picot. 
A French painter. 

653 Tbe Sz^lute. 
GJTURA\ OL.) 

Born, Boston, 1834. Pupil of Berlin Academy under Eschky ; Prof. 

Gude, at Carlsruhe. 
Medal at I,ondon. 

654 Tt?^ Pet Czit. 
^ICHET L-eop) 

Born, Solesmes. Pupil of Diaz, whose style he has adopted. 

655 French La^o^sca-pe. 

MONFALBT 

656 Tl^e Secrctz^ry. 

gCHENDEL- (Petrus Vzip) 

Born, The Hague, 1806. Stuied in Amsterdam, Rotterdam and. 

Antwerp. 
Flemish genre painter. 
Awards and Honors : Medal at Paris, Holland and Brussels. 

657 TAzirK^t in Antwerp. 



LE3NT BY A. WETZEL. 
^EURER (C. A.) Cincinnati 

658 A\y Pa^s5port. 



CHICAGO LOAN, 



LENT BY THE ART INSTITUTE. 



jgRETOfi (Jule^) Pas-de-Clois, Fmnce 

Born^ Courrieres, in 1827. Pupil of Drolling and Devigne. 
Officer of the lyCgion of Honor. 

" I^ess serious than Millet, more in the spirit of the artist and less in 
that of a moralist or prophet of lamentation, Jules Adolpe Breton, born in 
1827, has reached a very high position as a painter of landscape and peasant 
life. More than most landscape painters of France since Claud I^orraine, 
he infuses cheerfulness into his pictures of nature. Painting the same 
country, the same fields and skies as Millet, and alike with him regarding 
the values, he has the faculty of imparting genial warmth to his daylight." 

659 Tt)^ Sb^Pb^rcI's Stem 

(Presented by Phillip D. Armour to the Chicago Art Institute, in 



|-|ARRISOfi (Alex2ii7cler) Pziris, Frzipce 

(For biographical sketch see Section i.) 

660 L-es Arpa^t^urs. 

(145) 



146 Tennessee Centennial 



LENT BY MRS. ADELAIDE DAWSON. 
'yiTIAfi (Tizmoo Veceliio) 

Born^ Codre, 1477 ; died at Venice in 1576. 

There is no form of art that Titian did not essay. He painted with a 
broad, bold brush, with grand free forms and distinct colors. Two classes 
of nature courted his pencil — landscape and portraiture — and in each he 
has revealed to the world treasures of truth and poetry not worked out 
before. He excelled in beauty of women, dignity of man, artlessness of 
childhood, and in devotional pictures, many and all grand, if not sublime. 

661 Holy Fzirpily. 



PRANCIA 

*- (Properly Francesco di Marco di Giacomo Raibolini.) 

Italian painter of the Bolognese School. 

Born, Bologna, 1450 ; died there in 1517. 

662 Holy Fzinjiiy. 

The Virgin and Child, with St. Francis, St. Anthony, the her- 
mit, and an angel. From a palace in Bologna. 

(Removed by Arthur Dawson, of Chicago, from its original pear- 
wood panel, which had been much bored by insects, and transferred 
to canvas in 1895.) 



LENT BY JAMES P. GARDNER. 
0OUTIBOA\E (Cb2is. Hdwzirc!) 

663 Tbe L.i5tei7^r. 

^1UUEA\5 (Florept) 

664 TI7C Fzivoritc. 



and Ifiternatiofial Exposition. 147 

LENT BY MRS. CARRIE D. KENNEDY. 
^OUl-A\OUCHE (August) 

Born, Nants, 1829, and died in Christiana in 1890. 

He was a genre painter, and ranked amongf the leading artists of France. 
His subjects were for the most part Parisian women of fashion transformed 
by his fancy into heroines of romantic or dramatic situations. 



665 Foi7<I Rcrr}en7bra.i7ce5. 



j^ONHEAUR (Rosa) 

Born, Bordeaux, 1832. Was a pupil of her father, Raj^mond Bon- 

heaur. 
Awards and Honors : She received medals in 1845, in 1848, in 1855, 

and in 1867, from Exposition Universal. In 1865 she was elected 

a member of the I^egion of Honor. 

She is ranked by many as the greatest animal painter in France. Her 
style is masculine m vigor, broad in scope and dramatic in treatment. 
The picture for which she is most noted is the " Horse B'air, " which, when 
exhibited in France, created a veritable sensation. It is now the property 
of the Metropolitan Art Museum, of New York. 

666 Eota.n5:!e«i. 



n 



EISSO/HIER (Je2ii7 Loui? Barnest) 

Born , I^yons, 1815. 



First a genre painter, whose style is admired for its microscopic care 
and distinctiveness. His compositions are exquisitely finished and show 
careful perception of character ; they are often extemely dramatic. I^ater 
in life he dedicated his brush to Napoleon I ; he ranks among the great 
military painters of France. 

667 The Pbilosopb^r. 



148 Tennessee Ce'ntennial 



LENT BY MAX KUEHNRICH. 
QEBEREIfiER (George) 

Born, Cincinnati, Ohio. 

668 Henrietta.. 



LENT BY R. HALL McCORMICK. 

Mr. R. Hall McCormick is one of the capitalists of Chicago who, althoug-h 
occupied with his immense business interests, finds time to devote to art 
and art matters. He is one of the trustees in the Art Institute, Chicago, 
and has, perhaps, the finest private collection of portraits by the old 
Knglish masters in the United States. He has always been most generous 
in lending his pictures to public exhibitions. The four valuable pictures 
sent to the Centennial are representative of his collection. As Commis- 
sioner for the Centennial, he has contributed much to the success of the 
exhibit of pictures from Chicago. 



pHlL-L-IPS (Tboro2i5)f R. A< 



A distinguished portrait painter of London, contemporary with I,aw- 
rence and Hopper. Was extensively employed to paint the men of genius 
and talent of his day. 

669 Portra.it of Tborpa.^ /^oore. 



LAWRENCB (Sir Tborpa^) 

Born, Bristol, 1769; died in 1850, 

President of the Royal Academy, and knighted in 1820. 

The portrait painter of the beauty, the genius, and the royalty of his 
time. His pictures commanded fabulous prices. He lived in splendor and 
was the recipient of princely honors at all of the Courts of Kurope, which 
he visited in order to paint portraits of their representatives. 



6 70 Portra.it, Ca^pova. 



and l7iternatio7ial Exposition. 149 

P^OA\riEY (George) 

Born, Beckside, in I^ancashire, 1734 ; died, 1802. 

" The best works of Roraney are historical incidents and portraiture- 
His female portraits are lovely, the figures resembling the antique. His 
method of painting was simple and solid, and his colors stand well." 

67 1 Portra.it, /Mexzip^aer Blair. 



Qv\^ ( Jobo) 

Born, 1761 ; died 1807. 

Painted romantic and historical subjects, illustrated the Bible aud works 
of English poets. His paintings are life-like and vigorous. 



ySA ORL-A/HD (George) 

Born, I^ondon, 1763 ; died, 1884. 



Mr. Morland selected pleasing, if homely, subjects for most of his pic- 
tures, and his execution is always light and dexterous. As a painter of 
rustic subjects he has attained almost unexampled popularity. 

GTO'A Portrait of H. Wright, Esq. 

^ Born, Zanden, Holland, 1838 ; died, 1888. Pupil of Peter Frederick 
Von Os. 
"Was a member of the Dutch Society of Arts and Sciences and the 
Societe des Aquarellistes Beiges, and a Knight of the Order of 
I,eopold. 
Awards atid Honors : He received Medals at Philadelphia, Amster- 
dam, Vienna, Antwerp and Paris. His works are in the Rijks 
Museum at Amsterdam, and in many of the leading private 
collections of modern pictures. 

Mauve is the poet painter of the rural life of Holland. He is a lover of 
animals, and of the serious, overburdened peasantry of his native land. 
He is a master of atmospheric effects and of harmonies in gray, brown 
and yellow. 

673 Sheep. 



150 Tejinessee Cejiteiinial 



n 



ULL-ER (Willi2in7 K) 

Born, Bristol, in 1812 ; died in 1845. 



674 O^iaiisque, 



n 



ETTL.ING (L-ouis) 



Born, Dijon, France, of Knglish parents. Studied at I'EJcole des 
Beaux Arts, I,yons and with Cabanell, Paris. 
Awards and Honors: Honorable mention, Paris, 1888; Exposi- 
tion Universelle, Paris, 1889. 
Member of Societe des Artistes Francais. 



675 Street Gzirpii?. 



LENT BY POTTER PALMER. 
f^AFPAEL-L-l (J. T.) Paris, Frzipce 

Born, Paris. 

Awards and Honors : Honorable mention, Paris, 1885; Legion of 
Honor, 1889; Gold Medal, 1889; Order of Leopold. 

Raflfaelli, the painter of the common people, who has been called the 
journalist amon^ artists ; he depicts the transient types of the hour. He is 
noted for his individuality and power as a characterist. 

676 Etr2itot. 



and hiternatioyial Exposition . 151 



LENT BY JOHN BARTON PAYNE. 

Born, England, 1783; died, 1872. 

€77 Fortrziit of Cbief Justice Joiyr) ^\a.rs^>aIL 



LENT BY JOHN IRVING PEAROE, Jr. 
f^ElD (Robt.) New YorH 

Born, Stockridge, Mass. Pupil of Boulanger and I,efebvre, Paris. 
Awards and Honors : Medal, World's Columbian Exposition, 1893; 
Special Medal for Decoration, World's Columbian Exposition. 

678 Bl^ssipq tb^ Bozits. 



^OUR5E (Elizabetb) 



(See Section i.) 

679 Goo^ Fridziy. 

(Rome.) 



LENT BY MRS. ISAXJRE PEEL. 

DEEL* (P^Ul), DECEASED. 

Born in lyOndon, Canada. Studied at Pennsylvania Academy of 
Fine Arts, later in Paris. Pupil of Benjamin-Constant, Doucet 
and I,efebvre. 

680 T\)^ Twins. 



152 Tennessee Centennial 



LENT BY J. H. S. QUICK. 
|30UGUERE/\U (Willmrp fK.) Peiri^ 

Born, L,a Rochelle, 1825. Pupil of Picot. 

Awards aad Honors: Prize of Rome, 1850; Medal 1857; Medal, 
Exposition Universelle, 1855 ; Legion of Honor, 1859 ; Medal, 
Exposition Universelle, 1867; Memberof the Institute of France, 
1876; Officer of the Legion of Honor, 1876; Medal of Honor, 
Exposition Universelle, 1878 ; Knight of the Order of Leopold,^ 
1881 ; Grand Medal of Honor, 1885 ; Medal of Honor, Antwerp, 
1885; Commander of the Legion of Honor, 1885. 

"Bouguereau always exhibits three qualities which justify his reputa- 
tation, knowledge, taste and refinement." — Rene Meynard. 

681 L-e Dejeuner. 



LENT BY W. SCOTT THURBER. 



pOKITIiHOW (Ivan) 



Born, Odessa, Russia. Pupil of Studio, Paris, France. 

Awards and Honors : Medals and honors at many exhibitions in 

Russia, Germany and France. He is called the Meissonier of 

landscape painters.- 



682 Tbe Village Roz^^a, 



n 



AGRATH (Willi2irr)) 



Born, Cork, Ireland. Studied in New York. 
Member National Academy of Design. 



683 Tbe Vintz^s:^ Dance. 



a7id l7iternatio7ial Exposition . 153 



LAriGEE (Georges) 



Born, Montvilliers, France. Pupil of his father, Pils and I^ehmann. 
Awards and Honors : Third-class Medal, Salon, Paris, 1881 ; Bronze 

Medal, Universelle Kxhibition, Paris, 1889 ; Hors Concours. 
Member of the Society of French painters. 



^84 Tl)^ St)epb^r«aess. 



LENT BY UNION LEAGUE CLUB. 



Born, Paris. 

One of the leaders of the Impressionist or " I,uminist " School. 

Monet represents nature in her conditions of power and energy. He 
sees her in the gigantic and grave aspects, he feels her poetry and empha- 
sizes it. The greatness of things siezes upon him. His soul vibrates at the 
shock of temptests, the thunder of seas, and is attracted by the massive 
outlines of rocks. — Georges Lecompte, U Art Impressioniste. 

685 5pri05ti"7e, 



gRIDGEA\Ar( (FredericH A 
686 A Hot Bzirgziio at Cz^iro. 

(See Section i, American Artists.) 



.) 



154 Tennessee Centennial. 

LENT BY EDTVIN WALKER. 
^OfiflOH (Robert W.) 

Born, Hartford, Conn. Pupil of Prof. Julian Ack, Boulanger, and 
lycfebvre. 

Awards and Honors : Medal at Universelle Exposition, 1889; Char- 
itable Association Exposition. 

His method is original and unconventional. He secures the most 
astounding effects iu light and color by means as effective as they are 
xmusvial. 

687 Portrait of E«awio Walker. 



LENT BY JAMES B. WALLER. 
^AL.L-ErfDER(W.) StocHbolro, Sweden 



Born, 1821 ; died, \l 

688 Putte. 



pETERSOM (Ai7P2^) Copenb^igei), Den. 

Born, Copenhagen. Pupil of Veggo Johansen, Copenhagen, and 
Gustave Courtois, Paris. 

689 Oi> tb^ Beacb? Hol!a.o<i. 



ST. LOUIS LOAN. 



LENT B7 DANIEIi CATLIN. 
gCHEMCK (A.) 

Born, Gluckstadt, 1828. 

Awards and Honors : Chevalier of the Orders of Christ, of Portugal, 
and of Isabella, the Catholic ; Medal at Philadelphia Salon, 1865. 

6 90 Sbeep ii? Soow Storrp. 



LENT BY J, G. CHAPMAN. 

Born, Leith, 1825. 

A Scotch painter who devoted his brush to iucidents of Irish life, which 
he painted in the golden tone used by Ostade. 

69 I Tb^ Fisherrpzin. 



2iEn 



(Felix) 



Born, Beaume, about 1822. 

Chevalier of Legion of Honor, Salon, \i 

692 Orienta.1 5cen^. 

{155) 



loG Tennessee Centennial 



LENT BY H. H. GREEN. 



^ABAT (Nicoi2iS-L.ouis 



Born at Paris, 1812. 

Member of Institute, and officer of the I^egiou of Honor. 

693 l-&i7<isc2ip^. 

geiGMAC 

694 A Goo«a Story. 
l-JOflOTE/VU (H<?ctor) 

Born, Decize, 1820. 

Chevalier of I,egion of Honor. Exhibited at every Salon since 1855. 

695 Tbe Be^t Hzirvcst. 



LENT BY CHAS. PARSONS. 



P^OBIB (J^Zin Bzvpti^te) 



Born, Brussels, 1821. 

Received Medals at Paris and The Hague ; Chevalier Order of 
I^eopold. 



696 Flowers. 



aJid hiternatio7ial Exposition . 1 57 



^HURCH (P. E.), n. A. 

Born, Hartford, Conn., 1826. 

697 /*\ouot D^5ert. 



A L.VEREZ (y Espipo GopzAloI 

Born, Spain. 

Medal at Philadelphia, 1876. 



698 Tbe Ii7tro<iuctioi7. 



LENT BY R. RUMSEY. 

>f\?on A.) 

Born, Kschweiler (Loraine), 1817. Pupil of Delarosche. 

An artist who laid chief stress on finished and rounded compositions. 
He painted a number of battle scenes in the accepted academic style. 

699 /Vrnericzi. 



^EEKER 
7 00 Swzirpp Scene. 



158 Tennessee Centeruiial 



LENT BY ST. LOUIS MUSEUM OF FINE ARTS. 



QUPRH ( Jule^) 



Born, Nantes, 1812. As a boy he studied design in the Porcelain 

manufactory of his father. 
Debut at the Salon of 1831 ; Medal, Paris, 1833 ; I^egion of Honor, 

1849 ; Medal, Kxposition Universelle, 1867 ; Officer of the lyegion 

of Honor, 1870. 



70 1 \t) tb^ Pzistur^. 

pRAPPA 

702 Czip »^0^ Bzill Plziyer. 

ROSBOOA\ ( JobeiPPe? 



Born, The Hague, 1817. 

Knight Order of I^eopold, and Order of Lion ; obtained Medal at 
Philadelphia, 1876, and Exposition, 1855. 



703 Interior of Church* 

j^RUfiiri (L-eop) 

704 The /Vptiquziry. 



and In ternational Exposition . 159 



n 



AKOVSKY (Vl2idiroir) 

Born, Moscow, 1846. 

705 Tl)^ A\iser. 



J^RUSHITSKY 

706 Nigbt ip Little Russia. 



j^OfilG (Hugo) 

Born, Dresden, 1856. 

707 Oq the River Si<de. 



LOXJISYILLE LOAN. 



LENT BY YOUNG E. ALLISON. 



gOYD (Clzirence) 



Born^ Ironton, Ohio. Pupil of Carolus-Durau and Leon Bouuat, 
Pari';. 



708 Futurity. 



LENT BY MISS HARRIET B. AUDUBON. 



jriA\AN (Henry) 



Born, Utica, N. Y., 1802, died iu 1846. Studied under John Wesley 
Jarvis in New York. 

Mr. Inman Went to Kurope in 1845. Resided in England and painted 
portraits of Wordsworth, Macauley, Chalmers and others. Also genre and 
landscape artist. Portrait of Audubon, the great ornithologist, painted 
from life. 

709 Portrziit of ^u<Iuboo. 

(160) 



Interna tional Exposition . 161 



LENT BY MRS. MARY R. BELKNAP. 



^E/VDOW5 O- E, 



Famous marine painter of I^ondon, Kngland. 

7IO Ya-rrpoutb? Eoqla-pcl. 



LENT BY MISS MARY R. BLAIN. 
OEAL-E (Rerpbreipdt) 

Born, Pennsylvania, 1778. Pupil of his father, and Benjamin West, 
Ivondon. 

Painted from life a portrait of General Washington, purchased by the 
United States Government in 1832. He spent three years in Paris, and while 
abroad painted from life the portrait of the great Danish sculptor. 

7 1 1 Portra.it of Tborw2il5<Jen. 



LENT BY GEN. JOHN B. CASTLEMAN. 
jgRENiMER (Czirl CJ, deckaskd. 

Born, I,auterecken, Rheinpfalz, Bavaria, 1838. Pupil of Prof. Phil- 
lip Froelig. 
Came to America, 1854. 
Member of Am.erican Art Union. 
Celebrated for his beech woods paintings. 

An artist who loved nature, and made her his companion ; noted for his 
beautiful birch woods, of which he made a specialty, and in which he 
excelled all other artists. 

712 Na.turc'5 52^nctua.ry. 

6* 



162 Tennessee Centennial 



LENT BY MRS. RUTH SEVIER COLLINS. 

QiAZ (fi), DECEASKD. 

(See Philadelphia I,oan.) 

Born, Bordeaux, 1807 ; died in 1876. 

Awards and Honors : Received Cross of Legion of Honor. 



713 Forest of Poui>ta.ii7blea.u. 



pRERE (Edw.) 

Born, Paris, 1819. Pupil of Delaroche. 

First exhibited in Salon of 1843, Chevalier of the I<egion of Honor. 

714 AppI^ Cbilclr^i?. 



JfACQUES (Cb^is.) 



Born, Paris, 1813. 

His "R^orks have been much sought after and admired. He received 
many distinctions, among them the Cross of the I^egion of Honor. 

7 1 5 Tbe Al^berpist, 



QOOt\fKtV> (Josepb) 

Born, Brussels. Pupil of Van Hasselaere at Ghent ; De Keyser, 
Antwerp ; and Baron Wappers. 

He was one of the greatest figure painters of the century. 

716 Tl)e D2ipcii>$ Girls. 



a7id International Exposition . 163 



LENT BY JOHN THOMAS COOPER. 
P^EHN (F. K. t\.) 

Born, Philadelphia, Pa. Pupil of Pennsylvania Academy of Fine 

Arts. 
First exhibited in National Academy, 1879 ; awarded first prize for 

marine painting at St. I^ouis Exposition, 1882. 

7 I 7 Nea^r Bziss RocK» Cap^ Ann* 



pHEL-A/H (Cb2^rie5 T.) 

Born, New York City, 1843. Pupil of F. Rondel, Sr., A. N. A., New 
York. 

Began painting at sixteen, but not regularly till fourteen years after. 
Exhibited in the National Academy and other New York exhibitions. 

7 I 8 Sheep Fol^. 



LENT BY MRS. MARGARET R. FOSDICK. 
J^ABA\A\ERHR (FredericK Hei^ri) 

Born, The Hague. Pupil of Gerome. 

Awards and Honors : Received Medal at Paris, 1874. 

7 I 9 TJ)^ Arp^0uei7sis. 



n 



OREAU (A<Iriei7) 



Born, Troyes. Pupil of Pils and others. 
Received Medal in 1876, Paris. 



720 Ti7^ Bir<a Fzipcicr, 



164 Tennessee Cente?imal 



n 



LENT BY FERCIVAL MOORE. 



AYER (Copstaot), A. fi. A. 



Born, Besancon, France, 1831. Studied in the Beaux Arts School in 

Paris, and was a pupil of I^eon Cogniet. 
Awards and Honors: Received Cross of I^egion of Honor from 

Napoleon, 1869 ; elected to N. A., 1867. 

Many of his works have been engraved. 

72 1 Evz^ogeliq^. 



JRWIN (Beijopi) 

Pupil of National Academy of Design, 1863-65, and Carolus-Duran, 
Paris. 

Painted many portraits in New York, Boston, etc., and was drowned in 
1896. He w^as a portrait and genre painter. 



722 A Stitcf) IT) Tin7<?, 



0EARD (J. HJ, n. A. 

Born, Buffalo, N. Y., 1814. 

Painted many portraits of distinguished men, among them Henry 
Clay, Presidents Adams, Taylor and Harrison. He went to New York in 
1846, and was one of the organizers of the "Century Club." He was an 
Honorary Member of the Academy of Design, and elected Academician 

in 1872. 

723 Aft<?r Brezikfzcst. 



^ASTEN (E.) 
724 Tbe Evepiog Pra.yer, 



and hiternational Exposition. 165 



QEUAROCHE (L-.) 

725 Cossa.cH Ca^va.lry% 
Y^^l-L-OMD (R, D.) 



Born, I,ondon, 1848 ; came to America in 1851. Pupil of National 
Academy of Design, William Page, I,. K. Wilmarth and J. R. 
Brevoorth. 

Elected Associate of the San Prandsco Art Association in 1874, and 
Assistant Director of California School of Design in 1877. 



726 A\oui7t Hoo^. 

^OOGARD (W. jr.) 

727 Horses, 



LENT B7 MRS. R. J. MENEIFIiE 

lOriES (H. Boltop) 

*^ (See Section i.) 

Born, Baltimore, Md., 1848. 

728 Tl)e Fl^x BreziK^rs. 



166 Tennessee Centennial 



n 



EHL-IG (Victor) 



Born, Paris, France, 1830. Pupil of Cogniet and Abel De Pujol, 

Paris. 
Came to America in 1850. Klected Member of N. A., in 1870. 

Mr. Nehlig- immersed himself in the study of the early days of Ken- 
tucky, and found work for his brush in the life of that characteristic 
pioneer, Daniel Boone. His picture, besides being- a work of art, carries 
with it a historic value. The artist has reproduced the romance of the 
early days of Kentucky as effectually as it could be done on canvas. 

729 Scei>e5 frorrj t^e L.ife of Dzii^i^l Booqe, 



poORE (Hepry) 

730 Corpipg Storrp. 



QHASBi (Hzirry), A. H. A. 

Born, Vermont, 1853. Pupil of National Academy of Design, New 
York in 1870, 1871, and of the Bavarian Royal Academy in 
1872 to 1875. 

Kxhibited in National Academy in Paris and Paris Salon, 1878, 
Hlected Associate National Academy, 1883. 

Member of American "Water Color Society, Salmagundi and Ameri- 
can Art Union. 

731 L.OW Ti<ie. 



QUARTL-EY (Arthur), A. n. A. 

^^ Born, Paris, 1839. Self-taught. 

Professional life spent in Baltimore and New York. 
Exhibited National Academy in 1875. Klected Associate in 1879. 

732 A\oooH5:bt. 



and Inter?iaiio7ial Exposition . 167 



LENT BY SHERLET MOORE. 



AV 



ORAM (Edwzird), A. ^i. A. 



Born, BoiLwu, I^ancanshire, England, 1829. Pupil of James Hamil- 
ton and Paul Weber. 

First exhibited in Pennsylvania Academj^, 1852 ; elected Associate 
Member National Academy, 1873. 



733 New YorK Bziy. 
gROWfi (J. G.) 

(See Section i.) 
Born, England, 1831. 

734 A -^oipt Investrpcpt. 

pRlCB (Gei). P. WJ 

Borfi, Kentucky. 

Painted many portraits in Lexington and Louisville, as well as numerous 
genre pictures. 

735 En9a^ncipa.t^<J. 



LENT BY MRS. J. LAWRENCE SMITH. 
|-|OWARD (Jo^epbine) 

Born, Henderson, Ky. Studied art in Louisville, and then went to 

California, 
Located in Paris about five years ago, and exhibited in the Salon, 1896. 

736 A\a.^<aa.!er7e. 



NASHVILLE LOAN, 



IjENT by the art committee of the TEN- 
NESSEE CENTENNIAL. 

gECHTEL- (D. B.) Pbil^^^IelpbiA 

(See Philadelphia lyOan.) 

737 Portrz^it of Theodore Cooley. 

Presented by the artist to the Art Committee of the Tennessee Cen- 
tennial, through Mr. "E;. T. Snow, Commissioner for Philadelphia. 



LENT BY MRS. SALLIE A. GAUT. 
P^EA\BRAi^DT (V2ii7 Ryp PziUl) 

Bor7i, I^eyden, 1606 ; died, 1669. Studied under Jacob Van Swanen- 
burg, Pieter I^astman, at Amsterdam, and under Jacob Pinus, 
at Haarlem. 

Rembrandt Van Ryn was the second son of a miller of Iveyden, and 
from the dark interior of his father's mill, partially lighted from above, in 
which he passed his infancy and boyhood, he is supposed to have caught 
the first idea of those contrasts of light and shadow which he afterwards 
carried to such perfection in his art. He was an original genius of the 
highest order, became a painter in spite of all obstacles, imitated no other 
master of his time, and was himself inimitable. He is represented in all 
the notable galleries of Kurope as the head and type of the great art of his 
country at its ripest period. 

738 Tl)^ Jcwist) BaoH^r. 

(Signed upon the left shoulder. ) 

This picture is considered not only a genuine Rembrandt, but 
one of the best of his portraits. 

(168) 



hiternational Exposition. 169 



pULZOfiE (5cipio) 

739 Portrait of A\ziry Stuzirt. 

Painted from life in the year 1568 ; signed on the tight side above 
.the shoulder. 



pERUGiriO 

(Attributed.) 

740 Wing of Trypticb. 

(The Annunciation.) 



LOANED BY 
ALUMNI OF VANDERBILT UNIVERSITY. 

YAWDEL-L (niss) Enid) Pziris, Frzioce 

SCUIvPTURE. 

740>^ Bust of L-a.i>doo Cz^bell Gzirlz^n^. 

( Chancellor of Vanderbilt University.) 



SECTION 3 



F^CDF=?E:i(^rsr 'F^j^ii^n^iJ<i<s^ 



(BKI.GIUM AND HOI,I.AND) 



gAUFFE (V.) Tbe Heigue 

Born, Ath. Pupil of F. H. Weissenbruch. 

Member of the Pulchri Studio, the Hague; Arti et Amicitiae, Amster- 
dam, and the Royal Society of Water Colorists, Brussels. 

741 Drying Fisbiog Mets. 



No. 35 Rue de la Charite. 
Born, Brussels. 

Awards and Honors: Knight of the Order of lycopold ; several 
Medals. 

BeUis paints flowers with extreme delicacj^, and ranks among the fore- 
most flower painters of the world. 

742 Az^Hzis. 

(Flowers.) 



B 



ISSCHOP (Cbristoffle) Hollzind 

Villa Frisia, No. 13 Van Stolkney. 

Born, I^eeuwarden. Pupil of Gleyre, Paris. 

Awards and Honors: Ordersof the lyion of the Netherlands, Frances 
Joseph I^eopold ; Commander of St Michael of the White Falcon ; 
Commander of the Order of Frederic Conrad, Paris, I<yon, Ber- 
lin, Amsterdam, Munich, Vienna and Hague, etc. 

Member of the Water Color Society, Brussels, The Hague, etc. 

743 Cbristeoins: Daiy of tb^ First Bori). 

It is not difficult to recognize the young mother in this quaint 
domestic scene, nor yet the proud father, who has overwhelmed 
their visitor with his account of the wonderful first born. 

(173) 



174 Teymessee Cente7inial 



ROCK (Tbeopbile <Ie) RepHurn 

^^ (Gelderland.) 

Born, The Hague, 1852. Pupil of J. W. Van Borselen. 

Awards and Honors : Medals at Amsterdam, Paris, Berlin, Munich, 

Chicago. Diploma of Honor, Ghent. Cavalier of the Order of 

Michael, Bavaria. 
Member of the Society of Aquarellists, Brussels ; Arti et Amicitise, 

Amsterdam ; Pulchri Studio and the Kunst Kring, The Hague. 

744 The L-2iHc of t^e Bo5ch. 

(The Hague.) 



ROSSB ( Vzvn A^Zirie Bilder^) Tbe Wz.%m^ 

Born, Amsterdam, 1837. Pupil of J. Bosboom. 
Awards and Honors : At Melbourne and Paris, Silver Medal. 
Member of Pulchri Studio ; .Arti et Amicitise, Amsterdam, and 
The Hague Kunst Kring. 

745 In tbe spring. 



ROUDRY (Alois) Antwerp 

Churchstraat, 39. 

Born, Ypres, Belgium, 1851. Pupil of Vicaire De Keyser, Director of 

the Royal Academy, of Antwerp. 
Awards and Honors : Diplomas at Paris, 1889 ; Chicago, 1893; Port 

Adelaide and Welboume ; Medals at Cologne, 1889 ; Dunkerque, 

1891 ; Bordeaux, 1895. 
Member of the Cercle Artistique and "Als Ik Kan," Antwerp. 

746 A Dziy of Rest. 



and International Exposition. 175 



gL-OAVA\ER5 (B. JfJ 5cbeveoii7bep 

Born, The Hague, 1845. Pupil of the Academy of The Hague. 

A wards and Honors : Medals at Amsterdam, The Hague, Brussels, 
Munich, Vienna, Chicago ; Cavalier of the Order of Leopold, the 
Order of the I,ion of the Netherlands, and of the Order of 
Bavaria. 



747 Tbe H^ppy Farpiiy. 

Following the tradition of his country, Blommers paints the 
domestic lives of the Dutch peasantry. This charming picture 
presents a scene of humble contentment, earned by honest industry. 
The coloring is fine, the figures well drawn and expressive. 

M. I/. Littleton. 



^RUNI/i (L-eop) Ai7twerp 

Rue de la Province, Sud, 52. 

Born, Antwerp. Pupil of Charles Verlat. 

Awards and Honors: Gold Medals at Antwerp, 1888; Paris, 1892; 

Munich, 1892; Exposition Universelle, Antwerp, 1894; first Medal, 

Chevalier of the Order of Leopold II. 
Member of the Cercle Artistique, Antwerp ; Professor of the Royal 

Academy of Antwerp. 



748 Tbe Division of i\)e, Spoils* 



749 Ttje Decla^ra-tioij, 

The young lover is pleading his cause with eloquence and with 
success, to judge by the modest consent in the downcast eyes of the 
happy maiden. 



7 50 Cbess Plziyers. 



176 



Tennessee Cente?i?iial 



^ALISSEiHDORPF (A.) Wori^bofei) 



(Bavaria.) 



Born, Rotterdam. Pupil of Royal Academy, Brussels. 
Mem.ber of Pulchri Studio. 
Several Medals. 



751 Service ii? tbe Cburcb a^t RyswyK. 

(Holland.) 

The characterization in this picture is remarkably strong. 



^ASSIERS (H-) 

Born, Antwerp, 1858. 

752 Pa.55a^ge HoIIa.ncIa.ise. 

753 A\arii7^ ep Hollapcle. 



Bru5eIIes-BoIogi7C 

No. 16 Rue de 1, 'Abbie. 



OGEN (Felix) 



Brussels 

No. 12 Rue Ortilins. 



Born, St. Nichols, Flanders. Piipil of Tigigue. 

Chevalier du Ordres der Leopold, Belgium. ; Chevalier de la Legion 
de' Honneur, France. Member of Kumpverein de Bohems. 



754 Heureux ViuUesse. 

(Happy Old Age.) 



The old man's labors are over and he rests contented vrith the 
affection of his comely granddaughter, who reads to him of the 
Promised Land. 



and Internatio7ial Exposition. 177 



QE FOfiGE (J. A.) Tbe Hzigue 

Born, Rotterdam. Pupil of The Hagnie Art Academy. 

Awards and Honors : Silver Medal, The Hague Art Academy, 1890. 

Member of Pulcri Studio, The Hague. 

755 A Uttic A\otber. 



QEKKER (H. A. C) Arnsterd^irr) 

Born, Amsterdam. Pupil of the Royal Academy of Fine Arts, 

Amsterdam. 
Awards and Honors: Honorable mention at I^ondon, 1871, and 

second Medal at Nice, 1884. 
Member Pulchri Studio, The Hague, and honorary member of the 

Royal Society of Aquarellists, Brussels. 

756 Sl)op a.t L-a-ren* 

A young woman leans over a counter, behind which stands an 
older woman carefully weighing her purchase. 



j^KKER (E. C.) L-oos<Iuii?eo 

Born, Kampen. 

Member Haagsche Kunst Kring. 

757 Wioten 



KKER (L-ucie) L.oo5<Iuioen 

Orauje Nassau Street, 174. 



Born, Bergen of Loom. 
Member Haagsche Kunst Kring. 



758 Delft, 



178 Tennessee Centennial 



pARASYN (Edgard) Aptwerp 

Rue Delin, 70. 

Born, Antwerp, 1858. Pupil of Royal Academy of Fine Arts, Ant- 
werp, and at present professor in the same institution. 

Medals, Paris Universal Exposition, 1889 ; Sydney International 
Exposition, 1879; Melbourne International Exhibition, 1880-81; 
Adelaide, 1887 ; Melbourne Centennial and International Exhi- 
bition, 1888 ; Barcelona, Spain, 1888 ; Antwerp, 1894 ; Ghent, 
1883 ; Amiens, 1884, etc. 

759 Tbe Truziots. 



QABRIEU (P. J. C.) FreipheoslZig 

(Shevruingen.) 

Born, Amsterdam, July 5, 1828. Pupil of the Academy of Amster- 
dam ; Chevalier of the Order of I^eopold ; OflQ.cer of the Order 
of Michael of Bavaria ; Chevalier of Order of the lyion of the 
Netherlands ; Silver Medal at Utrecht, 1866 ; Medal Philadel- 
phia, 1876, lyiege, 1871 ; Diploma of Honor, Munich, 1879; 
Medal at Nice, 1893 ; Medal of Honor, Amsterdam, 1883 ; Gold 
Medal, Munich, 1892 ; Medal, second-class, Paris, 1889, Chicago, 
1893 ; Grand Medal, d'or Amsterdam, 1895. 

Member of the Pulchri Studio, The Hague. Honorary Member of 
the Royal Society of Aquarellists, Dordrecht. 

760 Du.tcb I-2inclsc2ipc. 



QILSOUL- (Victor) Brussels 

Rue de I^a Consolation. 

Born, Brussels, 1867. Pupil of Arton Courtens. 
Member of Artistic Club, Brussels. 

761 Auturpn Afterooof), Eoviroos of Brussels. 



( 



and International Exposition. 



179 



Born, Schiedam. 

Member of the Kunst Kring, The Hague. 



Vry^nbau 



762 Dutcb Viliz^g^. 



|^AGEA\AiHS (ns^urice) 



Brussels 



Born, I/iege, Belgium. 

Awards and Honors : Medaille d'Arfaus a I'l^xpositiou Universelle, 

Milan; Chevalier de I'Ordre de Leopold. 
Member Societe Royale des Aquarellists, and Cercle Artistique der 

Brussels. 

763 ^e Troupezio <Je A\ountaios. 



j-|AnEi- ^w. 



Tbe Hzigue 

No. 27 Weimarstraat. 



Born, Rotterdam. 

Awards and Honors : Bronze Medal, International EJxhibition, Crys- 
tal Palace, London ; Sydenham, 1884. 
Member of the Kunst Kring and Pulchri Studio, The Hague. 



764 L-ziodsca^p^ oezir T[}^ Hzigu^. 



Here one is given a glimpse of a typical Dutch landscape. The 
perspective is exceptionally fine — note the old virindmill in the 
distance. 



180 Tennessee Centennial 



|^/VVERA\AN (H. P.) Tbe Hzigue 

No. I Kasuaristraat. 

Born, Amsterdam. Pupil of Allebe. 

Medals, Arti et Amicitial, 1882 and 1883 ; Amsterdam, 1895 ; Ant- 
werp, 1874 ; I^ondon, 1884. 

Member of Dutch Society of Water Colorists, Royal Society of 
Aquarellists, Brussels ; Arti et Amicitiae, Amsterdam ; Pulchri 
Studio, Kunst Kring, The Hague ; and Kunst Kring, Rotterdam. 

765 Dutct) Fezisziot in Cburctj. 

(Over Maas.) 



|»lBRBO (L-eop) Brussels 

No. 282 Rue des Drapiers. 

Born, Templeuve. Pupil of the Academy of Fine Arts, Brussels. 
Awards and Honors : Chevalier of the Order of IvCopold, of Belgium.; 

Gold Medals at Ghent, Cologne, etc. 
Member of Cercle Artistic et I^iteraire, Antwerp and Brussels. 

766 T\)^ Cberry Worpzio. 

OEUI-ER (Edrpun^I vop dcr) Brussels 

No. 15 Rue de la Beauverie. 

Born, Brussels. Pupil of the Academy of Brussels. 
Awards and Honors : Knight of the Order of I^eopold, Belgium, and 
of the Order of Christ, Portugal, and seven Medals. 

767 Fleroisb D055 ^t)^ Ca^rt. 

|i^IfiGA\Afi (Jap) Overscbie 

Born, The Hague. Pupil of Academy of The Hague. 
Member of Pulchri Studio. 

768 A Street a.t Arp^rsfoo^'t* 



and International Exposition . 181 

[■JOGEfiDORPS (Jevcob A. Vzii)) 

'SGra-vepba^ge 

Koninginnege Street, 30. 



Born, Batavia. Pupil of Marguerite Roosenboom. 
Member of Pulchri Studio ; Arti et Amiciiise. 



769 Ros^s. 



|-|U3RECHT (B. GJ T^oVwmo, 5icily 

Borfi, Rotterdam. Pupil of Prof. Allebe, Amsterdam. 
Awards and Honors: Antwerp, Munich, Chicago. 
Member of Pulchri Studio ; Artists' Association of Holland ; Society- 
Artists, Brussels. 

770 Blopcline. 



I^ULK UoY)T) F.) Arpsterdziro 

Second Jan Steenstraat, 121. 

Born, Amsterdam, Pupil of the Academy, Amsterdam ; Phillip- 

oteaux, Boulanger, Lefebvre. 
Medal, Schevennig, Simon Bolivar. 
Awards and Horiors : Honorary member Society of Art, Science, 

Caracao ; Arti et Amicitias, Amsterdam. 

771 R2ice for L.if^. 



}-jYr(ER (/Vrci^d) Wen7eldins:c 

Born, Amhen, 1866. Pupil of De Academic a Antwerpen. 
Member of The Hague Pulchri Studio ; Arti et Amicitise and Kunst 
Kring, Rotterdam. 

772 Ki7ittip5 Girl. 



182 Tennessee Centejinial 



j5RAeL-5 Uosepb) Tbe Hzigue 

Born, Groningen. 

Joseph Israels, the great Dutch master, whom the world delights to 
honor, called the Dutch Millet, from the enthusiasm for the life of peasants. 
The essential individuality of Israels lies in his dramatic power and sub- 
tletj'- in rendering the profound personal emotions of the humble people 
of Holland. His mind gravitates toward the melancholy, although, as 
Durant has said of one picture, that it was painted with "pain and 
shadow," but these others has he painted with "sun and joy," 

M. I,. lylTTLETON. 

773 Fi^aciite. 

(Fidelity.) 

A typical Dutch interior, subdued in coloring, scant in furniture, 
with blackened rafters and huge fireplace, in which a fire is slowly 
burning. The little boy who, in the absence of his father and 
mother, is attending the baby, is a pathetic figure, and the whole 
scene is full of the tenderness and the love of home life character- 
istic of Israels. 



lORDEfiS (D. T. Rj Tbe Hague 

Born, Batavia. Pupil of P. U. D. Belden. 

Member of The Hague Kunst Kring ; Rotterdam Arti et Amicitiae. 

774 Dutcl) Villa.g^ Meair L.eicIeo* 



Born, The Hague. Pupil of Eerelman Robinson. 

Member of Pulchri Studio and 'SGravenhage ; Arti et Amicitiae. 

775 Dziily Toil. 

The Holland artists are fond of painting these quaint interiors ; 
there is a charm in the peasant woman peeling potatoes while she 
watches the huge kettle boiling. 



and International Exposition. 183 



J^OL-DEWEU (B. t\.) Dordrecbt 

No. 65 Vriezestraat. 

Born, Dordrecht, 1859. Pupil of Charles Verlat, Antwerp. 
Honored with two pictures in the Modern Gallery of Dordrecht, and 

one picture in the Royal Gallery, Stuttgart. 
Member of the Arti et Amicitiae, Amsterdam. 



776 Ra^ipy Dziy. 

(Dordrecht.) 



K 



ONING (A. H.) RyswyK 

Near The Hague. 

Born, Winschoten. Pupil of Royal Academy, Amsterdam. 

A wards and Honors : Favored by the Royal Subsidy. 

Member of the Kunst Kring, The Hague ; Pulchri Studio, Arti et 

Amicitiffi, Amsterdam ; Kunst Kring, Rotterdam ; St. Lucas, 

Amsterdam. 



777 Dutch Pa^rrp. 



Born, Temewzen, Holland. 

Awards and Honors: Second Medal, International Kxhibition of 
Antwerp, 1894, for etchings. 

Member of Pulchri Studio at The Hague, Arti et Amicitiae, Am- 
sterdam. 

778 015:5105 Sa^p^ \x) tb^ Hills of Holland, 



184 Tennessee Centennial 



J^R/\/^HR (A\.) 5cbeed2ii7 

^o^«,. 'SGravenhage. 

Awards and Honors : Silver Medal of the D. S. V. V., The Hague, 

1892 ; Diploma of Honor of the same, 1891. 
Member Haagsche Kunst Kring ; Ver D. die V. V., der Hague ; Arti 

et Amicitise. 

779 H^Me. 



l^UYPER5 (Coroelis) RepHuro 

'^^ Villa Maria. 

Born, Gounchen. Pupil of Jan Kuypers. 

Mem.ber of the Arti et Amicitise, the Kunst Kring, The Hague, and 
St. lyucas. 

780 Auturpi). 



J^EDEBOER (K Haps) Rottcr<l2vrr> 

Maaskade, No. 15. 

Born, Rotterdam. Pupil of the Academy of Fine Arts, Rotterdam.- 
Member of the Kunst Kring, The Hague, and the Arsthetic Society,, 
Rotterdam. 

78 I Tb^ BrooK ui>«aer tl7^ Willows. 



I EEnPUTTEN (C. Vzip) Scbe^erbecK 

No. 44 Rue Albert de la Tours. 

Born, Werchter, 1841. Pupil of the Academy of Antwerp. 
Awards and Honors: Chevalier of the Order of I,eopold ; Gold 
Medals, Ghent, 1883 ; Edinburgh, 1886 ; Berlin, 1896. 

782 A\isty t\orv)\T)% ip Auturpp. 



n 



and International Exposition. • 185 



ARIUS (G. UJ Tbe Hzigue 

Borti, Hengeloo. Pupil of the Roj^al Academy, Amsterdam. 
Member of the Pulchri Studio. 



783 1-a.t^ Surprper, 



/»AEL.LI5 



(H.J.) Rotterdan) 



Boni, Rotterdam.. 

A wards and Honors : Several Gold Medals. 

Member of the Academy of Rotterdam. ; Pulchri Studio, The Hague. 



784 Is tb^t bis C^t? 



A home scene — evidently a child's dispute as to whom the cat 
belongs, and a question the mother is puzzled to settle. 



ESDAG (H- W.) Tbe H^v^ue 

Born, Gronigen, 1831. Pupil of Alma-Tadema. 
Medals, Paris, 1870 ; third-class, 1878 ; Exposition Universelle, 1889. 
I^egion of Honor, and member of the French Societe Nationale des 
Beaux Arts. 

Mesdag is a Dutchman of the North of Holland who paints the sea, 
and ranks as one of the first marine painters of the world. Essentially a 
realist, h* renders the life of the ocean with fidelity and strength of 
impression. 



n 



785 A\2irioe Pz^iptiog. 



This splendid scene possesses the qualities so sought after by 
artists — atmospheric effects and luminosity of coloring. 



186 Te7inessee Ceyitennial 



M UILLARD (U. L.) Antwerp 

^ Rue de la Sante J. 

Born, Antwerp. Pupil of N. de Keyser and J. Van X,arins. 
Awards and Honors : Medal at the Exhibition L,ydenham, I^ondon^ 
Member of Cercle Artistique, I^itteraire A. Scientific d'Anvers. 

786 A ^urprper Brca-Kfz^st. 



n 



USIfi (August) Brussel^^ 

No. ii8 Rue de la lyimite. 

Born, Ostend, Belgium. Pupil of his father, Francis Musin. 
Awards and Honors: Gold Medal at Nims, Rouen, New Orleans, 
etc. ; honorary mention, Paris Universelle Kxhibition, 1889, etc. 
Member of Artistic Club, Brussels. 

Mr. Musin is a marine painter of note in his country, and deals ably 
with his subjects, many of which he takes from the coast of Belgium. 

787 A Cain? oo tb^ Sc^eWt. 

(Off Cerneuren, Holland.) 



JWAKKmfi (Wilberr) CzirreO Tbe Hague 

■^ Huggens Street, 22. 

Born, The Hague. Pupil of A. F. Dona. ^ 

Awards and Honors : Golden Medals at The Hague and Amster^ 

dam ; Medals, International Fxhibition, Philadelphia, Nizza, 

Caen, etc. 
Member of Pulchri Studio and Arti et Amicitias, Amsterdam. 



788 Dutct? F2irn7yar<a. 



ayid International Exposition . 1 87 



N 



EUHUYS (Albert) L-zirep 

Near Hilversum, Holland. 

Born, Utrecht, June lo, 1844. Pupil of Craayvanger and Academy 
of Antwerp. 

Awards a7id Honors: Medal at the Black and White Exposition, 
Paris ; Gold Medal, Paris, 1889 ; Diploma of Honor, Amsterdam, 
1883 ; Gold Medal, Amsterdam, 1890 ; Gold Medal, Vienna ; Gold 
Medal, Munich ; Two Medals, Chicago ; Of&cer of the Order of 
St. Michael of Bavaria. 

Member of the Pulchri Studio, The Hague ; Arti et Amicitiae, 
Amsterdam ; Academy of Rotterdam, and the Society of Aqua- 
rellists, Brussels. 

789 By tF)e Crz^^Ie. 

One of those pleasing scenes of the domestic life of Holland, 
which her great artists delight to paint. The baby is asleep, and 
the mother, ever watchful of her darlings, is cutting a slice of 
bread for the other little one who stands before her. 



^Ol-THENlU5 (R. C. T.) Tbe Hague 

Born, Amsterdam. Pupil of Harpigny. 
Member of the Kunst Kring at The Hague. 

790 A Sunny T^oroiog. 

A beautiful sky effect is obtained by the painter. 



QOA\5 (Kzirel) /Vptwerp 

Avenue Van Kyck, 52. 

Born, Demtul. Pupil of De Keyser. 

Awards and Honors: Medal, Amsterdam; Diploma of Honor, 
Port Adelaide ; Gold Medal, Brussels ; Officer of the Order ol 
I^eopold ; Chevalier of the Order of Charles III of Spain. 

Member of the Academy of Antwerp and Prague, Austria. 

791 Spa-oisi) Fury a.t Antwerp. 

The brutality of war is strongly portrayed in this finely finished 
picture. The rich furnishings of the Dutch palaces have become 
the plundery of the soldiery. The fair daughters of the land are 
subjected to brutal insults, or resisting, they are dragged forth to 
execution, as is the fair haired maiden in the picture who prefers 
death to dishonor. 



188 Tennessee Centenyiial 



QFFBNOORTH (Willem) Tbe H^igue 

Born, Amsterdam. Pupil of Alexander Wust. 

Awards and Honors: Bronze Medal at Nizza ; Honorable mention 

at Paris, 1889 ; Silver Medal, Scheveningen, 1892. 
Member of Pulchri Studio, Arti et Amicitise, Amsterdam ; Royal 

Society of Aquarellists, Brussels. 



792 Auturpn. 



QSTHR5EE (H. A. Von) RiJiswigK 

Born, Rotterdam, 1863. 

Member of Pulchri Studio, Arti et Ainicitiae, Amsterdam. 

793 Lziodsca-pe. 



QUDHRAA (Piet Van<Ier) Antwerp 

Avenue Plautise, 56. 

Born, Antwerp, 1841. Pupil of the Academy of Antwerp. 

Professor of the Superior Institution, the Royal Academy of Fine 
Arts, Antwerp. 

A wards and Honors : Received Silver Medals, Sydenham and lyyon ; 
Gold Medals at Antwerp, 1879; Amsterdam, 1883; Medal, sec- 
ond-class. World's Fair, 1885 ; Gold Medal, Lyon, 1893 ; Medal, 
first-class. World's Fair, Antwerp, 1894 ; Diploma of Honor, 
Lyon, 1894 ; Gold Medal, Berlin, 1896 ; Ofi&cer of the Order of 
Leopold. 

Fellow of the Academic Body of the Royal Academy of Fine Arts, 
Antwerp. 

794 Tbe Kiog of Tt)ulc. 

The King- of Thule is a legendary character supposed to reign 
over Thule, an unknown, far distant, or purely myhtical region, or 
even some goal, not necessarily geographical, sought to be attained. 
This use of Thule and (ultima Thule), which was used by the 
Romans to mean the fartherest Thule, runs throughout the litera- 
ture of all the cultivated languages of Europe. 

795 Tbe Holy Farpily. 

This picture is classically beautiful in form and finish. The 
Virgin gazes with ineffable love at the Christ child, who is helping 
St. Joseph with his carpenter work. The hands of the divine boy 
are with his father, but his eyes are fixed with devotion upon the 
face of his beloved mother. 



and International Exposition. 189 



piBTERS (evert) Bleiricurpb 

Born, Amsterdam, Holland. Pupil of Academy Royale d'Anvers. 
Awards and Honors: Medales d'ors, s Avers et e Paris. Salon, 

Champs Elysees. 
Member of Pulchri Studio, I<a Hage, Holland. 

796 /^oooli^bt. 

(Holland.) 



ORTIEL-JE (Edwevrd) Aptwerp 

- Rue du Vannease, 52. 

Born, Antwerp. Pupil of the Academy of Antwerp. 

Several Medals. 

Member of the Cercle Artistique of Antwerp. 



797 Tl>^ Nis:bt Vigil, 



pORTlEUJE (Gerzird) Antwerp 

No, 80 Rue de 1' Harmonic. 

Born, An.twerp, 1856. Pupil of the Academy of Antwerp. 
Member of the Cercle Artistique, of Antwerp ; the Kunst Vwrin for 
Bohmia, Prag, Rudolphinum. 

798 Tirpi^aity. 

A most interesting scene, highly finished and beautifully colored. 



t^IPEL-lfl5 (Betsy) Arnsterdzirp 

■^ Vondel Street, 11 D. 

Born, Amsterdam. Pupil of Greive and Allebe. 
Member of Arti et Amicitiae, Amsterdam. 

799 Pzicking up tl)e i^ovic^. 



190 Tennessee Centennial 

OOfifiER (Hcnriett2i) Brussels 

No. 57 Chaussee de Vleurgat. 

Born^ Amsterdam. Pupil of her father, J. August Knip. 

Awards and Honors : Gold Medals at The Hague, Amsterdam, Ant- 
werp, Paris, Porto, etc.; Medals, Universal Exposition, Phila- 
delphia, Vienna ; Knight of the Order of I^eopold, etc. 

Member of the Arti et Amicitise, Amsterdam ; Fine Arts, Rotter- 
dam ; Royal Society of Aquarellists, Brussels ; the Royal Insti- 
tute of Water Colorists, I^ondon. 

800 Two Frien<J5. 



P^UYSCH (Aletta) Tbe Haigue 

Born^ Den Helder. Pupil of Waldeck Pyrmontkade. 

Awards and Honors: Gold Medal at Antwerp, Silver Medal at 

Scheveninge, first honorable mention, The Hague. 
Member of Arti et Amicitise, Amsterdam ; Pulchri Studio, The 

Hague. 

80 1 Holla.n«d Interior, 



CCHWARTZE (Tberese) Aroster<l2irr) 

Pruisengracht, 1091. 

Born, Amsterdam. Pupil of her father. 

Awards and Honors: King's Medal, City Medal, Amsterdam; 
Gold Medal, Salon, World's Fair, 1889 ; Antwerp, 1889 ; Chicago, 
I^ondon ; Diploma of Honor Ghent, Munich, Melbourne ; 
Knight of the Order of Orange, Nassau. 

Member Arti et Amicitise, Amsterdam ; Pulchri Studio, The Hague ; 
Dutch Society of Water Colorists ; Honorary member of Rotter- 
dam Society. 

802 Dutch Country Girl. 

803 Bri^e ip Ol^ B^ey^rla^r?^. 

(South Holland.) 

The artist has succeeded admirably in delineating the sweet 
simplicity of the young girl, who is dressed in the bridal costume of 
her native country. 



and International Expositio7i . 191 



CJECHERS (Hepry) Antwerp 

No. 96 IvOugue Rue Neuve. 
Born, Antwerp, 1846. 
Member of the Cercle Artistique of Antwerp. 

804 Corner a-t Terrnon<ae. 

(Rainy day.) 

805 Street a.t W^s^rpziz^I. 

(Nightfall.) 



CIA\OiHS (J. Frei05) Bmsscb^et 

Villa Rubens (near Antwerp). 

Born^ Antwerp. Pupil of the Royal Academy of Antwerp. 

A wards and Honors : Medals at International Exhibition, Amster- 
dam, 1883 ; Port Adelaide, 1888 ; Barcelona, 1888 ; Paris, 1889. 

Vice President of the Royal Art Society of Antwerp ; The Cercle 
Artistique, 

806 Tbe Evei7ir>5 of Wa.t^rIoo. 

(June 18, 1815.) 



CL-UITER Uai7 Willizirn) Zwyr?<Irecbt 

^^ (Near Dordrecht.) 

Bor ft, Amersfoort. PupU of the Royal Academy of Fine Arts of 

Rotterdam and The Hague. 
Awards and Honors : Silver Medal at the Academy of Rotterdam 

and The Hague. Painting in the Royal Gallery at Dordrecht. 

BO 7 Tb<? Ox. 
BOS Tbe Spiii5ter. 



192 Tennessee Centennial 



CJTACQUHT (Henry) Brussels 

No. 45 Rue des Palais. 

Born, Brussels. Pupil of the Royal Academy, Brussels. 

Awards and Honors: Gold Medal at the Universal P^xposition, 
Amsterdam, 1889 ; Port Adelaide, 1887 ; Barcelona, 1888 ; Paris, 
1891 ; Chevalier of the Order of I^eopold of Belgium. 

Member of the Royal Society of Aquarellists. 

809 Ca^oa.! a.t Uey^aeq. 
8 I O /A.oooiis:bt» 

(Rotterdam.) 

8 I I Cozist of Ka.ta.vyK. 



^ADEA\A (P.) Egroopcl 2i<I Hoef 

Born, Bandar, Sumatra. Pupil of Academic von Beeldende Kunst 

te Amsterdam. 
Mem.ber of Arti et Amicitiee, Amsterdam. 

8 I 2 Surprpcr. 

A natural Dutch scene, forceful and full of effect. 



rjTERBeRGER (P. R.) Brussels 

^■^ No. 44 Kneda. 

Born, Tyrol, Austria, 1838. Pupil of Achenbach, Dusseldorf, and 

Zimmerman. 
Awards and Honors : Chevalier of the D'Ordre P'rances Joseph, 

P^mperor of Austria. 
Member of Artists' Societies, Vienna, Munich, and Brussels. 

8 \ 3 Rivcria «Je /Naples. 

A glimpse of Naples in one of her enchanting moments of 
supreme loveliness, is shown in this well-painted picture. 



a7id International Exposition. 193 



Nieuwe, Haven Street, 34. 

Born, lyeemvarden, 1864. Pupil of Cluysenaer, Brassels, and Cor- 
mon, Paris. 

Member of The Hague Kunst Kringf; Arti et Amicitise, Amster- 
dam ; and St. I^ucas, Amsterdam. 

8 I 4 Thrc^ f^egroes of tF)^ Dut^I? Colonies* 



Von DUALHOFP (H- A.) L-oosduipeo 

Born, Hi 

8 1 5 Pz^storeil. 



(Near The Hague. 
Born, Haarlem.. 



Koningin Kmitaa Kade, 46. 

Born, The Hague. Pupil of Academy of Art at The Hague. 

Awards and Ho7iors : Silver Medal and First Prize at the Academy. 
Member of Pulchri Studio, Royal Society of Aquarellists at Biussels. 

8 I 6 Fisi7Worr}a.r>. 



JIGGERS (DirK) Veip 

Born, Amersfoort. 

Member of the Arti et Amicitise and the Kunst Kring, Rotterdam. 

8 I 7 Surnrpcr EvepinSl* 

A typical Dutch scene, with the regular landscape and the pic- 
turesque cottage peculiar to the peasantry of Holland. The sky is 
unique and effective. 



SECTION 4 



F^cdf^:e:i<s]m I=^j=LiisinriNr<=^ 



(NORWAY, SWEDISN AND DENMARK) 



(195) 



ySy^CHEfi (G.) Copenb^igen 

No. II Ivindevanger. 

Born Fredericksend, Denmark. Pupil of P. S. Kroger. 

Awards and Honors: Honorable mention, Paris, France; honor- 
able mention, Berlin, 1891 ; Exhibition Medal, Copenhagen, 1890; 
Gold Medal, second-class, Munich, 1892. 

818 After Rziip. 

A mid-summer scene into which the artist has succeeded in 
diffusing a delightfully cool effect. 



A RBOREL-IU5 (O.) StocKboIrp 

^ No. 20 Riddaregatan. 

Born, Dalecarlia, Sweden. Pupil of The Academy of Fine Arts in 

Stockholm. 
Awards and Honors : Knight of the Order of Wasa ; Medals in 

London, 1884, at Chicago, 1893. 
Member of the Royal Academy of Fine Arts in Stockholm. 

819 Czittl^ /^2irK^t IT) Spring. 



gEHA^ (Wilbelro) 5tocHbolro 

Born, E)rvalle, Vestmauland, Sweden. Pupil of Royal Academy 

Fine Arts ; Direction of Bonnat, Paris. 
Awards and Honors : Medals at Academy Fine Arts, Stockholm. 
Member of Society of Swedish Artists. 

820 Sprip^tirn^ Ev^oipg. 

(197) 



198 Tennessee Centennial 

QlRlKS (Edvzircl) Cbri5ti2iP2i 

No. 35 Karl Johannes Gage. 
Born, Christiana, Norway. 

82 f Crossing tJ)^ Oc^a.17. 



tJANSEN ( Josepb Tbeodore) Copcpb^igep 

No. 3 St. Anna Plads. 

Born, Randers. Pupil of Royal Academy in Copenhagen. 
Member of Committee for the Exhibition of Danish Art in America 
and the Societies in Copenhagen. 

822 TJ)^ Bou<doir of Her /^^Jesty, Queen of DeornzirK* 

Hansen excels in refinement and detail. In the picture which 
he sends to us he has painted the numerous photographs that are 
hung in the boudoir so well and so minutely that the likenesses are 
easily recognized. His preference is for interiors of churches and 
cloisters. 

823 Fredepborj. 

tJERA\EL-IM (Bziron) Ostcrby 

* ( Folkesta, Sweden.) 

Born, Smaland, Sweden, 1827. 
Medal, Philadelphia, 1876. 
Agree of the Royal Academy of Fine Arts, Stockholm. 

824 Tbe Porg^. 

The coloring of this picture is especially fine. Hermelin was 
Commissioner to the Philadelphia Centennial from Sweden, and 
ranks as one of the foremost artists of his country. 



|-|OL-A\BOE (Tborolp) Cbristmnsv 

Born, Nordland, Norway. Studied at Christiana. 

825 DyveK^, 



and hiteryiational Exposition. 199 



lOHAfiSSOfi (CaH) StocKbolrt) 

*^^ Bergsgatan, 25. 

Born, Hernosand, Sweden, 1865. Pupil of the Academie of Fine 
Arts in Stockholm. 

A wards and Honors : Honorable mention at the Universelle Exhibi- 
tion in Paris, 1889. 

Member of the Swedish Artist Club, the Association of Swedish 
Artists, the Association of Swedish Painters in Stockholm. 

826 Supset a.t tt)^ West Court of Swe<aen« 



l^Al-l-5TErilUS (G.) 5tocKboIro 

^^ Dav. Bagaresgate. 

Born, Vestvork, Sweden. Pupil of Royal Academy of Fine Arts. 
Awards and Honors : First and second Medals of Royal Academy 

of Fine Arts, Stockholm ; second Gold Medal at Munich. 
Member of " Swedish Painters," Society of Swedish Artists. 

827 Evening zit Villa. d'Este, Itzily. 

A romantically beautiful scene ; a summer evening in the charm- 
ing Villa d' Este. Down the stairway the Acolytes are swinging a 
perfumed censer, while, from the balustrade of a stone balcony, the 
young Countess, mistress of the Villa, takes in the beauteous sun- 
set, the vesper hymns and perhaps the coming of the chosen one. 



No. 15 St. Glasbruksg. 

Born, Stockholm. Pupil of Academy of Fine Arts, Stockholm. 
Awards and Honors : Medals (third-class). Salon, 1893 ; Gold Medals, 
Paris, World's Exhibition, 1889 ; Chicago, 1893 ; Berlin, 1896. 

Mr. I^arson is one of the most original of the Swedish artists. He imi- 
tates no one in style and treatment. 

828 lo tbe Gzird^p. 



200 Tennessee Centennial 

No. 42 Fredericksborggade. 
Born, Fredericksvork, Denmark. Pupil of Royal Academy at 

Copenhagen. 
Awards and Honors : ^^xhibition Medal, Copenhagen. 

829 Children's A^ylun?. 

A figure painter and well-known illustrator of books and maga- 
zines is the painter of this picture, in which the matron of the 
Orphan's Asylum is dosing out medicine which, to judge by the 
little faces, is not very palatable. 



LIWDA\Afl (Alex.) StocHbolro 

No. 25 Tumelgatan. 
Born, Gefee, Sweden. Pupil of Royal Academy of Fine Arts. 
Awards and Honors : Agree at Royal Academy, Stockholm ; honor- 
able mention at Paris. 

830 Suoligbt 2^t Czipri. 

(Italy.) 



LUiHDBERG (Robert) StocKboIro 

No. 25 Gamla Kingsholmsbrogatan. 
Born, Stockholm. Pupil of Royal Academy of Fine Arts at Stock- 
holm. 
Member Swedish Painters, Society of Swedish Artist. 

831 Auction of Sa.ln7op5. 

AA Al-^\STROA\ (August) StocKboIrr) 

^ No. 3 Nukthormsgatan. 

Born, v., Ny., 1829. Pupil of Royal Academy of Fine Arts. 
Professor and Director at Royal Academy of Fine Arts of Stock- 
holm. 

832 Hi<Je z,r}^ SeeK* 

A charming picture of child-life. The little girl, hidden so 
securely, as she imagined, has been found by her playmates. 



n 



and International Exposition. 201 



No. 143 Gothers Bade. 

Boruy Grumstreiss, Jutland. Pupil of the Academy of Fine Arts, 
Copenhagen. 

Awards and Honors : Silver Medal, Exposition Universelle, Paris, 
1889 ; Exhibition Medal, 1893-94 ; Medal, World's Columbian 
Exposition, Chicago, 1893 ; Medal, second-class, Antwerp Expo- 
sition Universal, 1894. 



833 Tf)^ l-if<? BoEit. 



n 



A typical scene on the coast of Norway. A lifeboat is being 
drawn over the sands by horses, and will be launched by the faith- 
ful seamen for the rescue of those in danger irom the approaching 
storm. 



01-5TED (CbristiAr?) Copenb^^geo 

No. 3 St. Anna Plads. 

Born, Dragor, Denmark. Pupil of Royal Academy of Art, Copen- 
hagen. 

Awards and Honors: Neietrausenake at the Exhibition Scharlat- 
tenborg in Copenhagen, 1889. 

834 Tbe Uf^ Boz^t. 

(A ship in danger, the west coast of Zutland, Denmark.) 

The storm is raging ; the ship, barely visible, is in deep distress, 
and the sturdy seamen, carefully girded with life preservers, are 
launching a life boat for the rescue of those in danger. 



MI55 (TborvAlcI) Copepbz^geo 

No. 143 Gothers Bade. 

Born, Assent, Denmark. Pupil of the Royal Academy at Copen- 
hagen. 

Awards and Honors : One Gold Medal at Wien, 1882 ; one Medal at 
Copenhagen, and two Medals at Paris, 1889. 
Member of the Royal Academy at Copenhagen. 

835 Auturpn L-a.r)^sc^pc fror^ DeprpzirK. 



202 Tennessee Centennial 



WYBERG (1.) StocKboln) 

"^ Humlegardsgatan, 23. 

Born, Wenersborg, Sweden, 1855. Pupil of Royal Academy of Fine 

Arts in Stockholm ; Academie des Beaux Arts ; Direction 

Gerome, Paris. 
A wards and Honors : Stipendiary of said Royal Academy. 
Member of Royal Academy of Fine Arts ; Artists', Painters' and 

Sculptors' Club ; Swedish Artists' Association. 



836 After tl>^ BziII, 



OAULSEfi ( Juliu?) Copcpb^iger? 

No. 13 Gl. Kongeveg. 

Born, Odense, Denmark. Pupil of Royal Academy, Copenhagen. 
Awards and Honors : Silver Medal, Paris, 1889 ; Gold Medal, Munich, 

1891 ; Thorvaldsen Medal, Copenhagen, 1893. 
Member of Administration of the Art Society in Copenhagen and 

the Plenar Meeting of the Royal Academy, Copenhagen. 

837 /^i^lsurprper JNigbt ip Deon7a.rK. 



O OSE/HBERG (A, Eclw2ir4 J.) stocHboirn 

No. 25 Valhalla vagen. 
Born, Stockholm. Pupil of Royal Academy of Fine Arts. 
Awards and Honors : First Medal of Royal Academy at Stockholm; 

honorable mention at Paris. 
Member of the Society of Swedish Artists ; Society of Swedish 

Painters. 

838 Sunset. 

(Sweden.) 

The splendor of the setting sun seems to have fallen across this 
brilliant canvas. 



839 Twilight. 



The artist has faithfully portrayed the brilliant sunsets incident 
to his native country, and shows strength in his coloring. 



and International Exposition. 203 



CCHITTZ ( Jepsep f1. P.) Copenbageo 

Sten Blichers Vej, i. 

Born, Vordingborg, ^Denmark. Pupil of Royal Academy at Copen- 
hagen ; studies at Paris. 

Awards and' Honors : Elxhibition Medal of the Academy of Copen- 
hagen, 1895. 



840 Going 2i-/^ilKi02. 



CHUL-TZBERG (A. l-eoi>2ird) stocKboin7 

No. 51 A. Master Samuel Gatan. 

Born, Falun, Sweden. Pupil of Academic des Beaux Arts, in Stock- 
holm, Suede ; et de Mr. F. Cormon, Paris. 

Awards and Honors : Medal, I,a Medaille Royale da L'Academie, 
Suedone ; Pris da Rome de la Inemeaed. Honorable mention a 
I/'Kxposition, Paris, 1889 ; Medaille de iii Classe du Salon, Paris, 
1896 ; Medaille, Chicago, 1893. 

Member of Society des Artists in Stockholm, et des Peindres 
Suedoises. 



84 I L-e -^our <ics /^orts. 

(All Saints' Day at Capri.) 

A night scene in a cemetery at Capri, Italy, where the custom 
of decorating the graves on holy days prevails. The artistic skill 
displayed is quickest discerned by looking at the lamplight effect 
on the kneeling sister's face. 



842 Pa.ysa.g^ <!' Iver— Sue«a^. 



204 Tennessee Centennial 

CINDING (Otto) L-ysaKer 

(By Christiana.) 

Born, Kongsberg, Norway. Pupil of Prof. Haus Gade and Prof. 

Pilsby. 
Awards and Honors: Great Golden Medal at Berlin; Great Gold 

Medal, Munich ; Second Medal, Paris, etc. 
Member Art Academy, Munich. 

843 The Eterpa.1 Ice. 

Sinding- was sent by the government of Norway on an expedi- 
tion to Spitzenbergen, and upon his return painted this picture 
(among others) of ice fields and glaciers. 

844 Hezivy S^a.. 

(Arctic Ocean.) 

Mr. Sinding has sent us a representative picture in this strong 
scene. He has had medals at all the great expositions, and ranks 
as one of Norway's most distinguished artists. 



CKRBDSVlG (Cbristiao) Eggedzil 

^^ ( Norway. ) 

Born, Modum, Norway. 
Awards and Honors; Gold Medal, Salon, Paris; Chevalier de la 

Legion d'Honneur. 
Member of Society Au Champs de Mars (Salon), Paris. 

845 Soir sur 1^5 Hz^upt A\onta.gue. 

(Vasches Ventrant au Chalet.) 



^HORriE (Alfr) Saltrpzitzirgevteo 

Born, Horn Astergottowd, Sweden. Pupil of Royal Academy of 

Fine Arts, Stockholm. 
Awards and Honors : Medals of Royal Academy at Stockholm. 
Member Agree of Royal Academy, Stockholm. 



846 Surprper Ni^bt. 



a7id International Exposition. 205 



'yUXEfi (L. R.) Copepb^igep 

No. 33 Bredgade. 

Born, Copenhagen. Pupil of Royal Academy at Copenhagen and 
of Bonnat. 

Awards and Honors : Honorable mention at Paris Salon, and Inter- 
national Kxhibition at Berlin ; Member of the Jury at Paris, 
1889, and at Antwerp, 1894; two Medals at the Exhibition at 
Copenhagen. 

Member Royal Academy at Copenhagen, and the Secession at 
Munich. 

847 H^5^r 2ip<J Isl>n7a.el iv) t^^ De5ert. 



^AL-L-EN iG. T.) StocHbolro 

Born, Stockholm, i860. Pupil of Royal Academy of Fine Arts. 

Awards and Honars : Medals first and second-class of Royal Academy 
of Fine Arts, Stockholm,; Gold Medal, third-class, Paris ; hon- 
orable mention, Paris. 

Member of " Swedish Painters." 

848 Evening zit ibe Sbor^. 

A blue sky and a bluer sea, the fisherman's boats near the 
shore, and others on their homeward way ; in bold relief in the 
foreground, a boy is watching the scene with the grace of youth 
and idleness. 



^^EfiTZEL- (Gustziv) AsHer, Norwziy 

Born, Kristiania. Pupil of M. M. Bouguereau, Bonnat, and Rloll. 
Awards and Honors : Two Medailles a 1' Exposition Universelle de 
Paris, 1889; one Medaille a I'Fxposition Universelle d'Anvers, 

1894. 

849 Uqe ferpe pres du fJor«i <ie Kristizioizi. 

(Norwege.) 

Strongly drawn and beautifully colored ; the light on the hills 
beyond the river is noticeably fine. 



206 Tennessee Centennial. 



yTACHO (Cbristizio) Hillerid, DeorpzirH 

Born, Tylland. Pupil of Academy, Copenhagen ; Bonnat, Paris. 
Awards and Honors : Medal, Copenhagen ; Paris, 1890; Berlin, 1892. 
Member of Royal Academy, Copenhagen. 

850 Evening Sup, 



SECTION 5 



• 

(FRANCE AND GE;RMANY) 



(207) 



i 



RORCHARD (EclwArd) Pziri^ 

No. 9 Rue Duperre. 

Born, Paris. Pupil of M. M. Cabanal and Van Marcke. 

Awards and Honors: Honorable mention, Salon, 1886; Gold 
Medal, Salon, 1891 ; honorable mention, Exposition Universelle, 
Paris, 1889; Medal P)xposition Universelle, Bordeaux, Rouen, 1895. 

851 H2^1l2ili de Cbevrzieil. * 



g^OURDEL-LE (Erqile) Pari^ 

No. 16 Tutane da Maine. 

Born, Monteubau, France. Pupil of De Falguire, Bodin. 

Awards and Honors : Honorable mention, Salon ; Medaille a 1' Expo- 
sition Universelle, 1889. 

Member Societaire a la Soceti ; Nationale da Champ de Mars ; 
member de Jury de Sculpture. 

852 VzilHyri^. 

853 Tet^ Docelourcus^ Deferprp^. 

854 y^a-squ^ Epfa^ot^. 



gUNfiY (Rupert C. W. ) P^vris? 

No. 59 Avenue de Saxe. 

Born, Melbourne, Australia. Pupil of J. P. I^aurens. 
Awards and Honors : Honorable mention at the Salon, 1890. 
Member of Royal Society of British Artists. 

855 By i\)^ Sezi. 

856 \J^ T^sse de. 

(209) 



210 Tennessee Centennial 

^ATE (Siebe Tcp) Pziri^ 

^^ No, 65 Rue de Malte. 

Born, Sneek, Holland. Pupil of Academy of Fine Arts at Am- 
sterdam. 

Awards and Honors: Gold Medal at the World's Exhibition in 
Paris, 1889 ; Diploma of Honor at Barcelona, 1895. 
. Member of Pulchri Studio and The Hague. 

857 A\y Dutcb L-a.n«Isca.pe. 

(Moonshine.) 

858 A Uttl^ Villzige. 



Born, Samur (Pas de Calais), France. Pupil of Lecop de Boisbau- 

dran, Paris. 
Awards and Honors : Medal, Salon, Paris, first-class, 1880. Member 

of International Jury Kxposition Universelle, Paris, 1889; 

I^egion of Honor in 1882 ; officer of the same in 1889. 
Member of the Society Nationale des Beaux Art, Paris. 



859 Due R^st. 

An old man has fallen asleep on a low stone wall near the open 
door of his humble but well-kept home. His basket and imple- 
ments near by bespeak his day's work. One of those touching- and 
simple scenes that takes us into the heart of nature and calls upon 
us to respect the blameless sons of toil who so dearly earn their 
hours of rest. Cazin is one of the strongest artists of the Barbason 
School, noted for the breadth and simplicity of his style and his 
power to render sentiment and the poetry of rural life. 

M. L. IvITTLETON. 



and International Exposition . 211 

^OURTOIS (Gustave) Paris 

^^ No. 73 Boulevard Bineau, 'Pare de Neually, Seine. 

Born, Pussey (Haute Saone.) Pupil of J. I<. Gerotne. 

Awards and Honors: Medals at Paris— third-class in 1878; second- 
class in 1880 ; Gold Medal, P^xposition Universelle, 1889 ; lyegion 
of Honor in 1889. 

860 Blissful Repose. 



J^IUL- (L-udwij:) A\uoicl7 

Awards and Honors : Judge of Awards for German Knipire at 
Columbian Exposition, Chicago, 1893 ; Gold Medal, Munich. 

861 A\uIleios 00 tl^e /^oorgroupd. 

p^EHR (Frederic) A\uoicl> 

Member of the "Session," Munich. 

862 loterrpissioo* 



QAUDEFROY (Alpboose) Pziri^ 

No. 9 Rue Duperre. 

Born, Paris. Pupil of I,eon Cogniet and Cabanal. 

Awards and Honors : Mention honorable, Salon, 1884 ; third Medal, 
Universelle Exposition, Paris, 1889 ; third Medal, I^yons, 1872 ; 
third Medal, I^ondon, 1876 ; second Medal, Compeigue, 1877 ; 
first Medal, Exposition Universelle, Sydney, 1880 ; third Medal, 
Nice, 1884 ; second Medal, Versailles, 1889 ; second Medal, Hol- 
land, 1892 ; third Medal, Tours, 1892 ; third Medal, Rouen, 1896. 

863 Tbe Hupter's Returij. 



212 Tennessee Centennial 



QRlA\EL-Ur<D ( Job2iOnes) Pziri^ 

No. 9 Rue Duperre. 

Born, Christiana (Norvege) . Pupil of H. Gude. 

Awards and Honors : Medaille d'or Salon de Paris, 1888; Kxposi- 
tion Universelle, 1889 ; Centennial, Philadelphia, 1876 ; Crys- 
tal Palace, I^ondon, 1870. Chevalier de la I^egion d'Honneur, 
1893. 

J. Grimelund is one of the greatest and most original of Norwegian 
artists ; strong in that sentiment of home which has such a fertilizing 
power in art, he has been the dominant factor in the development of a 
National Norwegian art. 

864 FJa.^rIa.udsfJor«a. 

(Norvege.) 

One is remined of the description of Norwegian scenery given 
in Thelma by this gorgeous bit of nature, whose coloring is not in 
the least exaggerated, however brilliant it appears. 

865 A\i«apigbt Sun. 

(lyofoten Norvege.) 



I-JARPIGNIES (Heori) 

Born, Valenciennes, 1819. 



He has convincing reality, and is loyal and simple. "He is valuable 
as an honest, genial artist, a many-sided and sure-footed man of talent, 
somewhat inclined to classicism." 

866 L-zipcIsca^pe. 



J 



APY (L-ouis) Pziri^ 

No. 9 Rue Duperre. 
Born, Berne (Doubs, France). Pupil of Mr. Kaucais. 
Awards and Honors : Medaille, 1870, Salon; Medaille, second-class, 
1873; Medaille in 1889, Exposition Universelle, Paris; H. C, 
Paris Salon. 



867 Sunset 

A 
exquisite refinement of feeling peculiar to the French artists 



A delicately colored landscape, gentle and j-eposeful, with the 

ili{ 



and International Exposition . 213 



LEROL-L-E (Her>ry) Paris 

Born, Paris. 

Awards and Honors : Medals, Paris, 1879, third-class; 1880, first- 
class ; I^egion of Honor, 1889 ; H. C, 1889. 

868 Tbe Prornenzi^ae. 



LEWIS (J. A\.) P2vn5 

869 Girl it? Sunlight. 



. pERBOYRE (Paul) Paris 

No. 9 Rue Duperre. 

Born, Horbourg, Alsace. Pupil of Bonnat, Tony Robert-Fleury 
and Donings. 

870 Eo R^coni?a.is2iOce. 



pETlTJE/Vn (Edroood) Pari? 

No. 9 Rue Duperre. 

Born, Neufchateau (Vorges). 

Awards and Honors: Honorable mention, 1881 ; Medaille third- 
class, 1884 ; Medaille, second-class, 1885 ; Medaille, Exposition 
Universelle, 1889 ; Chevalier lyCgion d'Honeur, 1892 ; H. C, 
Salon de Paris. 

871 Frcocb Cottzi^es. 



214 Tennessee Centennial. 



P^OBERT-FL-EURY (Tony) PAri^ 



Born, Paris. 



872 Reverie. 



The reverie of this young woman is coleur de rose, like the sky- 
behind her. Her thoughts are of more vital interest than the pages 
of the book that she has evidently forgotten. 



^OUDOUZE (T.) Pari^ 

No. 59 Avenue de Saxe. 

Born, Paris. Pupil of nature. 

Member of the Society of French Artists ; Member of the Volney 

Artists' Circle ; Chevalier du Sauveur Royal de Greece ; Oflacer 

of the Academy. 

873 Coucber d^ Soleil a.u Ha.vr^. 

(Sunset at Havre.) 

874 La /^oota-gqe. 

(The Mountain.) 



2I^\^\1BRA\/Vri (Ezirpest) A\unicb 

Born, Munich. Pupil of W. O. Diez, 

Awards and Honors : Medals at Munich, Berlin, Antwerp, Bremen, 
Chicago, Melbourne, and Hamburg. 

875 Halt ^uriog Pligbt to Eqypt. 

876 Wii>ter and Surprper. 



SECTION 6 



VVateir Color Paintings 

(PASTELS AND ETCHINGS INCLUDED IN THIS SECTION.) 



.BIOGRAPHICAL SKETCHES OF ARTISTS NOT GIVEN HERE WILL 
BE FOUND IN SECTION i, ALPHABETI- 
CALLY LISTED. 



(215) 



gL-ANEY (Dwigbt) Bostoi) 

877 Over tb^ L-c^ge5. 



gUOODGOOD (Robt. F.) fiew YorK 

No. 15 1 2 Broadway. 

Born, New York. Pupil of National Academy of Design and Art 

Students' L,eague, 
Member of the I^eague, Etching Club, Century, and several other 

Clubs. 



878 Tb^ Siren. 



COOPER IC. C.) PbilZi^eIpbi2i 



No. 1224 Chestnut Street. 



879 Pota.to Pickers. 

880 Evening ©n tb^ Wee^. 

(Holland.) 

881 Tb^ Pea-szint Worna.n. 

(Holland.) 

(217) 



218 Tennessee Centennial 



^URRIER (J, Pmoh) A\unicbf Bzivaria 

Born, Boston, Mass. Pupil of Antwerp and Munich Academies. 

882 Wio^y Wczitber. 

883 Poo<J 2^i Scbleissbeirp. 

884 T^oonligbt. 

885 5Kysc2ipe. 

886 Caoz^I 2it 5cJ)lei55b^in7. 

887 L-io^ien /\v^nue, 

888 L.A.n<isc2ip^. 

889 l-io<Jens. 

890 5uo<Jowo. 

891 Popla.r5. 

892 l-io<iei7 /Vvepue a^t Scbleissbeirp. 



^URTIS (Alic^ A\.) Boston 

^^ No. 261 Boylston Street. 

Born, Boston, Mass. Pupil of Wm. M. Hunt, Frank Duveneck, and 
others ; graduate of I<owell Institute, School of Drawing and 
Design. 

Member of Boston Water Color Club, and member of B. A. S. A. 

893 /V A\inwipter Tbz^w. 

894 A New Eoglzin^i Villz^g^. 



and In ternational Exposition . 219 

No. 2013 Delancy Place. 

895 B2ib el A\etou2iIIi. 

(Cairo.) 

896 /Vb2izzi2i «Ii S. Gregorio. 

(Venice.) 



j^/iGl-lSH (F. F.) dayroopt, Del- 

.gorw, New Albany, Ind. Pupil of Pennsylvania Academy of Fine 

Arts. 
Member Artists' Club of Philadelphia and Philadelphia Sketch Club. 

897 A\oroiog. 



jP VAN? ( Aclelepe ) Aberdeen, A\is5. 

898 SKetcb. 



pERRI5 (Stephen J.) Pbilzidelpbia 

No. 1520 Chestnut Street. 

Born, Plattsburg, N. Y. Pupil of Sam B. Waugh, C. Schuessele, 
and the Academy of Fine Arts, Philadelphia. 

A wards and Honors : As a prize for Fortuny, dead, he received the 
Castlelani Prize, which was the velvet pall used over the dead 
body of Fortuny. 

Member of leading Artists' Societies of Philadelphia. 

899 5ix Etchings. 

(Figures.) 

900 5ix Etchings. 

(Head.) 

901 Portrziit. 



220 Tennessee Centennial 

pREER (FrcdericK W.) Cbice^go 

studio Building, State and Ohio Streets. 

902 Etboa. 

903 A Whisper. 



LAn^JBRT ( Eroroa E.) Rocbe^tcr, JH. Y- 

No. 817 Power's Building. 

Pupil of Harry Thompson, Paris, and J. Kever, Holland. 

Awards atid Honors : Medal with Diploma, Chicago Exhibition, 

1893, for water colors ; Bronze Medal with Diploma at Atlanta 

Exposition, 1895, for oil painting. 
Member New York Water Color Club, New York Woman's Art 

Club ; Woman's Art Association of Canada. 

904 L-ocH 2io<i Lift Brid^ie. 



LEWIS (L-oui^e) iHzisbville 

905 Alice. 

90 6 CbicKa^rnziu^a.. 



Chicago 

No. 1306 Auditorium Tower. 

Born, Chicago, 111. Pupil of Art Institute, Chicago ; M'lle Rosen- 

brom, Holland ; Franz Segeters, Brussels. 
Medals : Silver Medal, Holland. 
Member of Palette Club, Chicago. 

90 7 Roses. 



and International Expositio7i . 221 



AA ILLER (E. H.) Wzisbipgtop 

^ No. 1 109 M Street, Northwest. 

Born^ Shepherdstown, W. Va. 

Member of the Society of Washington Artists and Washington 
Water Color Club. 

908 Portmit of tb^ Artist. 

(By himself.) 



WUHUYS (Albert) L-arcp 

■^ (Near Hilversum, Holland.) 

(See Section 3.) 

909 Dr^ssio? Bz^by. 

910 Tb^ Fruga.! A\ea.l. 



nOFPAT (A.) Nortb Hziropsbire, l\z.%9. 
Dryad's Green. 
Pupil of Art Students' League, New York. 

9 1 1 Bywziy. 

(Portland, Maine.) 

912 Tbe Wbz^rf zit Uubec. 

913 Low Ti<a^ on Gra^n^ Pr^. 



222 Tennessee Centenjiial 

JMICHOL- (J. C.) fiew YorH 

■^ No. 51 West Tenth Street. 

9 \ 4 Suos^t After Storn?. 



NICHOLS (Rbodzi Holmes) fiew YorH 
No. 242 West Fiftieth Street. 



Born, Conventry, England. Pupil of Bloombury Art School. 
Awards and Honors : Queen's Scholarship, I^ondon ; Gold Medal, 

New York ; Medal, Chicago, Boston and Atlanta. 
Vice President New York Water Color Club ; The Woman's Art 

Art Club, New York ; The Woman's Art Club, Canada. 



915 Tbe Sca.rlet Uetter. 
9 i 6 In<Ii2ii7 zifter tt)^ Cbz^s^. 



QCHTA\Ari (L-eon2ir<l) A\i2inu5f Copn. 



917 A Silvery Ni5:bt. 

(See Section i.) 



and International Exposition. 223 

pAL-A\ER (Wzilter L.) Albzipy, ficw YorK 

Born^ Albany, New York. Pupil of F. E. Church, Hudson, New- 
York, and Carolus-Duran, Paris, France. 

Awards and Honors : Received the Second Halgarten Prize, |2oo, at 
the Academy of Design, New York ; Medal World's Fair, 
Chicago, 1893 ; Gold Medal, only award, Philadelphia Art Club, 
1894 ; Kvans Prize, $300, only award, Water Color Society, New 
York, 1895 ; First Prize, $250, Boston Art Club, 1895. 

Associate member National Academy of Design, New York ; mem- 
ber of Society American Artists, New York ; American Water 
Color Society, New York ; New York Water Color Club ; Pastel 
Club, etc. 

Mr. Palmer's water colors are magically beautiful. His snow scenes 
have rarely been surpassed, and his scenes in Venetian waters have an 
irresistible and poetic charm. 

918 A Venetian Twilight. 

9 I 9 Tb^ Bluc-B2irrecl S170W. 

920 L.21 S2ilut^ a.t Noon. 

9 2 I Un^cr tF)^ Pin^5. 

922 Auturnn in tbe Glen. 

923 Gray an<i Gold. 

924 Boats on the Giu«Jecca Canal. 

925 Snow L.a<ien Pin^s. 



pERlE ( Bertb^i B.) \/Zi9hw%ior) 

* No. 1615 Riggs Place. 

Born, Washington, D. C. 

Member of Society of Washington Artists ; Art Students' lycague of 
New York. 

926 An OW A\anx Vessel. 



224 



Tennessee Centennial 



P^EAUGH (F, 



927 A\orniog. 

928 /Vuturpn. 

929 Rupoios: Czittle. 

930 Cattle. 



OziK Cliff, TexziS 



f^lCHARD (F. de B.) 

93 I Suosct, Rorpzin Czirppa^grje. 
932 X-ifc 2in^ Sb2^dow5. 



Pbil2i<Ielpbi2i 



gfiEUL (Heory B.) 



Wcw YorK 

No. ii6 West Forty-first Street. 
Born, Richmond, Bngland. 
Awards aad Honors: Gold Medal, Philadelphia Art Cl«b, 1896; 

President New York Water Color Club. 
Member of American Water Color Society, 

933 Docking a^ L-iner. 

934 Tb^ CitZidel ^t Quebec. 



gMOW (E. T.) 

(See Section i.) 

935 Solitude. 



FbilZidclpbi^ 



and International Exposition . 225 

CTECHER (Wrp. FJ Dorcbester, A\2i5?. 

^^ No. 17 Austin Street. 

936 lo his Den. 



WADSWORTH (PrzioK B.) Oz}\ PzirH, 111 

No. 302 Linden Avenue. 

937 Street. 

(Madrid.) 

938 L.2^i7<Jscape. 

(Providence, R, I.) 



^IL-COX (Bezitrice C.) Cbiceigo 

No. 5101 Kimbark Avenue. 

Born, Geneva, 111. Pupil of Art Institute, Chicago. 

Member of the Cosmopolitan Club and Palette Club of Chicago. 

939 Roses. 

940 White Cbrysa-otberpurps. 



WlL-ES (Irviog R-) NewYorK 

^ No. 106 West Fifty-fifth Street. 

94 I Song without Worcls. 



^IL-L-IAA\S (FredcricK D.) Boston 

No. 23 Irvington Street. 

942 Eotra.nc^ to a. M^w Eogla^n^J Fa.rn7 Yzir^J. 



226 Tennessee Centennial. 



WlUSOfi (Hcnriettzi) Cincinnati 

Walnut Hills. 

Born^ Cincinnati, Ohio. Pupil of Cincinnati Art Academy and 
Frank Duveneck. 

943 A Hc2i<I. 



^UERPEL- (E<Irr)un<l H.) St. L-oui^ 

No. 3418 lyucas Avenue. 
(See Section 1.) 

944 Reverie* 

945 y^ziceilzi. 



\ 



SECTION 7 



(SCUI.PTURB BKING PI^AC^D IN VARIOUS SECTIONS OF THE 

PARTHENON, NO SPECIAI. SECTION HAS 

BEEN ASSIGNED IT.) 



(227) 



a DAn5 (Herbert) fiew YorK 

No. 42 West Fifteenth Street. 

Born, West Concord, Vermont. Pupil of Mercie. 

Awards and Honors: Honorable mention, Paris Salon ; honorable 
mention, Exposition Universelle, Paris ; Philadelphia Art Club, 
Gold Medal ; Chicago, World's Fair, Medal ; Atlanta, Medal. 

^ Member of American Artists, Sculpture Society, Municipal Art 

Society, Architectural I^eague. 

946 A\o<acI for A\a-rbl^ Portra.it. 

(Bas-relief.) 

947 L-^a-rpinj. 

(Model for marble panel in Welch Memorial.) 

948 R^li^ion- 

(Model for marbel panel in Welch Memorial.) 



RRIMGHURST (R, P.) 5t. L-ouis 

No. 1820 I^ocust Street. 

Born, Jerseyville, 111. Pupil of Ecole des Beaux Arts, Paris. 
Awards and Honors : First-class Medal, World's Fair. 
Member of National Sculpture Society, St. Louis ; Artist Guild and 
Painters and Sculptors' Society. 

949 Awakening of Spring. 

(229) 



230 Te7inessee Ce?ite?i7iial 



(21-ARKE U. L. A\owbmy) fiew YorK 

^^ No. 232 East Thirty-fourth Street. 

Born^ Annotta Bay, Jamaica. Pupil of F. W. Poraeroy, Esq., 

London. 
Awards and Honors : Winner of the sculpture competition between 

the Schools of London, 1892. 

9 50 Perseus 2^0<J AP^^rorpeda.. 

Perseus rescues Andromeda from the Dragon with the aid of 
the Gorgon's head. 



Born, Philadelphia, Pa. Pupil of Aug^istus St. Gaudens, of New 

York ; Mercie and Dampt Puech, of Paris. 
Honorary member of American Art Association of Paris. 

95 I A 1-ov^ Story. 

952 Ao Arperica^o Sopra.r)o. 



^OPP (Bllen RzioHin) Cbiczigo 

^*" No. 28 Tree Studio. 

Born, Atlanta, 111. Pupil, Art Institute, Chicago, and Fehr School, 

Munich. 
Medal from Art Institute, Chicago, 1890. 

953 Rev. 52^117 ucl DoziKr D» D., JLL. D. 

(Born, August, 17^19 ; died, 1829. Founder and President of Wash- 
ington College, East Tennessee.) 

954 Yzioke^ Doo«ile. 

(Plaster.) 

955 ^ Gentlerpa-ij of y^ OWep School. 

(Plaster.) 

956 J^obP AP<J^»"son rpy -Jo^. 

(Plaster.) 

957 Cbri5t Hezilipg tb<? Blin^i. 

(Plaster.) 



and International Exposition. 231 



^RUriELUE (L-eop2vr<I) Deczitur, IlL 

Born, Lens, France. Pupil of Larado Taft. 

Awards and Honors : Medal for baby bust at Atlanta Exposition. 

958 Uziu^bios: B^by. 

959 A\a.r5uerit^. 

960 J\rr) Long, 

J^UBOl5 (George^) Pziri^ 

No. 50 Avenue D'Orleans. 
Born, Paris. Pupil of I,ehom. 

96 1 Apries \^ Fzint^. 

(Bronze.) 

QEUERT (J.) CbiC2i$o 

No. 330 Oak Street. 
Born, Nybel, Denmark, Pupil of Adolph Jerichan. Studied at 

Royal Academy, Copenhagen ; later in Paris, Berlin and Rome, 
Awards and Honors: Scholarship from the Danish Government, 

1882, for a year's stay in Rome ; was a member of Awards 

World's Columbian Exposition, Chicago, 1893. 
Member of the Society of Artists in the Cosmopolitan Art Club, 

Chicago. 

962 Tb^ 5tru55le for WorH. 

(Centerpiece of the Parthenon.) 

This splendid work by Gelert created a sensation at the World's 
Fair, where it occupied a conspicuous place in the Art Department. 
The group consists of six poor people contending for a work ticket 
thrown from a factory window. The physical contest is almost 
over, but the fortunate holder of the ticket, with the characteristic 
generosity and good fellowship of the poor, has yielded to an emo- 
tion of pity, and he is struggling with himself whether to give the 
ticket to the old man or the prostrate woman, or to keep it himself. 
The mental struggle is even fiercer than the physical fight. The 
whole is well conceived and dramatically executed. 

963 A Wounde<^ /Vrperica-n 5ol«mer. 

964 Tbe Resurrection* 

965 Portrziit Bust of Al^ra-bz^rp Lincoln. 



232 Tejinessee Ceiitennial 



QRAFL-Y (Cbarle^) Pbile^^ieipbia 

No. 2200 Arch Street. 

Born, Philadelphia, Pa., 1863. Pupil of M. Chapu. 

Awards and Honors : Honorable mention, Paris Salon, 1891 ; Medal 
at Chicago, 1893 ; Silver Medal at Atlanta ; represented in per- 
manent collection at Pennsylvania Academy of Fine Arts. 

966 A\2iuva^i5 Presa^^. 

(I^ife-=;ize statue in plaster.) 

967 Portrait of t\r%. G. 

(Bust in bronze.) 



J^^RAUS (Robert) Bostop 

^ No. 48 Studio Building. 

Born, Feulenrada, Germany. Pupil of German and Halien masters. 

968 Bust of Paul Revere. 

(When first President of the Massachusetts Mechanics' Association.) 

969 Bust of E^award Everett Ha!^. 

9 70 Bust of professor Wood. 
97 1 Bust. 



I ACHEiHA\EYER (Pziul) Pbii^idelpbia 

Broad and Pine Streets. 
Awards and Honors : Medal at Atlanta, 1896. 

972 /*\epbistopbeIe5. 

(Terracotta bust.) 

973 Tb^ L-orelei. 

(Plaster bust.) 

974 TJ)e pied Piper of Harnelip. 

(Terra cotta bust. ) 



and Inter7iational Exposition. 233 



MORETTI (Guseppi) Mew YorK 

Born, Siena, Cascana. Studied in Florence. Pupil of Georeau 
Dupre. 



975 Brooze Stzituc of Cornrpo^dore Vzio^erbilt, 

(Made for Vanderbilt University.) 

976 Ba.s-rclicf /^zirblc Hea.<a of Christ. 

977 Bust of BIin<a My^iia. of Ponr^peii. 

(Original marble.) 

978 A\errna.i<J. 

(Plaster model.) 

979 y^zirtyr of tb^ Crescent. 

(Plaster model.) 



p/\RTRlDGE (Willmrn O.) A\iltoi7, A\2^S5. 

Born, Paris, France (American parents). Pupil of Pio Welonski, 
Rome, Italy. 

Awards and Honors : Has executed the equestrian statue of Gen. 
Grant, for Brooklyn ; the Alexander Hamilton statue, for 
Brooklyn ; the Shakespeare statue, for Chicago ; exhibited 
Royal Academy, London ; Salon, Paris, Berlin, and elsewhere. 

980 C2^5t of Ha^rpiltoo frorr) BrooKIyn. 



234 Tennessee Centennial 

pOTTER (Bessie O.) Cb'CZigo | 

Athenaeum Building. 

Born^ St. Louis, Mo., 1872. Studied at Chicago Art Institute, the 
permanent collection of which contains several of her works. 

98 I Tb^ Arpcrica-n Girl. 

982 SHetcb of a. Girl. 

983 L.a«ay with CloaK. 



f7 ANDOL-PH (Gmce P.) fiew YorK 

No. 3 North Washington Square. 

Born, New York. Pupil of Art Students' League, New York ; of 

the Julian Schools, Paris. 
Awards and Honors : Bronze Medal, Atlanta. 
Member Art Students' League, New York, and Woman's Art Club, 

New York. 

984 Tbre^ L-ittlc Fricpds. 



D 1A\A\ER (Ceiroline Hupt) Boston 

^ Botolph Building, Botolph Street. 

Born, Randolph, Mass. Pupil of Dr. Wm. Rimmer. 

985 Day a-o^ Niqbt. 

986 Neptune* 

987 Betbieben^. 

(Bas-relief in terra cotta.) 



arid International Exposition. 235 

ODlfi Pziris 

Designated by special title and name of sculptor on works. 



CAVlfiE (Leopold) Peiris 

No. 9 Rue Duperre. 

Born, Paris. Pupil of Monsieur Tuj albert. 

Awards and Honors : Paris Salon ; Gold Medal at Amiens, 1894; 
Diploma D'Honeur, London, 1888; Prix du Salon de Versailles, 
1887 ; Diploma D'Honeur, Versailles, 1888 ; Silver Medal at 
Versailles, 18S5 ; Marsailles, 1886 ; Chateauroux, 1887 ; Niems, 
188S ; Rouen, 1S93 ; Lyons, 1874 ; Augers, 1895 ; Exposition Uni- 
verselle, Paris, 1889 ; Rouen, 1896 ; Montpellier, 1887. 

988 Sorcier^ de A\a-cbetb« 

(In wood.) 

989 L.e Ricur. 

(The Laughing Girl.) 



^AFT (Lorzido) CbiCAgo 

Athenseum Building. 

Born, Klmwood, 111. Pupil of Kcole des Beaux Arts, Paris. 

Instructor in Art Institute of Chicago. 

Member Chicago Society of Artists ; The National Sculpture Society. 

990 Hzirplin G2irl2io«J. 

(Bust.) 



^IL-SON (K2itc) CincinoAti 

Born, Cincinnati, Ohio. Pupil of Louis Rebisso at Cincinnati Art 
Academy. 

99 I Portreiit Relief of A\iss S. 



236 Tennessee Centejinial 



WUERTZ (Erpile H.) Cbiczigo 

No. i8 Studio Bulling, North State and Ohio Streets. 

Born, St. Albany, Germany. Pupil of Beaux Art, Paris ; Chapin 

A. Bodin and Mercie. 
Instructor in Modeling and Drawing in the Art Institute of Chicago. 
Awards and Honors : Medal received at World's Columbian Kxpo- 

sition, 1893. 
Member Cosmopolitan Art Club, Chicago. 

992 A\urrnur of t^e Sea.. 

(Statue.) 

993 Wzitcr HyropY). 

(Statue.) 

994 Prid^. 



YANDEL-L (EDid) Pziri^ 

No. 7 Rue de Bagreux. 

Born, I,ouisville, Ky. Pupil of Mart, of New York ; MacMonnies 

and Rodin. 
A7ejards and Honors : Medal at Chicago World's Fair. 
Commissioner for Part's for Tennesssee Centennial ^^xposition. 

995 Io<di2in Pr2iyir)%* 

996 Portra.it of A\. Fargo. 

997 Portrait of A\is5 Yao^Jell. 

998 /*\rs. Outbwait^. 

999 AVr. Barker. 

1000 A\rs. KubO. 

1001 /^is5 /^cPbersoij. 



a7id Internatio7ial Exposition. 



237 



OLMAY (George Julizir?) New YorK 

No. 41 University Place. 

i?orM, Budapest, Hungary, 1863. Pupil of Bouguereau, Falguere, 
Paris ; Hellmer, Kundman, Imperial Academy of Fine Arts, 
Vienna. 

Awards and Honors: Prize of the Imperial Academy; one Silver 
Medal , four Bronze Medals. 



1002 52^n7 Da.vis. 

(Liquified marble.) 

' If I had a thousand lives, I would lose them all here before I 
would betray my friends or the confidence of my infortner." 
These were the last words of Sam Davis, the young patriot and 
martyr hanged by order of the Federal Court Martial, Friday, 
November 27, 1863, at Pulaski, Tenn., charged with being a spy in 
the service of the Southern Confederacy. He was a Confederate 
scout, in the uniform of his army, under orders from Gen. Bragg at 
the time he was captured. His courage, integrity and patriotism so 
fired the hearts of his captors with admiration, that they offered him 
liberty and an escort to the Confederate lines if he would tell them 
the source of the information he had concerning the Northern 
army. 



I003 
I004 
I005 
I006 
I007 



Beethoven. 
A\oz2irt. 

Chopips. 



SECTION 8 



ARCHITECTURE AND ALLIED ARTS 



(239) 



Dripdle (Hz^rry Edwetrd) 
I008 ^ Court IncIo5ure a.n<J Eotrz^oce. 

(Gold Medal drawing.) 



J^eBoutillier (A^^isop B.) 
I009 A Court Ipclosur^ a.n«a Entrzince. 

(Silver Medal drawing.) 



M cCaff^rty (W. H.) 



lOfO A Court Inclosure a-0<J Eptrzioce. 

(Honorable mention.) 



Oo^borg (Cbristiap) 



I O I I A Court Inclosure a.17^ Entra.oc^. 

(Honorable mention.) 



A rrnstroog (S. L 



.) 



1012 A Court Ipclosur^ a.i7«a Entr^nc^- 

(Honorable mention.) 

(241) 



242 Tennessee Centennial 

AVERY PRIZE DRAWINGS. 

FOR CATAI^OGUE COVER. 
TWEI.FTH ANNUAI, EXHIBIT. 

Cw^rtwout (Eclgerton) 

lO I 3 First Prize Drziwing. 

Rrzigdoo (Cl^ucle Fayette) 

lO I 4 5econ«a Prize Dra.win5:. 

PRESIDENT'S PRIZE DRAWLING. 



Rrzigdop (Claude Fayette 



lO I 5 Fir5t Prize Drziwir)?:. 

(Competitions of the Architectural League of New York, 1897.) 



A Iden & Harlow Pitt^burgb 



10 f 6 Dwelling House. 

(Allegheny, Pa.) 



Rigelow (Wro. B.) rtew YorK 

10 I 7 City Hotel. 



and Internatio7ial Exposition. 243 



Rloo<jgoocI 6^ L-und fiew YorH 

lO I 8 House of Frziocij 5« Kip5» Esq. 

(West Fifty-fourth Street, New York. Drawn by W. M. McCaflferty.) 



I O I 9 Coippetitivc Design for Mew YorK Wool Ex- 
1020 House for E. C. Cz^ry, Esq. 

(Montclair, N. J. Drawn by K. D. Colburn.) 

I 02 I Gebbe's Buil<dii7g. 

(Murray Street and West Broadway. Drawn by W. M. McCafferty.) 

1022 Corppetitiv^ Design for Spire. 

(Bloomfield Presbyterian Church. Drawn by Hughsou Hawley.) 

1023 Wa.ret)ouse for H. H^i<I^» Esq. 



Rrite &• Beicop flew YorK 

I024 J^^ff^rsop D^vis /^oourpent. 

(Richmond, Va.) 



1025 W^^\ of History, Arperica^o University. 

(Washington, D. C.) 

1026 Wa^yoe County Buil«dipg. 

(Detroit, Mich.) 



244 Tennessee Centennial 

Rrupper &- Tryoi> fiew YorH 

1 02 7 Color Sketches for City Hou5^. 

1028 Cbz^s^ Bui Wing. 

(No. 481 Fifth Avenue, New York.) 

^^^^y (Edward Pearce) /Hew YorK 

1 029 Corpp^titiv^ Design for A\useurr} Building 

(New York Botanical Garden.) 

^liptop &- Russell New YorK 

1 030 Resi^Jeoc^. 

(West Seventy-third Street, New York.) 

1 03 I R^si<d^pce. 

(West Seventy-seventh, Kast New York. Drawn by E. Kldon 
Dean.) 

1032 Astor Buil^Jing. 

(Corner Broadway, Kxchange Place, and New Street, New York. 
Drawn by K. Kldon Dean.) 

1033 Resi«a^nce a.t A\a<Ji5op, Ai. J, 

(DrawnbyA. Schoenagel.) 

1034 Four Resiliences. 

(N. e;. corner Fifth Avenue and Fifty-sixth Street, New York.) 

1035 Residence. 

(Portchester, N Y. Drawn by T. J. George.) 



and Internatiojial Exposition. 245 



^^* No. 320 Walnut Street. 

Medal at Chicago Exhibition, 1893. 

1036 D^^ign for P. R. R. Sta.tion. 

(Philadelphia.) 

1 03 7 P<?rnbroK^ Hzill, Bryo /*\2iwr College. 

1038 Darligb Hzill, Bryn A\2^wr College. 

1039 Cornpetitioo Perspective Ca^the^Jra.!. 

(New York.) 

1040 T^ort E!eva.tioo, Ha.rri5O0 Building. 

(Philadelphia.) 

1 04 \ Deta.il, Harrisoo Buildipq. 

(Stretchers.) 

1042 perspective, Hzirrisop Buil<diog. 

1043 Roo«a Screen, St. L-upe's Churcb* 

(Two frames.) 

1044 Corppetitive Designs, Pennsylvania. Cornpa.ny. 

(Two frames.) 

1045 House of J, C Sirns. 

(Two frames.) 



^rzirp, Weotwortb ^ Goodbue Boston 

046 Propose<a 5t. Paul's Church. 

(Rochester, N. Y.) 



y- 



246 



Tennessee Centennial 



r^Zirr^cF) (J. A\. Aertsep) T\z\f YorH 

1047 A L-or?2 l5l^i7«i Country Pl^ce. 

pilicott (Wrn. A\., Jr.) Bziltirnorc 

1048 Design for \\)^ B^.itirpore Atbl^tic Club. 

1049 Design for t^e Interior of a. CburcF)* 



I050 C2i5^ Ubr^ry. 

(Auburn New York, Competitive Scheme.) 



Bostoi) 



pree<ll2i0cler (J. H.) 
I051 Pa.tterson Court Hous^, 



Wew YorK 



QiffoH (Cb2is. Ailing) 



I052 Cburcb. 



(Drawn by W. P. Brigden.) 



iHew YorK 



Qlover &• Czirrell 
I053 Norrn^l Sci^ool. 



(Jamaica, l,ong Island.) 



BrooHlyi) 



and Inter7iational Exposition. 247 

Qrzisslcy (Cb^s. B.) Pripcetonf N. J. 

1054 SK^tcb A\o<aeI of Decorzite^a Gothic Fipizil. 

Qreen & WicKs Buffzilo 

1055 Hous^ for Dr, J. W. Putijeini. 

[-Izirdenbergb (H. Jf.) fiew YorK 

1056 Aveoue Fror>t. 

(The Waldorf and new hotel for J. J. Astor.) 

l-lus^ (George A^^rtip) Mew YorK 

1 05 7 Cornpetitioo Design? An?cric2io Security Building 

Isrevels & Hetrdee flew YorK 

1058 Design for Ga.tewa.y. 

(Lafayette College.) 

IzicHson (C. /v. Zipd L-. W.) New YorK 

1059 Cornpetition Design for Pa.ssa.ic County Court 

House. 



248 Tennessee Centennial 



I060 Ga.r«Ieo a^P<J oew Wiog to Union L.^A.gue. 

(Philadelphia, Pa.) 



l^ei^tcr (George) fiew YorH 

1061 El^vzition of iSo. I 14 We5t Tbirty-fourtt) Street. 

(New York.) 

1062 Dipiog-roorr?. 

(No. 5 West Sixty-eighth Street, New York.) 



l^ellogg &• Ao2ible BrooHIyo 

063 Corpp^titiop Design for Ca^se Free Uibrziry. 

(Perspective view, Auburn, New York.) 



I064 Serpi-^uburbzio Resi^Jencc. 



l/^ipg (Guy) 



1065 Design for New 5cbool Building:* 

(Sunbury, Pa.) 

1066 SKetcb of Dii7in§-roon7 /^a^ptel. 

(House for Mrs. M. J. Flick, Glenn Summit, Pa.) 



and Internatio7ial Exposition. 249 



I eerping (Woodruff) fiew YorH 

I067 Perspective of Resi^Jepce. 

(Riverside Conn.) 



J^ipH (Tbeo. C.) 5t. L-ouis 

1068 Prelirpina-ry Stu<iy, Ba^nH Corrjpetitioo. 

I ocKe (A. S.) BrooHlyp 

1069 Sketcb for y^erporia.! Wiry<iow. 

I owipson (Osc2ir), Civil Engineer 

1070 Corppetitioo Desi^^o for nev^ BuiMing. 

(For American Society of Civil Engineers.) 

Lyncb (Elliott) fiew YorH 

I07 I Town H2tll. 

1072 Entrzioce. 

^^iller (FrzipK Curry) Pbii^vdelpbia 

1073 ^pz^rtrpeot Buil«Jio?. 

1074 perspective of Ha.rrisor? Builclii?^. 

(Sunbury, Pa.) 



250 Tennessee Cejitennial 

^L olitor (Jobn) Pbil2i<Ielpbi2^ 

1075 Po5t Office 2iO«i Custorp House. 

^A oore (FrzioK A^b^urton) iHcw YorK 

1076 OW Tree Corrjer. 

(I^archmont, N. Y.) 

^1 ortirper (Robert) iHew YorK 

1077 Ol«d Horpes zit Cb^«i<iinsltoi> Vill^g^. 

(Kent, England.) 

1078 Ro5lyn Cbz^p^l. 

(Midlothian, Scotland.) 

^ye (Alvio C.) /iew YorK 

1079 SKetcI? of a. Dipiog Roorp. 

Obelps (Stowe) Wew YorK 

1080 D. K» E. Cl)a.pter Hou^e. 

(New Haven, Conn.) 

Oottier &- Styrpus Co. Mew YorK 

1081 Perspective SKetcbt in Color, of Sitting Roorr?. 



and International Exposition. 251 



Oeyoold? (/*\arcus T.) Albeipy 

I082 Albany S2ivii755 BzipK. 

(Awarded second place in competition.) 



Dos5 O^rncs) YooKer^, N. Y. 

I083 Corppetitive Desigo for Police Stzitioo 2in<a Court 
House. 

(Yonkers, N. Y.) 



Oossiter &• Wrigbt New Yorh 

1084 Proposed Recitzition H2ill» V2i5S2ir Coll^qc. 

(Poughkeepsie, N. Y.) 

1085 Bzicbelor's Hot<?l, " Royz^top." 

(West Forty-third and Forty-fourth Streets, New York.) 



Cbort (R. Tbornzis) fiew YorK 

086 M^w Type— lrnprov^<i Teoerpepts. 

(Plans.) 



Crpedley (Wz^Iter) Pbilzi^lelpbiz^ 

I087 stores zirjcl /\partrn^nt Hou5^. 



252 Te?inessee Centennial 



m 



Cnelling & Potter Mew YorK 

f088 Rezir Bzir ip A\urrAy Hill Hotel. 

CpEvppb^Ke (OJ Mew YorK 

1089 Country Hous^. 

CtzircK (Wzildcrpzir R.) Mew YorK 

1090 De5igo for Mew YorK City Ha.ll. 

(Competition, 1893.) 

Ctepb^psoo &• Green Mew YorK 

1 09 1 SK^tcb for a Hous^. 

(South Orange, N. J.) 

gtone (Wm. E.) Mew YorK 

1092 Cottag<? at M^w Suffolk, U I. 

(Drawn by F. S. Stone.) 

Ctoi>e (W. E. 2ii7<I Tiltop E. R.) Mew YorK 

1093 Mew Tower. 

(First Presbyterian Churcli, Bloomfield, N. J. Drawn by Hughson 
Hawley ) 



and International Expositio7i. 253 



Ctougbtoo C. W. 2in<I A. A.) New YorK 

1094 P2^1n7 Hou5e» /4ew YorK Botzipiczil Gzir^ep. 

(Competitive Drawing. ) 

^borpzis (W. H.) 

1095 A\cn7orial 2it "Woo^Iziwi)." 

^utbill (Williziro B.) flew YorK 

1096 Office BuiI<Jin5 for Arperic^n Rea.ltyCornpa.ny* 

(Rector Street and Trinity Place, New York. Drawn by S. 'L,. 
Modee. ) 

\Jt\\\^ (Fr2ii>K E.) flew YorK 

1097 Stu«aio for Karl Bitter, Sculptor. 

(On the Palisades, at Weehawken, N. J.) 

Vj^Zire (w^^rnes E.) Mew YorK 

1098 Irpprove^i Dwellings. 

(For the City and Suburban Homes Company.) 

^y^ood (George) New YorK 

1099 Tra<ae Schools, Harpptoo Norrpal Schools, Vir- 

ginia. 

(Drawn by T. H. Johnson.) 



ADDENDA. 



SECTION J.— OIL PAINTINGS. 



p^lKBn (Cbas.) Welleslcy Hilly, A\2kss. 

Born, Worcester, Mass. Pupil of Museum Fine Arts, Boston, Mass. 

Wz Portrziit. 



gARNARD (E. H.) 

(See Section i.) 

22 K Younq Oz^K^s. 



QOHfi (PziUlip^?) 
137 'A Pe2ir Tirpe. 

QOUGHERTY (A\rs- J. W.) 

144>^ Czirpeptcr Shop. 

(255) 



256 Tennessee CeJitennial 



pOURNIBR (A. J.) /*\inoe^polis 

BoTJi, St. Paul, Minn. Pupil of Jean Paul I,aurens, Benjamin- 
Constant, Gustave Courtois, and Academy Julian, Paris. 

Member of the American Art Association, Paris ; Central Art Asso- 
ciation of Western Artists and Minnesota Art I,eague. 



I62K L-^ Repos. 

QROVER (O. D.) 
i88X A\ori7ii)g. 



QUTHERZ (Czirl) 

(See Section i.) 

I92>^ Portra.it of Artist's Dauql^t^r. 



J-|UD5Cfl (Grace) UKiab, Cai. 

Born, Newdocino County, Cal. Pupil of San Francisco School of 
Design. 

Awards and Medals : Medal, Preliminary World's Fair Exhibition, 
San Francisco ; honorable mention, Columbian Exposition, Chi- 
cago ; Medal, San Francisco Art Association ; first prize, San 
Francisco Industrial Exposition ; cash prizes, State and Dis. 
trict Fairs. 

24 1 >^ Tbe Runaway. 



lORDAM (D. W.) 

262>^ S^ptcrnber A\ori7iqg. 



and Inter^iational Exposition. 257 



J^ING (A- P.) 

265X Still-Ufe. 

flG3}4 L.ong T'lTY)^ between DrinKs, 

J^LUA\PKE (Anne E.) 

268X Supper Tirr?^. 

268/^ Portrait of rpy A\otber. 

J^NOWUTOfi (H. n-) 
26 9 K A RocK-boup^ Coz^st, 

M cA\Or(/iIES (n^^ry P.) 

^ (See Section i.) 

299X Worpa-n a.o<a CbiM* 



EAKIfi (L- H.) 

(See Section i.) 



309X Silence 



258 Tennessee Centennial 



n 



AEGL-E (C. F.) 



334 Portrziit of Evelyn. 

(On Mahogany ) 

334^4^ Portrait of t\rs^ Aiz^egle. 

(On Mahogany.) 

334 >^ Portra.it of Alfre^a E. Pearsall, 

(On Mahogany.) 



P^OWE (W. tj 

396/^ RocKs at Cz^pri. 

pRlCE (S. W.) 
376'^ Erpaocipate^J. 

CJEfiAT (Prosper L.) 

(See Section i.) 

4I5>^ Soutt) Cliffs, Cz^pri. 



and International Exposition . 259 



gHUTTL-EWORTH (Clziir^) Buffalo 

Born, Buflfalo, N. Y. Ptapil of Art Students' I^eague of Buffalo, 
F. V, Du Moud, lyuc Olivier Merson, Raphael Collin, and Paul 
I^eroy. 

Awards and Medals: Kxhibited Salon, Champs, Elysees, 1896; 
Medal for painting- from life at Academie Vitte, Paris. 

Member of the Buflfalo Society of Artists. 

424X T\}^ Hunter. 

424>^ lo a^O Ita^li^tj Courty^r<i. 



^YL-ER (Alice Kellogg) Cbiceigo 

470K Stucly of 21 Girl. 



^OODWARD (Aor?2i) 
526/^ In tb^ Orchz^rcl. 



SECTION 2.— LOAN COLLECTION. 



LENT BY CHAS. P. HAZELTINE, PHILADELPHIA. 

I-JAZEL-TINE (Wro. S.) 
660>^ Ca^stl^ Fu5^po. 



260 



Tennessee Centennial 



M ATHOfi (E. L-.) 
569X The Strzip^aecl BzirK. 



F^ri^ 



LENT BY JOHN HEDGES, PHILADELPHIA. 

gl5SEL-l- (E. J.) 
57 IX \r) Vt)^ C2if<?. 



LIfiFORD (G-) 
586^ Auturpf) ii) t^^ BusbKHI. 



Pbil2idclpbi2i 



gHBARBR 



(C. H.) 



Pl)il2iclelpbi2i 



586/^ Nezir tbe Dziiry, Fa-irrpount PzirK. 



M cIl-1-HBfifiY (Cnorgan) Pbilz^^Ielpbi^i 

^orw in Philadelphia. 

Awards and Honors : Medal, World's Columbian EJxposition. 

586l< A\icI-oceap. 



and International Expositio7i . 261 



LENT BY J. G. CALDWELL, CINCINNATI.. 

^OSL-ER (Henry) fiew YorK 

(See Section i.) 

643X l-2i<Jy of First Ernpire. 



J^EVER 
643>^ Fruqzil A\e2il, 



LENT BY ARTHUR JONES, CINCINNATL 

gUL-UlVAfi (Cbristizio Gorclop) 
643^4^ Decernber 017 A\i2in7i. 



SECTION 3.— BELGIUM AND HOLLAND. 



g^RUNIN (Leoo) Antwerp 

(See Section 3.) 

750/^ TJ)^ Aotiqua-rizio. 



262 Te?inessee Centennial 

y^On ANDRlfH[GA(A\2irtir7U5) Tb^ Hzigue 

(See Section 3.) 

8I4K l\^%ro of \\)^ Dutch Coloqiej. 



\^Ofl SCHEfiDEU 
81 5X A\2irKct ip Antwerp. 



SECTION 5,— FRANCE AND GERMANY. 



LEW15 (J. n-) P^^ris 

(See Section i.) . 

869/^ Girl Reading. 



SECTION 6.— WATER COLORS. 
PRTZ (E<Iw2ir<I) Pari5 

^"^ No. 3 Rue Dutot. 

(See Section i.) 

89 7 X Fountain a^t Tol^<ao, 5p2^io. 
89 7 X Spaoisb Water Carrier. 



and International Exposition. 263 



pOWL-ER (A\r5. t\. O. B.) 
90IK Hezil Hezi^a. 



P^ETTIG (Jobn) 

(See Section I.) 

930>^ Low Ti«Je a.t C2^n».rsi^. 



CTEPHENS (Alice Bzirber) Pbii2i<lelpbm 

^^ No. 639 North Twelfth Street. 

Born, New Jersey. Pupil of Academy of Fine Arts, Philadelphia. 

Studied in Paris. 
Awards and Medals: Mary Smith Prize, Philadelphia; Bronze 

Medal, Atlanta Exposition and honorable mentions. 

936>^ Selecting /*\ioia.tures. 

936X ^^o^ric^^T} Worna^n in Society. 



•J'HOA\SOri (W-T.) Pbil2i<Ielpbi2i 

No. 1020 Chestnut Street. 

Born, Philadelphia, Pa. Pupil of Lambinet, Possini and Pennsyl- 
vania Academy of Fine Arts. 
Member of Philadelphia Sketch Club. 

936>^ A\u5ic Hzitb Cbz^rrps. 

936X 5prii75. 

936 >^ FolKs a.r^ not 2it Horpe. 

936^ i-oc2il Politics. 



264 Tennessee Centeruiial 



SECTION 7.— STATUARY. 



0ARTL-ETT (Paul) Pziri^ 

948X Two Decorzitiv^ L-iops fronr^ the 5t)errn^r> 
j^oournept. 



JITTER (Czirl) Wew YorK 

948/^ Fouptziip Group. 

(Bronze.) 

jgOURDEL-L-E (Eroile) Pziri^ 

(See Section 5 of Catalogue.) 



gUSH-BROWNE /Hew YorK 

94 9 X GcI?er^-l A\ca.cle. 

(Plaster bust. 

949X Portrait Bust. 



^OHEM (Katberine A\-) Pbil2^<Ielpbi2i 

952X A Pa^ris Art Student. 



and International Exposition . 265 



QELERT (Job^ipnes) 

965 X A\rs. K. 2in«a Dziught^^r. 
QG5H Dziugbters of Ju^%e> H. 

PARTRIDGE (Willmrn 0-) A\iltoo, A\2iS5- 

(See Section 7.) 

980>^ Bust of Everett Hzile. 
980X Bust of Professor Wood. 
9&OH Nea.rin5 Hon)^. 

Note. — Nos. 966, 970 and 971 attributed to Robert Kraus through error. 



pETERSON (G. D.) Cbiczigo 

No. 300 Wabash Avenue. 

Born, Wilmington, Del. Pupil of Chapu, Lalguiere and Bartholdi, 

Academie Julian, and Ecole des Beaux Arts. 
Exhibited at Paris Salon, 1892. 
Member of Art Students' I,eague, Paris. 

980X Fre<i Douql^ss. ' 



pPEIFER (ClZirzi A\.) St. L-oui^ 

Borji, Pittsburgh, Pa. Pupil of R. P. Bringhurst. 
Member of St. Louis Art Students' Association 

(Bronze plaster.) 



266 Tennessee Centennial 



piATTl (Emilio F.) Fari^ 

980>^ Portrziit Bust of f\\ss. Rusb* 

(Plaster.) 

980^ Apotl)Cosi5 of A\ci)» 



pOTTER (Bessie O.) 

9 83. '4^ Wziter Sprite. 
983>^ A Young i^otber. 
983^ Tbe Twins. 

QUl/HN (E. T.) 

CIBBEUL- (G.) ^1^ Wew YorK 



98 9 >^ Caryot^i^ies. « 

989 X Cbfist a.s Consoler. 

989/^ Son of tl)^ Wi«Jow of iSfa^in. 

989>^ Cbrist RebuKi05 bi5 Disciples. 

989^ Tbree Higb Reliefs. 



List of Pictures Receiving Prizes^ Medals, and 
Honorable Mention* 



Nashville, Tenn., May lo, 1897. 
Theodore Cooley, Esq., Chief Fine Aits Department Tennessee Centennial ; 

Dear Sir :— Your Board of Judges, in making their report, take great pleasure 
in congratulating you on the successful outcome of the exhibition. The greatest 
difficulty the judges encountered in making the awards was caused by the very 
high average of merit. 

Finding so many works in several divisions of your department that merit 
recognition, your judges most respectfully recommend that besides the awards 
made in accordance with your published announcement, you permit further the 
award of honorable mention, as follows : 

PAINTINGS 

First Prize: 469. Sai.t-Marsh, Deckmbkr. 
Second Prize: 518. Mid-Ockan, 

WATER COLORS 

First Prize: 936. The Citadei. at Quebec. 
Second Prize: 919. Bi,ue-Barred Snow. 

SCULPTURE 

First Prize : 949. Awakening of Spring. 
Second Prize : 983^. A Young Mother. 

MEDALS 
345. The Reading Lesson. 
508. Portraits. 

963. A Wounded American Soi^dier. 
994. Pride. 

HONORABLE MENTION 

21. River Weeders. 

129. MisTi.E^oB'i. 

219. The Mus^. • ^ ^ 

235. Venice, Evening. ' . » 

264. St. Ives, Pray fobE^JJs. 

303. Gray Day (water color section). 

450. Suburban Street in Winter. 

457. Rosemary. 

504. The Tea Hour. 

521. The Smoker (water color section). 

761. Autumn Afternoon, Environs of Brussei.s. 

802. Dutch Country Giri.. 

826. Sunset at West Coast of Sweden. 

828. In the Garden. 

836. After the Bai.1,. 

(Signed) Halsey C. Ives, Chairman, 

Thomas Allen, 
F. HopKiNSON Smith, 

Jury of Award, 



i 



I 



'<< 






;* ^K 




•*bi:^ 



2^°-^t. 




^^c$ 























^^ '^•'^'' ^^ <- *^** <G^ 





^oV 




























'bp 











* AT "^ ' ©lis * V ^ 



OOBBSBROS. *^ ^oVo' -tO %> " " > 

I UaHARY BINDING g • • , '^ qV V • O^ <;> 






^^. 
















